Billy and Sydney think they're the best basketball hustlers in town, so when they join forces, nothing can stop them, except each other. To add to their problems, Billy owes money and is being chased by a pair of gangster types.Written by
Marques Johnson has a supporting role as Raymond, who loses a game to Snipes and Harrelson. Johnson was a star player for UCLA's 1974-75 national championship team coached by John Wooden and later played for the NBA's Bucks, Clippers and Warriors. See more »
After Sidney misses the final shot in the best out of 5, the aerial view shows Billy walking away. In the next shot, he is still next to Sidney. See more »
Doesn't this guy look like one of those motherfuckers from The Brady Bunch?
Yeah! He looks like Cindy!
[sings, insulting Billy]
The youngest one in curls...
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In the opening credits, we can hear the classical 20th Century Fox Fanfare in a hip hop style. See more »
Some U.S. video versions are three minutes longer. See more »
Written and Performed by James Brown
Courtesy of Polygram Special Products
A division of Polygram Records, Inc. See more »
Can you, or should you hustle a hustler?
After Billy Hoyle hustles Sidney Deane on the basketball court, Deane offers Billy a proposition about teaming up to hustle the courts of Los Angeles. They are a great team, they are in fact wonderful players, but egos and greed are sure to become a problem, oh and Billy has some rather unsavoury characters after him to return a debt he owes. Can the boys resolve their differences? Can they keep their devoted women happy? All will be revealed in White Men Can't Jump.
White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).
After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10
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