Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Wayne is still living at home. He has a world class collection of name tags from jobs he's tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth's Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail.Written by
John Vogel <firstname.lastname@example.org>
The film is credited with reviving the popularity of the British rock band Queen in the United States through its use of their 1975 song "Bohemian Rhapsody". They had dropped in popularity throughout the 1980s in the US and hadn't even bothered to include the country in their final two world tours with lead singer (and the song's writer) Freddie Mercury (for their 1984 album "The Works" and their 1986 album "A Kind of Magic"). Wayne's World caused the song to become a bigger hit in the US chart (number two) than it had been first time around (number nine). By a remarkable coincidence, Mercury didn't live to see the song's renaissance as he had become rock's most famous AIDS casualty just a few months before the film's release. However, according to guitarist Brian May, Mercury did give permission for the song to be used and saw the clips while he was close to death because Mike Myers had sent a tape and wanted him to see it. See more »
When Crucial Taunt are playing in Cassandra's apartment as Wayne and Garth head to Milwaukee, there is no echo on the audio. However, when the band stop playing, there is a very clear echo when Cassandra and Benjamin talk and even on the rustling of the papers in her hands so there would certainly be a noticeable echo when the band played. See more »
[in bed, flipping through tv commercials]
It's really good seeing you, Benjamin. You haven't been into Shakey's for so long.
Well, I've been real busy.
See more »
Wayne: "Right, excellent movie. All right!" Garth: "Good one!" [Fade in to Wayne and Garth on their basement couch] Wayne: "All right. Well that's all the time we have for our movie. We hope you found it entertaining, whimsical and yet relevant, with an underlined revisionist conceit that belie the film's emotional attachments to the subject matter." Garth: "I just hope you didn't think it sucked!" Wayne: "Okay, so thank you for coming. Good night and party on!" Garth: "Party on, Wayne!" Wayne: "Party on, Garth!" [Fade to black] See more »
The ''Stairway to Heaven'' guitar riff was changed for the international, cable, and videotape releases to a generic riff because of disputes in obtaining rights to the first five notes of the song, which appear only in the US theatrical release. See more »
Time capsule material proves need for "best scene" Oscar
Ask most men within a decade of my age in either direction to list the 100 best movie scenes of all time, and the scene from "Wayne's World" where they sing/lip sync Bohemian Rhapsody in the car will be on more lists than not. It might even make every list. Not designed for the "critically acclaimed" snob set, Wayne's World, the film adaptation of the extremely popular Saturday Night Live skit by the same name, targets its audience perfectly and never even enters the water, let alone jumps any sharks. The movie is true to itself from start to finish.
The bedrock of the film, as well as the skit, is the unbending friendship of Wayne and Garth. Most children have one best friend who stands out above all others, and there's no mistaking that Wayne (SNL alum Mike Myers) and Garth (SNL alum Dana Carvey) have that type of friendship. The best friends host a cable access show in Aurora, Illinois, also sharing the skit's title. Other SNL alums, such as Brian Doyle-Murray (Noah) and Chris Farley (a concert security guard), round out the cast.
The plot centers around an opportunistic television producer named Benjamin Kane (Rob Lowe), who, with funding from an arcade owner, turns Wayne's World into a slickly produced national show, causing it to lose touch with its audience, and causing friction between Wayne and Garth, who feel they have sold out their fans and their roots. A love interest is tossed to Wayne in the form of Cassandra (Tia Carerre), in triangular form due to the attention paid to her by Kane as well as Wayne.
The pop-culture cuisinart responsible for most of the SNL skits was working in overdrive in this film, and that's a good thing. Everything from product placements, to gratuitous sex, to lame plot devices were lampooned. Rob Lowe was excellent as the sleazeball junior television executive, while cameos abound from the rock world, including Alice Cooper and Meat Loaf. Though not publicized as much as the other quotables from the movie, my personal favorite scene was when Wayne and Garth were each laying on parked cars, and Garth starts whistling the closing theme from Star Trek.
SNL-based movies have been hit-or-miss since their inception, but this was unquestionably a hit.
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