8.2/10
326,477
531 user 155 critic

Unforgiven (1992)

Trailer
2:37 | Trailer

Watch Now

From $2.99 (SD) on Prime Video

ON DISC
Retired Old West gunslinger William Munny reluctantly takes on one last job, with the help of his old partner and a young man.

Director:

Clint Eastwood
Reviews
Popularity
418 ( 14)
Top Rated Movies #118 | Won 4 Oscars. Another 44 wins & 45 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

Gran Torino (2008)
Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

Director: Clint Eastwood
Stars: Clint Eastwood, Bee Vang, Christopher Carley
Platoon (1986)
Drama | War
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A young soldier in Vietnam faces a moral crisis when confronted with the horrors of war and the duality of man.

Director: Oliver Stone
Stars: Charlie Sheen, Tom Berenger, Willem Dafoe
Drama | Sport
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A determined woman works with a hardened boxing trainer to become a professional.

Director: Clint Eastwood
Stars: Hilary Swank, Clint Eastwood, Morgan Freeman
Western
    1 2 3 4 5 6 7 8 9 10 8.9/10 X  

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Director: Sergio Leone
Stars: Clint Eastwood, Eli Wallach, Lee Van Cleef
Western
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

Two bounty hunters with the same intentions team up to track down a Western outlaw.

Director: Sergio Leone
Stars: Clint Eastwood, Lee Van Cleef, Gian Maria Volontè
Drama | War
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

An in-depth examination of the ways in which the U.S. Vietnam War impacts and disrupts the lives of people in a small industrial town in Pennsylvania.

Director: Michael Cimino
Stars: Robert De Niro, Christopher Walken, John Cazale
Braveheart (1995)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

When his secret bride is executed for assaulting an English soldier who tried to rape her, Sir William Wallace begins a revolt against King Edward I of England.

Director: Mel Gibson
Stars: Mel Gibson, Sophie Marceau, Patrick McGoohan
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

As corruption grows in 1950s LA, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.

Director: Curtis Hanson
Stars: Kevin Spacey, Russell Crowe, Guy Pearce
Raging Bull (1980)
Biography | Drama | Sport
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

The life of boxer Jake LaMotta, as the violence and temper that leads him to the top in the ring destroys his life outside of it.

Director: Martin Scorsese
Stars: Robert De Niro, Cathy Moriarty, Joe Pesci
Rocky (1976)
Drama | Sport
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A small-time boxer gets a supremely rare chance to fight a heavy-weight champion in a bout in which he strives to go the distance for his self-respect.

Director: John G. Avildsen
Stars: Sylvester Stallone, Talia Shire, Burt Young
Drama
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

Director: Sam Mendes
Stars: Kevin Spacey, Annette Bening, Thora Birch
Amadeus (1984)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporary composer who was insanely jealous of Mozart's talent and claimed to have murdered him.

Director: Milos Forman
Stars: F. Murray Abraham, Tom Hulce, Elizabeth Berridge
Edit

Cast

Cast overview, first billed only:
Clint Eastwood ... Bill Munny
Gene Hackman ... Little Bill Daggett
Morgan Freeman ... Ned Logan
Richard Harris ... English Bob
Jaimz Woolvett ... The 'Schofield Kid'
Saul Rubinek ... W.W. Beauchamp
Frances Fisher ... Strawberry Alice
Anna Levine ... Delilah Fitzgerald (as Anna Thomson)
David Mucci ... Quick Mike
Rob Campbell ... Davey Bunting
Anthony James ... Skinny Dubois
Tara Frederick Tara Frederick ... Little Sue (as Tara Dawn Frederick)
Beverley Elliott ... Silky
Liisa Repo-Martell ... Faith
Josie Smith Josie Smith ... Crow Creek Kate
Edit

Storyline

The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth. Written by Charlie Ness

Plot Summary | Plot Synopsis

Taglines:

It's a hell of a thing, killing a man

Genres:

Drama | Western

Motion Picture Rating (MPAA)

Rated R for language, and violence, and for a scene of sexuality | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

7 August 1992 (USA) See more »

Also Known As:

The Cut Whore Killings See more »

Filming Locations:

Alberta, Canada See more »

Edit

Box Office

Budget:

$14,400,000 (estimated)

Opening Weekend USA:

$15,018,007, 9 August 1992

Gross USA:

$101,157,447

Cumulative Worldwide Gross:

$159,157,447
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
Edit

Did You Know?

Trivia

One of two Best Director and Best Picture Oscar winners featuring Clint Eastwood as actor and director, with Morgan Freeman co-starring. They would later re-team for Million Dollar Baby (2004). See more »

Goofs

When, under the cloak of darkness, Munny and the Kid arrive at the out house to kill the second cowboy, the shot from the rear shows the Kid animated and holding his nose while the ones from the front have them both still and no holding of the nose. See more »

Quotes

[first lines]
Quick Mike: Dammit! Come a-running, lad!
Delilah Fitzgerald: Stop it!
See more »

Crazy Credits

Instead of the usual Warner Bros. closing logo, it shows the Warner Bros. shield in black and white without a banner. See more »


Soundtracks

Claudia's Song
Written by Clint Eastwood and Lennie Niehaus
See more »

Frequently Asked Questions

See more »

User Reviews

 
'A Man With No Name' Becomes 'A Man With A Real Story'.
12 November 2004 | by Stephen WestSee all my reviews

Clint Eastwood's storytelling gives the western genre one of its most sublime story's. Gone is the trademark mysterious hero and in its place is an ex gunman who made his peace when he met his wife. Eastwood has transcended traditional entertainment to storytelling craftsmanship. He delivers rich characters with deep rooted problems inextricably linked to the villains of the story. Refusing to wither and die away, style has been perfectly adapted with age thus ensuring his maturation into a true Hollywood legend.

Besides his now distinctive storytelling, there are numerous factors that make this a landmark Western. The ensemble cast could not have been stronger and there were no weak performances. The soundtrack accentuates the intended atmosphere of the director. A single detracting factor I could find only just qualifies as such. Munny's whimsical lines seemed a little contrived at times. They droned on like pale attempts to capture the Western era. But this is a consequence of the fact that they were more to do with the character of William Munny. He is after all a reformed killer with a now passive approach to people. Given this fact and also that it may have been distracting since it was so out of sync with what we are used to seeing from Eastwood, I still have to list it as a demerit on the account it slightly jerked me out of the story.

Hollywood producers have to satisfy audience preferences if investments are going to accrue profits. It is the nature of the beast. The action and more specifically the Western genre will stick to tried and tested formulas in order to guarantee audience acceptance. But every so often you get people who as a natural consequence of their unique character appeal are able to deliver a story that is outside these understandably restrictive boundaries. Eastwood is a cool individualist who normally plays characters who are not team players and do it their own way. His own way this time is to give the western genre a real story oozing characterization. A sort of ballad for the bad guy.

The ballads tune provides the story with a sad, introspective mood, within the opening and closing scenes. The opening scene depicts Munny in his new found life. He is cured of his wicked ways, helped by his dear, departed wife. But men are not willing to forgive or forget his monstrous deeds and in the final scenes he is who he has to be. Such is the sorrowful life of William Munny.

Westerns are typified by clearly defined goodies and baddies, but this is definitely not the case here. Eastwood and Freeman play reformed killers who find circumstances drawing them once again to their evil ways. But the older and wiser men now realize the value of life and come face to face with their troubled consciences. This is unlike their naïve, young partner who is attracted to the bravado image of the killer and relishes taking a man's life. This moral issue is virtually taboo for the classic western which glamorizes the lawlessness and the hero attraction of the gunslinger. This is also why in my view no-one besides Eastwood should have handled this movie.

Then we have the juiciest character of the movie superbly played by Gene Hackman worthy of the weight of every micro granule of his Oscar. He is the epitome of every hard-line lawman that ever was. The misguidance of the so called righteously empowered, swinging the hammer against evil for good. Hackman must have salivated when he read the script since there was obvious relish in his performance. All the better for the movie, and of course for Eastwood at the Oscars. By far the best performance and the others were good further underlining the talent of the man.

The antagonist of the movie is almost always the most complex and thus most interesting to analyze. His vain attempts at carpentry are his way of trying to appear to be a good man. There is purity in building ones own home and it is this wholesomeness that he wishes to capture. In that way his fellow citizens will see him as a simple man only wanting to lead a righteous life. But his inability as a carpenter is indicative of his depravity. He cannot be a good man. The source of his drive is anger and hatred. It is through this failing that we realize he cannot escape who he is.

Indeed it was not only the power of the script that gave the audience a spellbinding climax, but the talents of the actors. The actors' characterizations deliver the audience a spellbinding climax. It is only through Hackman's performance that we not only acknowledge his ending as inevitable, but also as deserving. We saw him as a man who virtually thought that he was righteously empowered to rid the earth of Munny and his kind What he thought was an honorable task was one rather of abuse and suppression. He became the baddie in the eyes of the audience and it is he who the audience wants to see justice served upon.

Munny was so weak throughout the movie that the eruption of his evil ways captured the interest of the audience. He transformed into the Eastwood of old – the anti hero with a far more malevolent presence. Never could we have sensed this hatred and evil that we now see in William Munny. It is now that the frivolity of his mannerisms that I touched on in the beginning adds to the story as it helps to accentuate the turn in character. He is now only a killer, in it neither for money or fame as the writer nearly finds out to his tragic detriment.

Those who have only seen his Westerns of old or the 'Dirty Harry' movies may enter the cinema with expectations of such like will either be disappointed or pleasantly surprised. It is the atypical western and an unfamiliar portrayal by Eastwood. But I believe that most people will have the latter reaction. The differences are their strengths helped by the fact that it was a superbly crafted movie with a meaningful story and thought provoking lessons for our heroes and villains. Eastwood was directly suited to the roles that we identify him with, but it is exactly because of this suitability that he eases into the role of Munny. No mellowing with age, no identification with the mainstream, he has always done it his way, and he is so good that any way could be his way.


162 of 236 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 531 user reviews »

Contribute to This Page

Stream Trending TV Series With Prime Video

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial



Recently Viewed