A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Six criminals, who are strangers to each other, are hired by a crime boss, Joe Cabot, to carry out a diamond robbery. Right at the outset, they are given false names with the intention that they won't get too close and will concentrate on the job instead. They are completely sure that the robbery is going to be a success. But, when the police show up right at the time and the site of the robbery, panic spreads amongst the group members, and two of them are killed in the subsequent shootout, along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.Written by
WILHELM SCREAM: (At around twenty minutes) The famous scream is heard when Mr. Pink pushes a pedestrian on the sidewalk while being pursued by cops during his escape from the failed jewel heist. See more »
(at around 1h 14 mins) When Mr. Orange is in his apartment and is on the phone to Nice Guy Eddie, he walks over to his window and says he'll be right down. At that moment you can see the top of the outside set piece. See more »
Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.
No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...
Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.
Toby... Who the fuck is Toby? Toby...
'Like a Virgin' is not about this sensitive girl who meets a nice ...
[...] See more »
The opening credits leave out Writing and Directing credits. They are then shown first during the end credits. See more »
The following deleted scenes are included on the 2002 special edition DVD:
Two alternate angles of the ear-slicing scene, one of which is more graphic.
Lengthy sequence concerning a background check on Mr. White (whose full name is revealed to be Lawrence Dimick). This sequence also features a female speaking part (there are none in the theatrical release) played by Nina Siemaszko.
There is a car scene featuring Mr. White, Mr. Pink, and Nice Guy Eddie after they leave Mr. Blonde with the cop and Mr. Orange.
A scene in which Freddie (Mr. Orange) and his partner discuss in more detail the semantics of the undercover operation.
This is without a doubt one of the best movies I've ever seen and definately deserves its position on the Top 250. It's an acquired taste, but if you've been desensitised to violence (as i have), then you will want to watch this again from the minute it ends. Every single actor was perfectly fitted for its character. Steve Buscemi as the squirrely Mr. Pink, Harvey Keitel as the veteran Mr. White, and of course, Michael Madsen as the phsycotic Mr. Blonde. The list goes on and on.
Some people said that the violence was unnecessary and didn't move the plot forward as it did with Pulp Fiction. I agree, but the violence was used to develop the character's personalities. It showed their disregard for human life and that our anti-heros saw killing a cop as being as stepping on a cockroach .
I urge future viewers of this movie not to instantly compare it to Pulp Fiction and enjoy it as it's own film. An interesting thrill-ride crime drama from beginning to end, I give this film *****/*****
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