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Kamen (1992)

Not Rated | | Drama, Fantasy | 25 February 1993 (Netherlands)
A caretaker encounters Anton Chekov and spends a lonely night and day in his company.

Director:

Aleksandr Sokurov

Writer:

Yuriy Arabov
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Cast

Credited cast:
Pyotr Aleksandrov Pyotr Aleksandrov
Leonid Mozgovoy Leonid Mozgovoy
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Storyline

A caretaker encounters Anton Chekov and spends a lonely night and day in his company.

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

Not Rated
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Details

Country:

Russia

Language:

Russian

Release Date:

25 February 1993 (Netherlands) See more »

Also Known As:

De steen See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Connections

Featured in Sokurovin ääni (2014) See more »

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User Reviews

Wonderful meditation on life after death
11 May 2000 | by sprengerguidoSee all my reviews

At first, I had some trouble getting what the film is all about - and even watching it, as I thought the projectionist had put on a wrong lens. Only later I understood that Sokurov often uses distorting lenses when filming, which makes the characters in many scenes look like skinny Giacometti sculptures.

Still, when I finally got the point, the films meaning unfolded with a wonderful intensity. A young man, an occasional housekeeper at an abandoned countryside manor, meets an old man sporting strange behavior: He touches his own body with amazement and says that everything in the house looks familiar to him and strange at the same time. What is never openly stated: this man is a former inhabitant of the house who has returned from the dead. He is not able to convey the joy to have his physical sensations regained to the young man, who remains a cynical, world-despising character; he is also not able to talk clearly about the afterlife, an experience that escapes words.

Like other films of Sokurov, this one is extremely slow moving, with characters whispering sparse and highly condensed dialogue. Everything important is only said once, or never at all. Sokurov knows, as every good film director should, that not everything can be said and shown, and he knows how to keep a secret: He creates a dreamlike atmosphere which leaves plenty of space for the viewer to detect the unspeakable, invisible behind things.

Sokurov is definitely a master and one of the most important figures in present day cinema.


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