11 user 3 critic

The Turn of the Screw (1992)

A young woman is hired by a wealthy but sinister man to tutor his two children at the family's isolated estate. When the woman gets there, she finds that the two children are not quite what... See full summary »


Rusty Lemorande


Henry James (novel), Rusty Lemorande
1 nomination. See more awards »


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Cast overview, first billed only:
Patsy Kensit ... Jenny
Stéphane Audran ... Mrs. Grose
Julian Sands ... Mr. Cooper
Marianne Faithfull ... Narrator
Olivier Debray Olivier Debray ... Quint
Bryony Brind Bryony Brind ... Miss Jessel
Thomas Krygier Thomas Krygier ... Jenny's Father / Vicar
Doreen Mantle ... Doreen
Peter Whitman Peter Whitman ... Peter
Mickey Monroe Mickey Monroe ... Secretary
Anna Bolt Anna Bolt ... Anna
Laura Cox Laura Cox ... Laura
Sara Newman Sara Newman ... Sarah (as Sara Mansfield)
Albert Sasson Albert Sasson ... Psychiatrist
Tony O'Leary Tony O'Leary ... Geoffrey


A young woman is hired by a wealthy but sinister man to tutor his two children at the family's isolated estate. When the woman gets there, she finds that the two children are not quite what they seem to be--in fact, they are possessed by the spirits of the evil Quint and his lover. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Plot Keywords:

children | evil | nightgown | girl | boy | See All (48) »


...but when they were bad. They were evil.


Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for images of terror and sexuality | See all certifications »



UK | France



Release Date:

8 June 1994 (France) See more »

Also Known As:

Le tour d'écrou See more »

Company Credits

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Version of Le tour d'écrou (1974) See more »

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User Reviews

Gothic erotic masterwork
19 December 2006 | by FalconeerSee all my reviews

It is difficult to describe the visual beauty of Rusty Lemorande's version of the Henry James novel, 'Turn of the Screw'. Here is a film for people who can appreciate the aesthetic beauty of Gothic cinema. The lovely Patsy Kensit is Jenny, a sexually repressed young woman, who travels to Blye House to care for two very strange, sinister young children. The setting is gorgeous, with almost fetishistic attention being paid to every tiny detail. The clothes, the furnishings, the cars, even the beautiful antique toys are constantly on display here, in a dizzying display of hypnotic beauty. Jenny is tormented by the spirits of the dead, the children's former Nanny, and her mysterious lover. It seems like the children, especially the boy, Miles, have been somehow corrupted by these two. And this version of the story makes it obvious that the 'corruption' is of a sexual nature. Whenever children are sexualized, it adds a truly disturbing level to the goings on. Here we have an utterly bizarre, Gothic/erotic film that has been underrated by critics. Perhaps the subject matter makes some uncomfortable, but true horror should make one feel a bit uneasy. Filled with heavy handed sexual imagery, this is the only film version I know of where the child actors they used were the correct age. And the kids who played little Flora and Miles are superbly pale and haunted looking. Patsy Kensit is fine as the deeply religious Nanny battling her own inner demons as well as the demons of Blye House. Her delicate beauty makes her more of a sympathetic character. Even the music works for this one, haunting music box melodies to compliment the surreal and sometimes breathtaking imagery. The film possesses an undeniable elegance, moving along at a leisurely pace, drawing the viewer in with hypnotic visuals and a classic ghost story. While watching 'Turn of the Screw' I was repeatedly reminded of Mario Bava's masterpiece, "Lisa and the Devil". There is also a bit of "Suspiria" here, but it's similarities to "Lisa" are extreme. The setting; the beautiful house filled with erotic perversion and doomed, illicit romance, the camera angles, the gorgeous attention to detail. I highly recommend 'Turn of the Screw' to fans of Argento and Bava, and other prolific Italian horror directors of the 1970's. I hope someday that this bizarre masterpiece will find it's audience, and get the recognition it deserves.

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