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Single White Female (1992)

Trailer
1:47 | Trailer
A woman advertising for a new roommate finds that something very strange is going on with the tenant who decides to move in.

Director:

Barbet Schroeder

Writers:

John Lutz (novel), Don Roos (screenplay)
Reviews
Popularity
3,052 ( 1,292)
1 win & 1 nomination. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Bridget Fonda ... Allison Jones
Jennifer Jason Leigh ... Hedra Carlson
Steven Weber ... Sam Rawson
Peter Friedman ... Graham Knox
Stephen Tobolowsky ... Mitchell Myerson
Frances Bay ... Elderly Neighbor
Michele Farr Michele Farr ... Myerson's Assistant
Tara Karsian ... Mannish Applicant
Christiana D'Amore ... Exotic Applicant (as Christiana Capetillo)
Jessica Lundy ... Talkative Applicant
Renée Estevez ... Perfect Applicant (as Rene Estevez)
Tiffany Mataras ... Twin
Krystle Mataras Krystle Mataras ... Twin
Amelia Campbell ... Check Cashier
Kenneth Tobey ... Desk Clerk (as Ken Tobey)
Learn more

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Storyline

When a 'Single White Female' places an ad in the press for a similar woman to rent a room (to replace the boyfriend she's just left), all the applicants seem weird. Then along comes a level headed woman who seems to be just right. The new lodger has a secret past which haunts her. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

How do you lock the terror out... when you already invited it in? See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong sexuality, and for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Bridget Fonda had the choice of playing either Allie or Hedy. She ended up choosing to play Allie, because she said it was a harder role. See more »

Goofs

As Allison falls to her knees to vomit in the bathroom, the toilet rocks noticeably as she grabs it, showing that it is a prop rather than a correctly installed fixture. See more »

Quotes

[first lines]
Sam Rawson: [Sam talks to Allie while laying in bed] So how many kids do we want?
Allison Jones: I don't know. What's the statistical norm?
Sam Rawson: Oh... You and your statistics. One point two.
Allison Jones: Hm... Okay, then I want two point two. And I want them to look like you.
Sam Rawson: Oh, those poor kids.
See more »

Connections

Referenced in Chelsea Lately: Episode #8.65 (2014) See more »

Soundtracks

TRIO SONATA IN C, RV 60
Composed by Antonio Vivaldi
Performed by The Purcell Quartet
Courtesy of Hyperion Records Ltd.
See more »

User Reviews

 
The promise is let down by a muddle of drama and action
28 April 2009 | by StampsfightclubSee all my reviews

After her partner moves out Allie Jones (Fonda) invites Hedra Carlson (Leigh) to move in, only Hedra has a few dark secrets and soon causes problems for her roommate.

The 1990's was a big step towards engaging actresses into more notable lead roles. Kathy Bates in Misery, Susan Sarandon and Gena Davis in Thelma and Louise and Jodie Foster in Silence of the Lambs turned many memorable Oscar winners and nominees in some fantastic pictures and the playing field seemed to generate more female stars who are still remembered today. So a year after Ridley Scott's dramatic Thelma and Louise picture in 1991 could Fonda and Leigh generate the same level of press attention and accolade? The premise was definitely there. The claustrophobic feel of the plot with a stalker of a room mate and obsession reflects the nature of Kathy Bates' character in Misery and the whole love and cheating concepts could easily merit those reflected in Scott's picture but this never materialized. We are left with some, what can only be described as dull and boring soap styled concepts. The whole 'my partner has left me and now I'm depressed' is as flat as a pancake and Leigh's inclusion, whilst initially spicing things up became equally dull.

What follows is a collection of mad antics by Leigh's awkward character and Fonda's struggling Allie. The pairing isn't too bad. There are some spicy moments that generate good drama and tension between the pair. The whole dog thing is a good reflection, as is the already mentioned stunning climax.

The direction by Schroeder is frequently muddled. From high shots to low shots and the inclusion of the odd tracking shots there is never a settling momentum to carry the picture through its dramatic stages. The final half an hour is well handled as the script notches up a gear into flowing momentum with a good final ending.

If you feel inclined to turn off after ten minutes then you can be forgiven as there is little to match your enthusiasm for this picture.

But if you get up to the inclusion of the dog then you may as well carry on as the final stages generate some stunning tension.

Single White Female is what you may call a wonderful promise that was horribly muddled. It's described as a dramatic thriller and the whole 'drama' part is evident throughout being soapier than a Dove product, but the thriller tag never is evident still the stunning climax that is great, but simply not justification of what we saw, and we are simply rolling our heads and imagining what could have been.


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Frequently Asked Questions

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Details

Country:

USA

Language:

English

Release Date:

14 August 1992 (USA) See more »

Also Known As:

Single White Female See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$10,212,401, 16 August 1992

Gross USA:

$48,017,402

Cumulative Worldwide Gross:

$48,017,402
See more on IMDbPro »

Company Credits

Production Co:

Columbia Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »

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