A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
When a meteorite lands near his family farm during a storm in Tennessee, the son of a struggling farmer believes it's connected to strange plague-like events afflicting the crops, the farm animals and even the family themeselves.
A Seattle history professor, drawn back to his estranged family on the Oregon coast to execute his late mother's estate, is reaquainted with his best friend from childhood, with whom he has... See full summary »
Charles Dexter Ward's wife enlists the help of a private detective to find out what her husband is up to in a remote cabin owned by his family for centuries. The husband is a chemical engineer, and the smells from his experiments (and the delivery of what appear to be human remains at all hours) are beginning to arouse the attention of neighbors and local law enforcement officials. When the detective and wife find a diary of the husband's ancestor from 1771, and reports of gruesome murders in the area begin to surface, they begin to suspect that some very unnatural experiments are being conducted in the old house. Based on an H.P. Lovecraft story.Written by
Ed Sutton <firstname.lastname@example.org>
The studio behind the film briefly considered retitling it "Reflex". See more »
When Claire Ward first visits John March, she sits in his office, and we can see Holly the receptionist's desk behind Claire through the glass wall. The first time we see this shot, there is someone who is not Holly behind the desk. The next time we see the shot, Holly is at her desk, but talking to someone, although as far as we know, no one else is there. See more »
I should strip thy flesh from thy bones like a suckling pig, but because I am a madman, they would do nothing to me. Such are the customs of this enlightened century.
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Director Dan O'Bannon's original cut ran over two hours and was subsequently edited down by the film's producers. The recent Blu-ray collector's edition of the film released in Germany by OFDb Filmworks contains a work print cut that runs 2 hours and 17 minutes. Additional scenes include a longer introduction of John March and Lonnie Peck, extended and new dream sequences, and a romantic encounter between March and Claire Ward. See more »
An excellent adaptation of a classic Lovecraft tale!
The nineties were a disappointing decade for the horror genre whichever way you look at it, so it's lucky that filmmakers like Stuart Gordon and Dan O'Bannon were on hand to adapt classic HP Lovecraft stories. Horror fans have got used to seeing a director's credit for the aforementioned Stuart Gordon and a starring role for the great Jeffrey Combs in Lovecraft films; but even though this one has neither, director Dan O'Bannon has succeeded in brining the classic "The Case of Charles Dexter Ward" to screen. Of course, this isn't the first screen adaptation of the classic story; as Roger Corman made a rather good one in 1963 with the classic 'The Haunted Palace'. The plot has shades of Re-Animator, and follows an investigation into a man who may have found a way to cheat death. The story starts when Charles Dexter Ward's wife visits a private detective, asking him to investigate her husband who has become a recluse; living in a house on their estate grounds. A strange smell of death permeates the air surrounding the retreat, and the neighbours are suspicious after seeing the amount of raw meat being delivered...
The film doesn't contain a great deal of suspense, but the director masks this nicely with a great aura of mystery and intrigue. The film builds up to finally discovering the mystery behind what Charles Dexter Ward has been doing, and although it takes a while to get there - the film never gets boring because O'Bannon keeps the mystery bubbling. The special effects are a little silly, but they actually work quite well in the context of the film, and O'Bannon gets to show his twisted imagination with abominations such as a still-living mauled torso and many other otherworldly creatures. There's a lot of blood and guts too, and even though the film appears to be trying to imitate A-class horror, O'Bannon doesn't completely veer away from B-movie cinema. The acting is decent enough, but one of the few weak links for me. John Terry is more than a little unenthusiastic, while Chris Sarandon never completely convinces in the Vincent Price role of the villain. That really isn't important, however, as it's the atmosphere and the story that are the stars of the show here - and The Resurrected is strong in both those areas. This film is indeed a lost gem and one that deserves to be more seen!
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