The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth.Written by
The character Corky Corcoran is the name of a cameraman that was filming a promotional spot for another Clint Eastwood movie. During a break in the interview, Clint Eastwood asked what the cameraman's name was, and when told it was Corky Corcoran, Clint did not believe him. His given name is John, but he went by Corky his whole life. Clint said that was a hell of a name. See more »
Final shootout@1:54 - Munny walks into the bar, cocks the shotgun. 1:55 - he cocks it again, shoots the bartender, and cocks it again.
Also, the writer says you killed 5 men. One of them was the unarmed bar tender, so if he's counting him I guess the count is correct. The writer also says "When confronted by superior numbers an experienced gunfighter will always fire on the best shot first." but William shot the unarmed bartender first.
And when shooting Little Bill the second time William's rifle makes 4 sounds (back, forth, something, & something else) when being cocked, but when he kills the second guy on the way out there is no cocking, and before he says he's coming out it makes 3 sounds (back, forth, & something) See more »
At the end of the credits, there is caption reading, "Dedicated to Sergio and Don". This is a reference to late directors Sergio Leone (who directed Clint Eastwood in the Dollars trilogy) and Don Siegel (who directed Eastwood in Dirty Harry and Escape from Alcatraz). See more »
This film was a revelation, a western that DOESN'T LIE. The whole theme stripping away the mythology our culture has built around the west, scraping it away like the finish on a mirror and reveling the ugliness AND the humanity beneath. I was utterly convinced, both by the portrayal of the period and the reality of the characters. A large focus was its treatment of the subject of killing. The movie SHOWS US what it is like to kill a man, a stark stark contrast to the casual attitude taken by so many other westerns. We see what we already know, wild west or no, that killing is something that most people just aren't capable of. And yet the character of William Munny shows us that in spite of the mundanity he embodies in his later life, true evil still existed then as now, and every now and then, true heroism.
111 of 142 people found this review helpful.
Was this review helpful to you?
| Report this