A film about struggling to deal with paralysis. Author Joel Garcia breaks his neck while hiking, and finds himself in a rehabilitation centre with Raymond, an exaggerating ladies' man, and ...
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A film about struggling to deal with paralysis. Author Joel Garcia breaks his neck while hiking, and finds himself in a rehabilitation centre with Raymond, an exaggerating ladies' man, and Bloss, a racist biker. Considerable tension builds as each character tries to deal with his new found handicap and the problems that go with it, especially Joel, whose lover Anna is having as difficult a time as he is. As Raymond reveals a dream about dancing on the surface of a lake to stay afloat, it becomes apparent that each of them must find his own Waterdance to survive his tragedy.Written by
Michael Silva <firstname.lastname@example.org>
The computer/word processor that Anna brings to Joel is an Apple Macintosh Portable, released in 1989. It was one of the first battery powered portable computers from Apple and would be followed by Apple's Powerbook series. Primitive by today's standards, it had a 16 Mhz CPU, 1 MB of RAM, could save data on either a 1.4 MB floppy disc or 40 MB hard drive and had a folding 640x400 black and white LCD screen. See more »
[after Joel nearly crashes the van they're in]
Boy, he sure came out of nowhere, didn't he?
It's a good thing we're already paralyzed.
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Eric Stoltz, Wesley Snipes and William Forsythe play three very different men brought together into a hospital ward after each of them has received a paralyzing injury. This is a great film based on the true life experiences of writer/co-director Neil Jiminez. This isn't your typical, sappy, uplifting film about men overcoming personal tragedy. The characters here aren't idealized. They aren't saints. They are alternately angry, confused, prejudiced, self-pitying or funny: in other words, real human beings. This is perhaps the best film ever about men in wheelchairs, but don't let that image scare you. This film is both funny and poignant. Don't miss it.
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