The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ...
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This is the story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce. After many times of ignoring her, Valerie shot him.
A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
In early-1930s Berlin, an elegant Russian émigré and eccentric chocolatier convinces himself that he has seen his doppelgänger, and hatches a murderous plan to trade his existence for an entirely new one. Will he get over the deep despair?
Rainer Werner Fassbinder
A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose ... See full summary »
The son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral model who believes in indiscriminate love affairs.
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the investigation, trial and final fate of the two men.Written by
Col Needham <firstname.lastname@example.org>
The barber shaving Craig Chester in one scene is played by Jim Crawford, who did hair and makeup for the film. He is also the prison barber shaving the boys' heads later in the film. See more »
The two lead characters use a telephone with Touch Tone dialing-systems and other modern devices (TV remote controls, ballpoint pens, etc), even though the film is set in the early 1920's. The placement of such anachronistic objects was deliberate on the part of the filmmakers. See more »
It feels like a period documentary and the story is the story of Leopold and Loeb - A terrifying portrait of two real life killers who killed without passion or reason just to prove they were above the law. The period details are beautifully drawn but where it lacks is in the actor's faces. They appear rather than participate fully. There is a detachment in their portrayal that kept me at a safe distance and I could admire it with my head but I couldn't connect with my heart. The opposite of what happened to me with 1958's Compulsion - I was riveted by Dean Stockwell. I believed and understood just by looking into his eyes.
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