A prep school student needing money agrees to "babysit" a blind man, but the job is not at all what he anticipated.
Director:
Writers:
Stars:
Awards:
- Won 1 Oscar. Another 5 wins & 14 nominations.
- See more »
Photos and Videos
Cast verified as complete
Al Pacino | ... |
Lt. Col. Frank Slade
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Chris O'Donnell | ... |
Charlie Simms
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James Rebhorn | ... |
Mr. Trask
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Gabrielle Anwar | ... |
Donna
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Philip Seymour Hoffman | ... |
George Willis, Jr.
(as Philip S. Hoffman)
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Richard Venture | ... |
W.R. Slade
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Bradley Whitford | ... |
Randy
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Rochelle Oliver | ... |
Gretchen
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Margaret Eginton | ... |
Gail
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Tom Riis Farrell | ... |
Garry
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Nicholas Sadler | ... |
Harry Havemeyer
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Todd Louiso | ... |
Trent Potter
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Matt Smith | ... |
Jimmy Jameson
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Gene Canfield | ... |
Manny
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Frances Conroy | ... |
Christine Downes
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June Squibb | ... |
Mrs. Hunsaker
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Ron Eldard | ... |
Officer Gore
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Sally Murphy | ... |
Karen Rossi
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Michael Santoro | ... |
Donny Rossi
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Alyson Feldman | ... |
Francine Rossi
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Erika Feldman | ... |
Francine Rossi
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Julian Stein | ... |
Willie Rossi
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Max Stein | ... |
Willie Rossi
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Anh Duong | ... |
Sofia
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Leonard Gaines | ... |
Freddie Bisco
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David Lansbury | ... |
Michael
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Joseph Palmas | ... |
Bellhop
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Baxter Harris | ... |
George Willis, Sr.
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Francie Swift | ... |
Flight Attendant
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Michael Simon | ... |
Oak Room Waiter
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William Beckwith | ... |
Oak Room Maitre D'
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Mansoor Najee-ullah | ... |
Skycap
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J.T. Cromwell | ... |
Ballroom Waiter
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Peter Carew | ... |
Bootblack
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Paul Stocker | ... |
Doorman
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Mike Lisenco | ... |
Cab Driver
(as Michael Lisenco)
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Divina Cook | ... |
Night Maid
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Rest of cast listed alphabetically: | |||
Thomas Downey | ... |
Waiter (uncredited)
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Richard L. Duma | ... |
Extra Student (uncredited)
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Cynthia Elane | ... |
Pedestrian (uncredited)
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Russell Gibson | ... |
Barber (uncredited)
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Dan Gifford | ... |
Man in Hotel Lobby (uncredited)
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Carlo Giuliano | ... |
Student (uncredited)
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Mark Robert Gordon | ... |
Student (uncredited)
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George Grafas | ... |
Waldorf Guest (uncredited)
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Luke L. Hansen | ... |
Student (uncredited)
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Kenneth Kopolovicz | ... |
Student (uncredited)
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Pui Fan Lee | ... |
Floozie - Woman in Hotel Lobby (uncredited)
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Jack Mulcahy | ... |
Oak Room Patron (uncredited)
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Eric Reid Schroeder | ... |
Student (uncredited)
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Lucy Smith | ... |
Airport Traveler (uncredited)
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Paul Zimmerman | ... |
Student (uncredited)
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Directed by
Martin Brest |
Written by
Giovanni Arpino | ... | (novel "Il Buio E Il Miele") |
Bo Goldman | ... | (screenplay) |
Ruggero Maccari | ... | (character from Profumo Di Donna) (suggestion) and |
Dino Risi | ... | (character from Profumo Di Donna) (suggestion) |
Produced by
Martin Brest | ... | producer |
G. Mac Brown | ... | associate producer |
Ronald L. Schwary | ... | executive producer |
Music by
Thomas Newman |
Cinematography by
Donald E. Thorin | ... | director of photography |
Editing by
Harvey Rosenstock | ||
William Steinkamp | ||
Michael Tronick |
Editorial Department
Susan Alexander | ... | assistant film editor |
Joyce Arrastia | ... | apprentice film editor |
Will Binder | ... | post-production assistant |
Ken Blackwell | ... | assistant film editor (as Kenneth Blackwell) |
Sandy Brundage | ... | negative cutter |
David Dresher | ... | associate film editor |
Susan Graef | ... | assistant film editor |
Matthew A. Handal | ... | apprentice film editor |
Brian Schwary | ... | apprentice film editor |
Mike Stanwick | ... | negative timer |
Michael T. Wilson | ... | assistant film editor |
Lynn Cassaniti | ... | apprentice film editor (uncredited) |
Casting By
Ellen Lewis |
Production Design by
Angelo P. Graham | ... | (as Angelo Graham) |
Art Direction by
W. Steven Graham |
Set Decoration by
George DeTitta Jr. |
Costume Design by
Aude Bronson-Howard |
Makeup Department
Joseph Coscia | ... | hair stylist (as Joe Coscia) |
Alan D'Angerio | ... | hair stylist: Al Pacino |
Carl Fullerton | ... | makeup artist: Al Pacino |
Robert Laden | ... | makeup artist |
Francesca Paris | ... | key hair stylist |
Allen Weisinger | ... | makeup artist |
Production Management
G. Mac Brown | ... | unit production manager |
Doreen A. Dixon | ... | post-production supervisor |
Donna Smith | ... | executive in charge of production |
Second Unit Director or Assistant Director
Vicki Cherkas | ... | dga trainee |
Maggie Murphy | ... | second second assistant director |
Douglas S. Ornstein | ... | second assistant director |
Amy Sayres | ... | first assistant director |
Art Department
William Armstrong | ... | stand-by scenic |
Jeff Balsmeyer | ... | storyboard |
Roland Brooks | ... | scenic chargeman |
Gerald DeTitta | ... | lead man |
John R. Ford | ... | assistant property (as John Ford) |
Katharine Garrison | ... | art department coordinator |
Robert Griffon Jr. | ... | property master |
Ray Kluga | ... | assistant art director |
Amy Marshall | ... | assistant set decorator |
John McDonnell | ... | assistant property (as John B. McDonnell) |
Rudy Pelikan | ... | key carpenter |
John Ralbovsky | ... | second scenic (as John A. Ralbovsky) |
Raymond M. Samitz | ... | construction coordinator |
Edward Smith | ... | carpenter |
Paul Wardwell | ... | construction grip (as Paul Thomas Wardwell) |
John Alvin | ... | poster artist (uncredited) |
Timothy Main | ... | carpenter (uncredited) |
Louis J. Porzio | ... | carpenter (uncredited) |
Peter Regnier | ... | set dresser (uncredited) |
Sound Department
William C. Carruth | ... | adr editor (as Bill Carruth) |
Lucy Coldsnow-Smith | ... | foley editor (as Lucy Coldsnow) |
Dean Drabin | ... | adr mixer |
Eric Gotthelf | ... | foley mixer |
Ann Hadsell | ... | adr recordist |
John Haeny | ... | sound effects editor |
Robin Harlan | ... | foley artist |
Devon Heffley Curry | ... | adr editor (as Devon Curry) |
Doug Hemphill | ... | re-recording mixer |
J. Paul Huntsman | ... | supervising sound editor |
Chris Jenkins | ... | re-recording mixer |
Tony Jenkins | ... | dubbing recordist |
Rudy J. Lara | ... | dubbing recordist (as Rudy Lara) |
Matthew C. May | ... | assistant sound editor (as Matt May) |
Pat McCormick | ... | dialogue editor |
Danny Michael | ... | sound mixer |
Sarah Monat | ... | foley artist (as Sarah Jacobs) |
Myron Nettinga | ... | sound effects editor |
Ralph Osborn | ... | dialogue editor |
Jeff Rosen | ... | foley editor |
Daniel Rosenblum | ... | sound recordist |
Carolann Sanchez-Shapiro | ... | assistant sound editor |
Matt Sawelson | ... | dialogue editor (as Matthew Sawelson) |
Andrew Schmetterling | ... | boom operator |
James Simcik | ... | supervising adr editor |
Jill Smith | ... | apprentice sound editor |
Mark Smith | ... | re-recording mixer |
Robert Ulrich | ... | adr editor |
John Hampton | ... | playback (uncredited) |
William Woff | ... | adr (uncredited) |
Stunts
Phil Adams | ... | stunts |
Danny Aiello III | ... | stunts |
Tom Elliott | ... | stunts |
Al Goto | ... | stunts |
Michael Haynes | ... | stunts |
Jery Hewitt | ... | stunts |
John Macchia | ... | stunts |
Dwayne McGee | ... | stunts |
Jane McKernan | ... | stunts |
Peter McKernan | ... | stunt coordinator |
Janet Paparazzo | ... | stunts |
Don Pulford | ... | stunts |
Gary J. Wayton | ... | stunts (as Gary Wayton) |
Jane Austin | ... | stunts (uncredited) |
Tom Elliott | ... | stunt double: Al Pacino (uncredited) |
Camera and Electrical Department
Myles Aronowitz | ... | still photographer |
Russ Caldwell | ... | electrician (as Edward Tobin) |
John Cambria | ... | second assistant camera |
Jerry DeBlau | ... | chief lighting technician (as Jeffrey Deblau) |
Ken Ferris | ... | camera operator: "a" camera |
Richard Guinness Jr. | ... | dolly grip (as Richard Guinness) |
Andy Harris | ... | second assistant camera: "a" camera |
Paul Kinghan | ... | electrician |
David Knox | ... | camera operator |
Sal Lanza | ... | grip |
Martin Lowry | ... | grip |
Sal Martorano | ... | gaffer: second unit |
Arthur Moshlak | ... | electrician |
Larry Orlick | ... | first assistant camera (as Lawrence Orlick) |
John Panuccio | ... | best boy grip |
Peter John Petraglia | ... | best boy |
George Potter | ... | electrician |
Robert T. Prate | ... | grip (as Robert Prate) |
Tom Prate | ... | key grip (as Thomas J. Prate Jr.) |
Eric Swanek | ... | first assistant camera: "a" camera |
Joseph Viano | ... | grip |
Paul Colangelo | ... | camera trainee (uncredited) |
Douglas Pellegrino | ... | first assistant camera (uncredited) |
Louis Petraglia | ... | Lamp operator (uncredited) |
Peter Prostovich | ... | electrician (uncredited) |
Casting Department
Julie Madison | ... | casting associate |
Costume and Wardrobe Department
David C. Robinson | ... | assistant costume designer (as David Carl Robinson) |
Melissa Stanton | ... | wardrobe: women (as Melissa Adzima-Stanton) |
Benjamin Wilson | ... | wardrobe: men |
Timothy Alberts | ... | set costumer (uncredited) |
Cynthia Flowers | ... | additional costumer (uncredited) |
Location Management
Moshe Bardach | ... | location scout |
Andrew D. Cooke | ... | location manager |
Jillian C. Flynn | ... | location scout |
Lyn Pinezich | ... | assistant location manager |
John Rath | ... | location scout |
Music Department
Bob Badami | ... | music editor |
Andy Bass | ... | score recordist |
Bill Bernstein | ... | music editor |
Julian Bratolyubov | ... | music preparation |
Leslie Morris | ... | orchestra manager |
Thomas Pasatieri | ... | orchestrator (as Thomas Pastieri) |
John Vigran | ... | music scoring mixer |
Tom Boyd | ... | musician: oboe soloist (uncredited) |
George Doering | ... | musician (uncredited) |
Stan Kurtis | ... | musician: solo violin (uncredited) |
Malcolm McNab | ... | musician: trumpet (uncredited) |
Tim Morrison | ... | musician: trumpet (uncredited) |
Thomas Newman | ... | conductor (uncredited) |
Chas Smith | ... | exotic instruments (uncredited) |
Sebastian Toettcher | ... | musician: cello (uncredited) |
Script and Continuity Department
Lynne Twentyman | ... | continuity supervisor (as Lynn Twentyman) |
Transportation Department
Francis Connolly Jr. | ... | transportation co-captain |
Gino Lucci | ... | picture cars |
James Patrick Whalen Jr. | ... | transportation captain (as James P. Whalen) |
Richard Curry | ... | driver: Mr. Pacino (uncredited) |
Additional Crew
Michael Anthony | ... | production assistant |
Kristin Bernstein | ... | production assistant (as Kristin Cameron) |
William M. Connor | ... | production assistant (as Bill Connor) |
Lou Crisa | ... | security: Al Pacino |
Stephen Lee Davis | ... | production assistant |
Teresa A. Ekwall | ... | assistant: Ronald L. Schwary |
Joe Facey | ... | craft service |
Wayne Fitzgerald | ... | title designer |
Wayne Forman | ... | catering: Unique Catering (as Wayne Foreman) |
Marisa Forzano | ... | assistant: Al Pacino |
Eleni Fotinos | ... | assistant choreographer |
Jeffrey A. Frederick | ... | production assistant |
Kathryn Loraine Hibbs | ... | production accountant |
David Hummel | ... | production assistant |
Delroy Hunter | ... | parking coordinator |
Edward A. Ioffreda | ... | assistant: G. Mac Brown |
Andrea Isaacs | ... | assistant production accountant |
Michael Johnson | ... | production assistant |
Harriette Kanew | ... | production coordinator |
Kim Kennedy | ... | production assistant |
Diane Krakower | ... | assistant: Martin Brest |
Jessica Levin | ... | assistant production coordinator |
Patricia A. Marsh | ... | production assistant |
Jerry Mitchell | ... | choreographer |
Ron Mitchell | ... | production assistant |
Eric Myers | ... | unit publicist |
Paul Pellicoro | ... | choreographer |
John Rizzo | ... | production assistant |
Susan E. Schonhorn | ... | production assistant |
David J. Wally | ... | production associate |
Neil Weinberger | ... | production assistant |
Stephen Whelan | ... | production assistant |
Gina White | ... | production assistant |
Nadine F. Wilson | ... | assistant production accountant |
Gerry Ferrara | ... | projectionist (uncredited) |
Tim Judge | ... | executive assistant: Al Pacino (uncredited) |
Peter Kelley | ... | dialogue coach: Chris O'Donnell (uncredited) |
Peter McKernan | ... | aerial coordinator (uncredited) |
John Mingalone | ... | production assistant (uncredited) |
Judy Richter | ... | production assistant (uncredited) |
Laura Jean Shannon | ... | production assistant (uncredited) |
Thanks
Giuseppe Greco | ... | special thanks (as Mr. Giuseppe Greco) |
Richard Koplin | ... | special thanks (as Dr. Richard Koplin) |
Hugh Steward | ... | special thanks (as Mr. Hugh Steward) |
Production Companies
- Universal Pictures (presents)
- City Light Films
Distributors
- Universal Pictures (1992) (United States) (theatrical)
- United International Pictures (UIP) (1993) (Australia) (theatrical)
- United International Pictures (UIP) (1993) (Germany) (theatrical)
- United International Pictures (UIP) (1993) (France) (theatrical)
- United International Pictures (UIP) (1993) (United Kingdom) (theatrical)
- United International Pictures (UIP) (1993) (Italy) (theatrical)
- United International Pictures (UIP) (1993) (Japan) (theatrical)
- United International Pictures (UIP) (1993) (Netherlands) (theatrical)
- United International Pictures (UIP) (1993) (Norway) (theatrical)
- United International Pictures (UIP) (1993) (Sweden) (theatrical)
- United International Pictures (1993) (Argentina) (theatrical)
- Universal Films of India (1993) (India) (theatrical)
- Argentina Video Home (1993) (Argentina) (VHS)
- CIC Video (1993) (Germany) (VHS)
- CIC-Taft Home Video (Australia) (VHS)
- CIC Video (1994) (Germany) (VHS)
- FilmNet (1994) (Netherlands) (tv) (The Complete Movie Channel) (limited)
- American Broadcasting Company (ABC) (1996) (United States) (tv)
- Argentina Video Home (2000) (Argentina) (DVD)
- Argentina Video Home (2000) (Argentina) (VHS)
- Universal Pictures Video (2004) (Germany) (DVD)
- Universal Pictures Video (2004) (Sweden) (DVD)
- Musikservice Sweden (2008) (Sweden) (DVD)
- Universal Pictures Video (2010) (Sweden) (Blu-ray) (DVD)
- Universal Pictures Video (2011) (Sweden) (DVD)
- Universal Pictures Home Entertainment (UPHE) (2012) (United States) (Blu-ray) (DVD)
- Universal Pictures Home Entertainment (UPHE) (2013) (United States) (Blu-ray) (DVD)
- Rai Movie (2016) (Italy) (tv)
- ETV 2 (2020) (Estonia) (tv)
- 7Bravo (2024) (Australia) (tv)
Special Effects
Other Companies
- DeLuxe Laboratories (color timing)
- Dolby Stereo (in selected theatres)
- DuArt Film and Video (processed by)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of)
- Kaufman Astoria Studios (sound stage and production facilities)
- Lucasfilm THX / TAP Theater Alignment Program (Quality assurance services were provided by)
- MCA Records (soundtrack)
- Pacific Studios II (chromatrans background)
- Pacific Title (title opticals)
- Pacific Title (titles and opticals)
- Panavision (camera and lenses)
- Sounds Great! (voice casting)
- Sylvia Fay Casting (extras casting)
- Sylvia Fay/Lee Genick & Associates Casting (extras casting)
- Todd-AO/Glen Glenn Studios (sound re-recorded at)
- Unique Catering (catering)
Storyline
Plot Summary |
Frank is a retired Lt. Col. in the US Army. He's blind and impossible to get along with. Charlie is at school and is looking forward to going to university; to help pay for a trip home for Christmas, he agrees to look after Frank over Thanksgiving. Frank's niece says this will be easy money, but she didn't reckon on Frank spending his Thanksgiving in New York. Written by Rob Hartill |
Plot Keywords | |
Taglines | Col. Frank Slade has a very special plan for the weekend. It involves travel, women, good food, fine wine, the tango, chauffeured limousines and a loaded forty-five. And he's bringing Charlie along for the ride. See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $31,000,000 (estimated) |
Opening Weekend United States | $357,468, 23 Dec 1992 |
Cumulative Worldwide Gross | $134,895,607 |
Did You Know?
Trivia | The scene on the street where Lt. Colonel Slade falls over a garbage can was actually unplanned. See more » |
Goofs | There appears a missing day in the timeline of the movie. Considering Frank and Charlie have Thanksgiving dinner on the actual day, the following day (Friday) is spent meeting Donna and spending the evening with the escort. The next day (Saturday) is spent driving the Ferrari and the climatic scene between Frank and Charlie. It's that evening that they're informed they missed their flight and drive up to New Hampshire, arriving moments before the meeting of the disciplinary committee on Monday morning, thus eliminating all of Sunday. See more » |
Movie Connections | Featured in Forever Young/Damage/Toys/Scent of a Woman/Used People (1992). See more » |
Soundtracks | Evangeline See more » |
Quotes |
[Charlie refused to come clean with the names of the students responsible for the prank; Mr. Trask is furious]
Mr. Trask: [furious] I am left with no real witness. Mr. Willis's testimony is not only vague, it is unsubstantiated. The substance I was looking for, Mr. Simms, was to come from you. Charlie Simms: [remorseful] I'm sorry. Mr. Trask: I'm sorry too, Mr. Simms, because you know what I am going to do. In as much as I can't punish Mr. Havemeyer, Mr. Potter, or Mr. Jameson, and I won't punish Mr. Willis. He's the only party to this incident who is still worthy of calling himself a Baird man. I'm going to recommend to the disciplinary committee that you be expelled. Mr. Simms, you are a cover-up artist and you are a liar. Lt. Col. Frank Slade: But not a snitch. Mr. Trask: Excuse me? Lt. Col. Frank Slade: No, I don't think I will. Mr. Trask: Mr. Slade... Lt. Col. Frank Slade: This is such a crock of SHIT. Mr. Trask: Please watch your language, Mr. Slade. You are in the Baird School, not a barracks. Mr Simms, I will give you one last opportunity to speak up. Lt. Col. Frank Slade: Mr. Simms doesn't want it. He desn't need to labeled, "Still worthy of being a Baird man". What the hell is that? What is your motto here? "Boys, inform on your classmates, save your hide. Anything short of that, we're gonna burn you at the stake"? Well, gentlemen, when the shit hits the fan, some guys run and some guys stay. Here's Charlie facing the fire and there's George hiding in Big Daddy's pocket. And what are you doing? You're gonna reward George and destroy Charlie. Mr. Trask: Are you finished, Mr. Slade? Lt. Col. Frank Slade: No, I'm just gettin' warmed up. I don't know who went to this place, William Howard Taft, William Jennings Bryan, William Tell, whoever. Their spirit is dead, if they ever had one. It's gone. You're building a rat ship here. A vessel for seagoing snitches, and if you think you're preparing these minnows for manhood, you better think again, because I say you are killing the very spirit this institution proclaims it instills. What a sham. What kind of a show you guys are putting on here today? I mean, the only class in this act is sitting next to me, and I'm here to tell ya this boy's soul is intact. It's non-negotiable. You know how I know? Someone here, and I'm not gonna say who, offered to buy it. Only Charlie here wasn't selling. Mr. Trask: Sir, you're out of order. [Trask hits the gavel; Col. Slade stands up angry] Lt. Col. Frank Slade: Out of order. I'll show YOU "out of order"! You don't know what "out of order" is, Mr. Trask. I'd show you, but I'm too old, I'm too tired, I'm too fucking blind. If I were the man I was five years ago, I'd take a... Lt. Col. Frank Slade: [slams his cane on the desk, screaming] FLAMETHROWER to this place! Out of order? Who the hell do ya think you're talking to? I've been around, ya know? There was a time I could see. And I have seen. Boys like these, younger than these. Their arms torn out, their legs ripped off. But there is nothing like the sight of an amputated spirit. There's no prostetic for that. You think you're merely sending this splendid foot solder back home to Oregon with tail between his legs, but I say you are executing his SOUL! And why? Because he's not a Baird man. Baird men. You hurt this boy, you're gonna be Baird bums, the lot of ya. And Harry, Jimmy, Trent, wherever you are, fuck you too! [the student body and the committee are in shock as Trask's anger is further aggravated] Mr. Trask: [yells; hits the gavel three times] Stand down, Mr. Slade! Lt. Col. Frank Slade: I'm not finished! As I came in here, I heard those words, "Cradle of Leadership". Well, when the bough breaks, the cradle will fall. And it has fallen here. It has fallen. Makers of men, Creators of leaders. Be careful what kind of leaders you're producing here. I don't know if Charlie's silence here today is right or wrong. I'm not a judge or jury, but I can tell you this: He won't sell anybody out to buy his future! And that, my friends, is called integrity. That's called courage. Now that's the stuff leaders should be made of. Now I have come to the crossroads in my life. I always knew what the right path was. Without exception, I knew. But I never took it. You know why? It was too damn hard. Now here's Charlie. He's come to the crossroads. He has chosen a path. It's the right path. It's a path made of principle that leads to character. Let him continue on his journey. You hold this boy's future in your hands, committee. It's a valuable future. Believe me. Don't destroy it. Protect it. Embrace it. It's gonna make you proud one day, I promise you. See more » |