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IMDbPro

Scent of a Woman

  • 19921992
  • RR
  • 2h 36m
IMDb RATING
8.0/10
305K
YOUR RATING
POPULARITY
594
73
Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
On this IMDbrief, we're talking turkey about the perfect Thanksgiving movies to watch before, during, or after your big meal.
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Drama
A prep school student needing money agrees to "babysit" a blind man, but the job is not at all what he anticipated.A prep school student needing money agrees to "babysit" a blind man, but the job is not at all what he anticipated.A prep school student needing money agrees to "babysit" a blind man, but the job is not at all what he anticipated.
IMDb RATING
8.0/10
305K
YOUR RATING
POPULARITY
594
73
  • Director
    • Martin Brest
  • Writers
    • Giovanni Arpino(novel "Il Buio E Il Miele")
    • Bo Goldman(screenplay)
    • Ruggero Maccari(character from Profumo Di Donna)
  • Stars
    • Al Pacino
    • Chris O'Donnell
    • James Rebhorn
  • Director
    • Martin Brest
  • Writers
    • Giovanni Arpino(novel "Il Buio E Il Miele")
    • Bo Goldman(screenplay)
    • Ruggero Maccari(character from Profumo Di Donna)
  • Stars
    • Al Pacino
    • Chris O'Donnell
    • James Rebhorn
  • See production, box office & company info
    • 500User reviews
    • 62Critic reviews
    • 59Metascore
  • See more at IMDbPro
    • Won 1 Oscar
      • 6 wins & 14 nominations total

    Videos1

    The Perfect Movies to Watch This Thanksgiving
    Clip 3:51
    Watch The Perfect Movies to Watch This Thanksgiving

    Photos176

    Philip Seymour Hoffman and Chris O'Donnell in Scent of a Woman (1992)
    Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino in Scent of a Woman (1992)
    Al Pacino in Scent of a Woman (1992)
    Al Pacino in Scent of a Woman (1992)
    Al Pacino and Gabrielle Anwar in Scent of a Woman (1992)
    Al Pacino and Gabrielle Anwar in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)
    Al Pacino and Chris O'Donnell in Scent of a Woman (1992)

    Top cast

    Edit
    Al Pacino
    Al Pacino
    • Lt. Col. Frank Slade
    Chris O'Donnell
    Chris O'Donnell
    • Charlie Simms
    James Rebhorn
    James Rebhorn
    • Mr. Trask
    Gabrielle Anwar
    Gabrielle Anwar
    • Donna
    Philip Seymour Hoffman
    Philip Seymour Hoffman
    • George Willis, Jr.
    • (as Philip S. Hoffman)
    Richard Venture
    Richard Venture
    • W.R. Slade
    Bradley Whitford
    Bradley Whitford
    • Randy
    Rochelle Oliver
    Rochelle Oliver
    • Gretchen
    Margaret Eginton
    • Gail
    Tom Riis Farrell
    Tom Riis Farrell
    • Garry
    Nicholas Sadler
    Nicholas Sadler
    • Harry Havemeyer
    Todd Louiso
    Todd Louiso
    • Trent Potter
    Matt Smith
    • Jimmy Jameson
    Gene Canfield
    Gene Canfield
    • Manny
    Frances Conroy
    Frances Conroy
    • Christine Downes
    June Squibb
    June Squibb
    • Mrs. Hunsaker
    Ron Eldard
    Ron Eldard
    • Officer Gore
    Sally Murphy
    Sally Murphy
    • Karen Rossi
    • Director
      • Martin Brest
    • Writers
      • Giovanni Arpino(novel "Il Buio E Il Miele")
      • Bo Goldman(screenplay)
      • Ruggero Maccari(character from Profumo Di Donna) (suggestion)
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Al Pacino was helped by a school for the blind in his preparation for this role. He said that he made himself appear blind by not allowing his eyes to focus on anything.
    • Goofs
      Frank mispronounces "espresso" as "expresso" - extremely unlikely for an Italiophile.
    • Quotes

      [Charlie refused to come clean with the names of the students responsible for the prank; Mr. Trask is furious]

      Mr. Trask: [furious] I am left with no real witness. Mr. Willis's testimony is not only vague, it is unsubstantiated. The substance I was looking for, Mr. Simms, was to come from you.

      Charlie Simms: [remorseful] I'm sorry.

      Mr. Trask: I'm sorry too, Mr. Simms, because you know what I am going to do. In as much as I can't punish Mr. Havemeyer, Mr. Potter, or Mr. Jameson, and I won't punish Mr. Willis. He's the only party to this incident who is still worthy of calling himself a Baird man. I'm going to recommend to the disciplinary committee that you be expelled. Mr. Simms, you are a cover-up artist and you are a liar.

      Lt. Col. Frank Slade: But not a snitch.

      Mr. Trask: Excuse me?

      Lt. Col. Frank Slade: No, I don't think I will.

      Mr. Trask: Mr. Slade...

      Lt. Col. Frank Slade: This is such a crock of SHIT.

      Mr. Trask: Please watch your language, Mr. Slade. You are in the Baird School, not a barracks. Mr Simms, I will give you one last opportunity to speak up.

      Lt. Col. Frank Slade: Mr. Simms doesn't want it. He desn't need to labeled, "Still worthy of being a Baird man". What the hell is that? What is your motto here? "Boys, inform on your classmates, save your hide. Anything short of that, we're gonna burn you at the stake"? Well, gentlemen, when the shit hits the fan, some guys run and some guys stay. Here's Charlie facing the fire and there's George hiding in Big Daddy's pocket. And what are you doing? You're gonna reward George and destroy Charlie.

      Mr. Trask: Are you finished, Mr. Slade?

      Lt. Col. Frank Slade: No, I'm just gettin' warmed up. I don't know who went to this place, William Howard Taft, William Jennings Bryan, William Tell, whoever. Their spirit is dead, if they ever had one. It's gone. You're building a rat ship here. A vessel for seagoing snitches, and if you think you're preparing these minnows for manhood, you better think again, because I say you are killing the very spirit this institution proclaims it instills. What a sham. What kind of a show you guys are putting on here today? I mean, the only class in this act is sitting next to me, and I'm here to tell ya this boy's soul is intact. It's non-negotiable. You know how I know? Someone here, and I'm not gonna say who, offered to buy it. Only Charlie here wasn't selling.

      Mr. Trask: Sir, you're out of order.

      [Trask hits the gavel; Col. Slade stands up angry]

      Lt. Col. Frank Slade: Out of order. I'll show YOU "out of order"! You don't know what "out of order" is, Mr. Trask. I'd show you, but I'm too old, I'm too tired, I'm too fucking blind. If I were the man I was five years ago, I'd take a...

      Lt. Col. Frank Slade: [slams his cane on the desk, screaming] FLAMETHROWER to this place! Out of order? Who the hell do ya think you're talking to? I've been around, ya know? There was a time I could see. And I have seen. Boys like these, younger than these. Their arms torn out, their legs ripped off. But there is nothing like the sight of an amputated spirit. There's no prostetic for that. You think you're merely sending this splendid foot solder back home to Oregon with tail between his legs, but I say you are executing his SOUL! And why? Because he's not a Baird man. Baird men. You hurt this boy, you're gonna be Baird bums, the lot of ya. And Harry, Jimmy, Trent, wherever you are, fuck you too!

      [the student body and the committee are in shock as Trask's anger is further aggravated]

      Mr. Trask: [yells; hits the gavel three times] Stand down, Mr. Slade!

      Lt. Col. Frank Slade: I'm not finished! As I came in here, I heard those words, "Cradle of Leadership". Well, when the bough breaks, the cradle will fall. And it has fallen here. It has fallen. Makers of men, Creators of leaders. Be careful what kind of leaders you're producing here. I don't know if Charlie's silence here today is right or wrong. I'm not a judge or jury, but I can tell you this: He won't sell anybody out to buy his future! And that, my friends, is called integrity. That's called courage. Now that's the stuff leaders should be made of. Now I have come to the crossroads in my life. I always knew what the right path was. Without exception, I knew. But I never took it. You know why? It was too damn hard. Now here's Charlie. He's come to the crossroads. He has chosen a path. It's the right path. It's a path made of principle that leads to character. Let him continue on his journey. You hold this boy's future in your hands, committee. It's a valuable future. Believe me. Don't destroy it. Protect it. Embrace it. It's gonna make you proud one day, I promise you.

    • Alternate versions
      The heavily edited network TV version was disowned by director Martin Brest, and credits "Allen Smithee" as director.
    • Connections
      Featured in Siskel & Ebert: Forever Young/Damage/Toys/Scent of a Woman/Used People (1992)
    • Soundtracks
      Evangeline
      Written by Robbie Robertson

      Performed by Emmylou Harris

    User reviews500

    Review
    Review
    Featured review
    8/10
    Delicious high-class drama
    I do not tend to go along with Hollywood-created cult figures, that kind of hero-worship, idol-making, whatever: you can have your Julia Roberts and such like making endless and mindless blockbuster hits with such insipid nonsense as `Pretty Woman', `Notting Hill' and so on, but it has to be something more serious like Joel Schumacher's `Dying Young' or even Steven Soderbergh's `Erin Brockovich' to convince me that Ms Roberts can/might be a good actress. The same goes for Al Pacino. Until the arrival of `Scent of a Woman' he was just merely another actor of those who come out of the Hollywood mass-manufacturing industry. `Scent of a Woman' changed all that: here Pacino shows he is a grand master, a brilliant actor. It is not important that this film is a redoing of an Italian original, or even whether this film won him an Oscar: the film stands up for its own merits, and Pacino reaches colossal heights in this well-directed drama, ably and willingly aided by a refreshing Chris O'Donnell. Very much a two-man film as the characterisation centres masterfully on these two leading characters, Pacino had to carry out a truly theatre-like interpretation of a blind retired colonel; Bo Goldman's dialogues are up to the challenge, creating some magnificent monologues which Pacino so superbly enacted.

    My rating is somewhat higher than the surprisingly low IMDb user rating: a memorable and classic piece of serious cinema which puts Pacino into a very high category.
    helpful•79
    46
    • khatcher-2
    • Jul 26, 2001

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    [object Object]
    Photos

    FAQ2

    • How did Slade become blind?
    • What is the name of the song to which Frank and Donna do the tango?

    Details

    Edit
    • Release date
      • January 8, 1993 (United States)
    • Country of origin
      • United States
    • Official site
      • Official Facebook
    • Language
      • English
    • Also known as
      • Hương Đàn Bà
    • Filming locations
      • Emma Willard School - 285 Pawling Avenue, Troy, New York, USA
    • Production companies
      • Universal Pictures
      • City Light Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $31,000,000 (estimated)
    • Gross US & Canada
      • $63,095,253
    • Opening weekend US & Canada
      • $357,468
      • Dec 27, 1992
    • Gross worldwide
      • $134,095,253
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      2 hours 36 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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