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Un Coeur en Hiver (1992)

Un coeur en hiver (original title)
Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

Director:

Writers:

(scenario and dialogue), (scenario and dialogue) | 2 more credits »
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Nominated for 1 BAFTA Film Award. Another 15 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Camille
...
...
Hélène
Brigitte Catillon ...
Régine
Myriam Boyer ...
Mme. Amet
Jean-Claude Bouillaud
...
Brice
Dominique De Williencourt ...
Christophe
Jeffrey Grice
Luben Yordanoff
Nanou Garcia
François Domange
Jacques Villa
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Storyline

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

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Details

Country:

Language:

Release Date:

4 June 1993 (USA)  »

Also Known As:

Un Coeur en Hiver  »

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Box Office

Gross USA:

$1,666,511
See more on IMDbPro »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Emmanuelle Béart learned to play the violin for the part. See more »

Connections

Featured in Claude Sautet ou La magie invisible (2003) See more »

Soundtracks

Serenade, Op 3 No 5.
Written by Franz Joseph Haydn
(Music played by the music box]
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User Reviews

Everything that is wonderful about French cinema
5 September 2000 | by See all my reviews

No-one can portray emotion in cinema as well as the French, as this movie proves. Auteil is wonderful as the stoic and enigmatic central figure, a man of few words and even fewer facial expressions who is both fascinating and exasperating. Emmanuel Beart is surely one of the most beautiful figures to grace the screen; her eyes say all the things her words fail to. One of the many qualities to admire in this film is that what the characters do not say is more important that what they do, and rather than being vague and ambiguous, which is a polite way of often saying muddled and obscure in movies, everything is confidently conveyed through expressions and actions. This is a film that knows exactly how much to say and what about. There are some brilliantly subtle clues to Auteil's character. "Have you ever been in love?" Beart asks."probably," he replies and nothing more is said. yet despite it's casual nature we remember that comment and without any more help we conclude that this may be the real reason for his isolation now, a desperate attempt at self-preservation. The music is brilliantly chosen, and the camera draws things out of the frame naturally...Auteil touching Beart for the first time when crossing the road, the wonderful coffee shop scene, that slap from Maxim. There is also some excellent humour, especially in the argument between the old couple Auteil witnesses from outside their house. It is interesting to compare this film with Three Colours: Blue which I saw the same evening, a more explicit depiction of isolation, equally powerful through different methods.


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