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Scent of a Woman

  • 19921992
  • RR
  • 2h 36m
IMDb RATING
8.0/10
289K
YOUR RATING
POPULARITY
1,659
215
  • Cast & crew
  • User reviews
  • Trivia
  • IMDbPro
Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
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  • Drama
A prep school student needing money agrees to "babysit" a blind man, but the job is not at all what he anticipated.A prep school student needing money agrees to "babysit" a blind man, but the job is not at all what he anticipated.A prep school student needing money agrees to "babysit" a blind man, but the job is not at all what he anticipated.
IMDb RATING
8.0/10
289K
YOUR RATING
POPULARITY
1,659
215
  • Director
    • Martin Brest
  • Writers
    • Giovanni Arpino(novel "Il Buio E Il Miele")
    • Bo Goldman(screenplay)
    • Ruggero Maccari(character from Profumo Di Donna)
  • Stars
    • Al Pacino
    • Chris O'Donnell
    • James Rebhorn
Top credits
  • Director
    • Martin Brest
  • Writers
    • Giovanni Arpino(novel "Il Buio E Il Miele")
    • Bo Goldman(screenplay)
    • Ruggero Maccari(character from Profumo Di Donna)
  • Stars
    • Al Pacino
    • Chris O'Donnell
    • James Rebhorn
  • See production, box office & company info
    • 480User reviews
    • 60Critic reviews
    • 59Metascore
  • See more at IMDbPro
    • Won 1 Oscar
      • 6 wins & 14 nominations total

    Videos1

    The Perfect Movies to Watch This Thanksgiving
    Clip 3:51
    The Perfect Movies to Watch This Thanksgiving

    Photos180

    Philip Seymour Hoffman and Chris O'Donnell in Scent of a Woman (1992)
    Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino in Scent of a Woman (1992)
    Al Pacino in Scent of a Woman (1992)
    Al Pacino in Scent of a Woman (1992)
    Al Pacino and Gabrielle Anwar in Scent of a Woman (1992)
    Al Pacino and Gabrielle Anwar in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)

    Top cast

    Edit
    Al Pacino
    Al Pacino
    • Lt. Col. Frank Sladeas Lt. Col. Frank Slade
    Chris O'Donnell
    Chris O'Donnell
    • Charlie Simmsas Charlie Simms
    James Rebhorn
    James Rebhorn
    • Mr. Traskas Mr. Trask
    Gabrielle Anwar
    Gabrielle Anwar
    • Donnaas Donna
    Philip Seymour Hoffman
    Philip Seymour Hoffman
    • George Willis, Jr.as George Willis, Jr.
    • (as Philip S. Hoffman)
    Richard Venture
    Richard Venture
    • W.R. Sladeas W.R. Slade
    Bradley Whitford
    Bradley Whitford
    • Randyas Randy
    Rochelle Oliver
    Rochelle Oliver
    • Gretchenas Gretchen
    Margaret Eginton
    • Gailas Gail
    Tom Riis Farrell
    Tom Riis Farrell
    • Garryas Garry
    Nicholas Sadler
    Nicholas Sadler
    • Harry Havemeyeras Harry Havemeyer
    Todd Louiso
    Todd Louiso
    • Trent Potteras Trent Potter
    Matt Smith
    Matt Smith
    • Jimmy Jamesonas Jimmy Jameson
    Gene Canfield
    Gene Canfield
    • Mannyas Manny
    Frances Conroy
    Frances Conroy
    • Christine Downesas Christine Downes
    June Squibb
    June Squibb
    • Mrs. Hunsakeras Mrs. Hunsaker
    Ron Eldard
    Ron Eldard
    • Officer Goreas Officer Gore
    Sally Murphy
    Sally Murphy
    • Karen Rossias Karen Rossi
    • Director
      • Martin Brest
    • Writers
      • Giovanni Arpino(novel "Il Buio E Il Miele")
      • Bo Goldman(screenplay)
      • Ruggero Maccari(character from Profumo Di Donna) (suggestion)
    • Production, box office & more at IMDbPro
    • All cast & crew

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Al Pacino was helped by a school for the blind in his preparation for this role. He said that he made himself appear blind by not allowing his eyes to focus on anything.
    • Goofs
      Frank mispronounces "espresso" as "expresso" - extremely unlikely for an Italiophile.
    • Quotes

      [Charlie refused to come clean with the names of the students responsible for the prank; Mr. Trask is furious]

      Mr. Trask: [furious] I am left with no real witness. Mr. Willis's testimony is not only vague, it is unsubstantiated. The substance I was looking for, Mr. Simms, was to come from you.

      Charlie Simms: [remorseful] I'm sorry.

      Mr. Trask: I'm sorry too, Mr. Simms, because you know what I am going to do. In as much as I can't punish Mr. Havemeyer, Mr. Potter, or Mr. Jameson, and I won't punish Mr. Willis. He's the only party to this incident who is still worthy of calling himself a Baird man. I'm going to recommend to the disciplinary committee that you be expelled. Mr. Simms, you are a cover-up artist and you are a liar.

      Lt. Col. Frank Slade: But not a snitch.

      Mr. Trask: Excuse me?

      Lt. Col. Frank Slade: No, I don't think I will.

      Mr. Trask: Mr. Slade...

      Lt. Col. Frank Slade: This is such a crock of SHIT.

      Mr. Trask: Please watch your language, Mr. Slade. You are in the Baird School, not a barracks. Mr Simms, I will give you one last opportunity to speak up.

      Lt. Col. Frank Slade: Mr. Simms doesn't want it. He desn't need to labeled, "Still worthy of being a Baird man". What the hell is that? What is your motto here? "Boys, inform on your classmates, save your hide. Anything short of that, we're gonna burn you at the stake"? Well, gentlemen, when the shit hits the fan, some guys run and some guys stay. Here's Charlie facing the fire and there's George hiding in Big Daddy's pocket. And what are you doing? You're gonna reward George and destroy Charlie.

      Mr. Trask: Are you finished, Mr. Slade?

      Lt. Col. Frank Slade: No, I'm just gettin' warmed up. I don't know who went to this place, William Howard Taft, William Jennings Bryan, William Tell, whoever. Their spirit is dead, if they ever had one. It's gone. You're building a rat ship here. A vessel for seagoing snitches, and if you think you're preparing these minnows for manhood, you better think again, because I say you are killing the very spirit this institution proclaims it instills. What a sham. What kind of a show you guys are putting on here today? I mean, the only class in this act is sitting next to me, and I'm here to tell ya this boy's soul is intact. It's non-negotiable. You know how I know? Someone here, and I'm not gonna say who, offered to buy it. Only Charlie here wasn't selling.

      Mr. Trask: Sir, you're out of order.

      [Trask hits the gavel; Col. Slade stands up angry]

      Lt. Col. Frank Slade: Out of order. I'll show YOU "out of order"! You don't know what "out of order" is, Mr. Trask. I'd show you, but I'm too old, I'm too tired, I'm too fucking blind. If I were the man I was five years ago, I'd take a...

      Lt. Col. Frank Slade: [slams his cane on the desk, screaming] FLAMETHROWER to this place! Out of order? Who the hell do ya think you're talking to? I've been around, ya know? There was a time I could see. And I have seen. Boys like these, younger than these. Their arms torn out, their legs ripped off. But there is nothing like the sight of an amputated spirit. There's no prostetic for that. You think you're merely sending this splendid foot solder back home to Oregon with tail between his legs, but I say you are executing his SOUL! And why? Because he's not a Baird man. Baird men. You hurt this boy, you're gonna be Baird bums, the lot of ya. And Harry, Jimmy, Trent, wherever you are, fuck you too!

      [the student body and the committee are in shock as Trask's anger is further aggravated]

      Mr. Trask: [yells; hits the gavel three times] Stand down, Mr. Slade!

      Lt. Col. Frank Slade: I'm not finished! As I came in here, I heard those words, "Cradle of Leadership". Well, when the bough breaks, the cradle will fall. And it has fallen here. It has fallen. Makers of men, Creators of leaders. Be careful what kind of leaders you're producing here. I don't know if Charlie's silence here today is right or wrong. I'm not a judge or jury, but I can tell you this: He won't sell anybody out to buy his future! And that, my friends, is called integrity. That's called courage. Now that's the stuff leaders should be made of. Now I have come to the crossroads in my life. I always knew what the right path was. Without exception, I knew. But I never took it. You know why? It was too damn hard. Now here's Charlie. He's come to the crossroads. He has chosen a path. It's the right path. It's a path made of principle that leads to character. Let him continue on his journey. You hold this boy's future in your hands, committee. It's a valuable future. Believe me. Don't destroy it. Protect it. Embrace it. It's gonna make you proud one day, I promise you.

    • Alternate versions
      The heavily edited network TV version was disowned by director Martin Brest, and credits "Allen Smithee" as director.
    • Connections
      Featured in At the Movies: Forever Young/Damage/Toys/Scent of a Woman/Used People (1992)
    • Soundtracks
      Evangeline
      Written by Robbie Robertson

      Performed by Emmylou Harris

    User reviews480

    Review
    Top review
    A Film For The Lonely
    There's something about this film that keeps you company. It's like you're also spending the weekend with Colonel Slade. The film entertains your darkest notions and tops your depth of grief and then somehow elevates you to find hope amidst our consciously blind existence.

    At first I had a problem with Pacino's performance. I thought Al was definitely over-acting. He's playing a man who is consciously suicidal, a man suffering the loss of his dependence. He seems preoccupied in fulfilling a sexual desire but what he really yearns for is the acceptance of a woman now that he's been injured. However, even beyond his glorified apparition of woman what he presently needs is someone, anyone who will listen. He needs someone he can bark orders at like in the past. Some babe in the woods he can bemuse and corrupt amidst the decadence of `Freak Show Central', his personal nickname for New York City. In this contrived situation he finds life again and with these considerations Pacino's bravura performance is forgivable.

    Pacino ironically switches energies with O'Donnell's character being the Colonel's high energy defuses Charlie's depressed low energy. The Colonel is psyched for his weekend's desperate romp, `A little tour of pleasures', he says. Given this distinction in performances, Charlie should have been the suicidal one, the defeated one because O'Donnell walks around this film like a deer caught in the headlights and there really isn't anything inspiring or motivating about him. It would have been an awesome acting exercise to have a young actor go against Pacino and realistically attempt to change his character's suicidal mission, granted his whole outlook on life yet what we have is a quick resolution that is very intense but not very intellectual.

    In the end, this movie somehow manages to conduct all it's emotional payoffs thus rendering the viewer at the mercy of what may seem bathos. Many have criticized the film as negotiating Hollywood Plot A with Plot B or C. However, the Colonel realizes his biggest failure in life was in his interpersonal relationships. He learns that sometimes having friends can be a stronger and more important bond than family- a point well taken. Sometimes when a film comes together, after all the pre and post production, the result can be undeniably charming and this film manages to soar above its foundations, those manifested in the most basic of premises of melodrama. `Scent Of A Woman' does inevitably work and it's a very heart-warming film.
    helpful•24
    4
    • Docterry
    • Jun 24, 2002

    FAQ1

    • What is the name of the song to which Frank and Donna do the tango?

    Details

    Edit
    • Release date
      • January 8, 1993 (United States)
    • Country of origin
      • United States
    • Official site
      • Official Facebook
    • Language
      • English
    • Also known as
      • Perfume de mujer
    • Filming locations
      • Emma Willard School - 285 Pawling Avenue, Troy, New York, USA
    • Production companies
      • Universal Pictures
      • City Light Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $31,000,000 (estimated)
    • Gross US & Canada
      • $63,095,253
    • Opening weekend US & Canada
      • $357,468
      • Dec 27, 1992
    • Gross worldwide
      • $134,095,253
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      2 hours 36 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Stereo
    • Aspect ratio
      • 1.85 : 1

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