In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
During the era of Prohibition in the United States, Federal Agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone, and because of rampant corruption, assembles a small, hand-picked team to help him.
Brian De Palma
Robert De Niro
Frank is a retired Lt. Col. in the US Army. He's blind and impossible to get along with. Charlie is at school and is looking forward to going to university; to help pay for a trip home for Christmas, he agrees to look after Frank over Thanksgiving. Frank's niece says this will be easy money, but she didn't reckon on Frank spending his Thanksgiving in New York.Written by
Col. Frank Slade has a very special plan for the weekend. It involves travel, women, good food, fine wine, the tango, chauffeured limousines and a loaded forty-five. And he's bringing Charlie along for the ride.
According to his book, Chris Rock asked to audition for the part of Charlie but was turned down. See more »
When the colonel and Charlie get out of the cab at the airport to catch their flight bound for New York, they are clearly at Newark airport less than 10 miles from the Holland Tunnel into New York City. See more »
Lt. Col. Frank Slade:
Your father pedals car telephones at a 300 percent markup. Your mother works on heavy commission at a camera store. Graduated to it from espresso machines. Hah!
Lt. Col. Frank Slade:
What are you, dying of some wasting disease?
No, I'm right - I'm right here.
Lt. Col. Frank Slade:
I know exactly where your body is. What I'm looking for is some indication of a brain. Too much football without a helmet? Hah! Lyndon's line on Gerry Ford. Deputy debriefer, Paris, peace talks, '68. Snagged a silver star and a silver bar. Threw me into ...
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The heavily edited network TV version was disowned by director Martin Brest, and credits "Allen Smithee" as director. See more »
There's something about this film that keeps you company. It's like you're also spending the weekend with Colonel Slade. The film entertains your darkest notions and tops your depth of grief and then somehow elevates you to find hope amidst our consciously blind existence.
At first I had a problem with Pacino's performance. I thought Al was definitely over-acting. He's playing a man who is consciously suicidal, a man suffering the loss of his dependence. He seems preoccupied in fulfilling a sexual desire but what he really yearns for is the acceptance of a woman now that he's been injured. However, even beyond his glorified apparition of woman what he presently needs is someone, anyone who will listen. He needs someone he can bark orders at like in the past. Some babe in the woods he can bemuse and corrupt amidst the decadence of `Freak Show Central', his personal nickname for New York City. In this contrived situation he finds life again and with these considerations Pacino's bravura performance is forgivable.
Pacino ironically switches energies with O'Donnell's character being the Colonel's high energy defuses Charlie's depressed low energy. The Colonel is psyched for his weekend's desperate romp, `A little tour of pleasures', he says. Given this distinction in performances, Charlie should have been the suicidal one, the defeated one because O'Donnell walks around this film like a deer caught in the headlights and there really isn't anything inspiring or motivating about him. It would have been an awesome acting exercise to have a young actor go against Pacino and realistically attempt to change his character's suicidal mission, granted his whole outlook on life yet what we have is a quick resolution that is very intense but not very intellectual.
In the end, this movie somehow manages to conduct all it's emotional payoffs thus rendering the viewer at the mercy of what may seem bathos. Many have criticized the film as negotiating Hollywood Plot A with Plot B or C. However, the Colonel realizes his biggest failure in life was in his interpersonal relationships. He learns that sometimes having friends can be a stronger and more important bond than family- a point well taken. Sometimes when a film comes together, after all the pre and post production, the result can be undeniably charming and this film manages to soar above its foundations, those manifested in the most basic of premises of melodrama. `Scent Of A Woman' does inevitably work and it's a very heart-warming film.
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