6.7/10
24,940
85 user 34 critic

Singles (1992)

A group of twenty-something friends, most of whom live in the same apartment complex, search for love and success in grunge-era Seattle.

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4,402 ( 180)

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From $2.99 (HD) on Prime Video

ON DISC
1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Janet Livermore
... Steve Dunne
... Linda Powell
... Debbie Hunt
... David Bailey (as Jim True)
... Cliff Poncier
... Dr. Jeffrey Jamison
... Andy (as James LeGros)
Devon Raymond ... Ruth
Camilo Gallardo ... Luiz
... Pam
... The Mime
... Doug Hughley
... Mayor Weber
... Jamie
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Storyline

Romantic comedy about six of Seattle's young people, most of whom live in the same apartment building and whose lives revolve around the city's ever-expanding music scene. The inter-related stories about each character's progress through the singles scene are intriguing and often very funny, and the soundtrack is a grunge fanatic's dream, with the likes of Soundgarden, Pearl Jam and Mudhoney. Written by dirk-79

Plot Summary | Add Synopsis

Taglines:

Love is a game. Easy to start. Hard to finish.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for language, sex related dialogue and scenes of sensuality | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

18 September 1992 (USA)  »

Also Known As:

Vida de Solteiro  »

Filming Locations:

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Box Office

Gross USA:

$18,472,850
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Warner Bros. held the film at bay, unsure what to do with it, for almost nine months, until the explosive success of Nirvana's Nevermind put Seattle on the map. See more »

Goofs

Debbie doesn't tell the "Expect The Best" clerk her name before he calls her "Debbie". See more »

Quotes

Steve Dunne: Linda, uh, it's me. I had to call you. It's about midnight. I was just having many beers. And, uh, I just wanted to say what I should have said at the dock. I fucking chickened out when I acted casual, like Mr. Casual. I should have said it. You... belong... with... me! We belong together. And what really pisses me off is that, now that we're really talking, you thought i proposed to you only because you were pregnant. What's that about! I mean... hey, this is not the bathroom! And you know ...
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Crazy Credits

Steve (Campbell Scott) goes to a house looking for Linda (Kyra Sedgwick), but a woman at the house (Debbie Mazar) tells him that she's moved out to live with some guy. See more »


Soundtracks

Bastards of Young
Written by Paul Westerberg
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Frequently Asked Questions

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User Reviews

 
Hilarious rockin romcom & the last of the great American growing-up comedies
22 May 2013 | by See all my reviews

In the 80s, three directors perfectly captured the comedy of young American growing pains. These directors are John Hughes ("Sixteen Candles", "Breakfast Club", "Ferris Buehler"), Savage Steve Holland ("Better Off Dead") and Cameron Crowe ("Say Anything"). All of these films are characterized by witty, tongue-in-cheek dialogue (satirical but not sarcastic) and surreal, music-video-like gags such as, I dunno, a pigburger patty grabbing a guitar and rocking out to Van Halen's "Everybody Wants Some".

When the 80s ended, apparently so did their unique and idiosyncratic brand of humour. John Hughes stopped directing in 91, and Savage Steve's last feature film was also in 91. Cameron Crowe evolved into a different style with his hugely successful 30-something comedy "Jerry Maguire". Here, folks, in 1992 I believe we have the last (and possibly best) of the great 80s growing-up films. If you've seen the others I mentioned, don't consider your life complete until you see "Singles".

Even with Crowe's 1989 "Say Anything", focusing on high school graduation, Crowe was the most mature of the bunch yet every bit as quirky and hilarious. "Singles" covers the next age, 23-to-27, establishing careers and facing grown up problems but still as wild and emotionally reckless as high school kids. I suppose some of us carry that same crazy recklessness late into life which is what makes this movie great for oddballs of all ages.

The movie is perfectly cast with Cambell Scott in the lead (think John Cusack but a sharper dresser), Kyra Sedgwick as a slightly flakey control freak (maybe an early version of Tina Fey in "30 Rock"), and a host of awesome supporting characters: Bridget Fonda as the slightly neurotic groupie who refuses to admit that she's a groupie, Sheila Kelley (remember the hot paralegal in LA Law?) who plays a goofy, insecure maneater, Eric Stoltz (Caprica, Pulp Fiction, The Prophecy) in the oddest role he's ever played: an obnoxious mime who won't shut up, and of course the show-stealer Matt Dillon as the not-so-bright artist/rockstar whose magnum opus is a song called "Touch Me, I'm Dick".

Speaking of rock music, cameo appearances, as well as performances, include... are you paying attention, folks...?

Eddie Vedder, Jeff Ament and Stone Gossard from Pearl Jam

Chris Cornell and the gang from Soundgarden

Thomas Doyle singer for TAD ("You got the wrong number, lady, but I'll be right over")

Pat Nizzio singer for The Smithereens

Everyone from Alice in Chains

Jeremy Piven (Ari Gold in Entourage) as the funniest checkout clerk you've ever seen

Bill Pullman as a nerdy breast implant surgeon

Paul Giamatti in one of his first speaking roles ever ("What?!!")

Cameron Crowe's mother

and none other than director TIM BURTON as Bryan the next Martin Scorcese (pronounced "Score-seeez" haha)

And if that's not enough to make you want to rush out and rent this movie, don't forget the killer soundtrack with tunes by the aforementioned bands plus Jane's Addiction, Smashing Pumpkins, Paul Westerberg (The Replacements) and others I'm probably forgetting.

The story itself is fantastic, not only hilarious but probably the most insightful peek into romance disorder since "When Harry Met Sally". This comedy has it all. See it, see it again. Live it. And praise the gods of 80s comedy that we were given this final masterpiece of a bygone era.


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