Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Wayne is still living at home. He has a world class collection of name tags from jobs he's tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth's Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail.Written by
John Vogel <firstname.lastname@example.org>
The studio wanted to use a Guns N' Roses track instead of "Bohemian Rhapsody", but Mike Myers fought for the inclusion of the Queen song. Myers even threatened to quit the production if he didn't get what he wanted, and eventually the studio gave in to his demand. See more »
In the Suck-n-Cut scene the vacuum hose changes from in front of Garth to behind his back See more »
[in bed, flipping through tv commercials]
It's really good seeing you, Benjamin. You haven't been into Shakey's for so long.
Well, I've been real busy.
See more »
Wayne: "Right, excellent movie. All right!" Garth: "Good one!" [Fade in to Wayne and Garth on their basement couch] Wayne: "All right. Well that's all the time we have for our movie. We hope you found it entertaining, whimsical and yet relevant, with an underlined revisionist conceit that belie the film's emotional attachments to the subject matter." Garth: "I just hope you didn't think it sucked!" Wayne: "Okay, so thank you for coming. Good night and party on!" Garth: "Party on, Wayne!" Wayne: "Party on, Garth!" [Fade to black] See more »
In the broadcast version, many of the "inappropriate" parts are changed or cut. Some of the more interesting line changes are (see Quotes section for original lines): Wayne: Who's playing today? Tiny: Jolly Green Giants, Stinky Beetles. Wayne: Stinky Beetles? Are they any good? Tiny: They stink! Wayne: I lost my show, I lost my best friend I lost my girl! I'm being dumped on, that's all, dumped on... Garth: Benjamin is no one's friend. If he were an ice cream flavor, he'd be Jamocha Almond Idiot. See more »
Penelope Spheeris (also of the Decline of Western Civilization Series and Suburbia) was chosen as the director of Mike Myers and Dana Carvey's SNL creation. This is the film that catapulted both comedians' careers into the stratosphere. 1992 is an interesting time in alternative rock history between the peak of grunge in 1991, and the coming crest of the "punk revival" in 1994 with Green Day, Offspring and Rancid. Wayne's World reveled in this new "alternative rock," music a concept which was at the time much more flexible than it is now. Rife with irony, alternative rock was eventually the name given to the music that blended aspects of rock, metal, punk, pop, and eclectic "weirdness." While Wayne is the more metal half of the excellent duo, Garth is the grunge/nerd/"punk" side of the equation.
Heavy metal rock and roll fandom provides the backdrop for a non-stop train wreck of social satire. Only in 1992; and only in Meyer's and Carvey's comedic genius could Aurora, Illinois ever seem so cool. Wayne's World, in the film's plot, is the name of a Cable Access television show (dare I say "DIY") hosted by Wayne Campbell and Garth Algar. Rob Lowe plays Benjamin, an advertising scout/producer who is looking for talent to promote a chain of video game arcade stores. He finds his muse in the low-brow witticism, promptly signs the boys, and sets them up in a proper television studio. A battle ensues between Ben and Wayne for the affection of one way-hot Cassandra (Tia Carrere) who is easily lured away from Wayne at the first flourish of Benjamin's bountiful extravagance. Wayne and Garth's plans to win back Cassandra culminate in the film's tripartite finale.
"...with an underlying revisionist's conceit that belied the film's emotional attachments to the subject matter..." the film was truly entertaining, whimsical, and relevant. And to reassure Garth; No, it did not suck.
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