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Reservoir Dogs (1992)

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A crime boss assembles a team of six experienced criminals to pull off a large jewellery heist.

Director:

Quentin Tarantino

Writers:

Quentin Tarantino, Quentin Tarantino (background radio dialogue written by) | 1 more credit »
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Cast

Cast overview, first billed only:
Harvey Keitel ... Mr. White / Larry
Tim Roth ... Mr. Orange / Freddy
Michael Madsen ... Mr. Blonde / Vic Vega
Chris Penn ... Nice Guy Eddie
Steve Buscemi ... Mr. Pink
Lawrence Tierney ... Joe Cabot
Randy Brooks ... Holdaway
Kirk Baltz ... Marvin Nash
Edward Bunker ... Mr. Blue (as Eddie Bunker)
Quentin Tarantino ... Mr. Brown
Rich Turner Rich Turner ... Sheriff #1
David Steen ... Sheriff #2
Tony Cosmo Tony Cosmo ... Sheriff #3
Stevo Polyi Stevo Polyi ... Sheriff #4 (as Stevo Poliy)
Michael Sottile Michael Sottile ... Teddy
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Storyline

Six criminals, who are strangers to each other, are hired by a crime boss, Joe Cabot, to carry out a diamond robbery. Right at the outset, they are given false names with the intention that they won't get too close and will concentrate on the job instead. They are completely sure that the robbery is going to be a success. But, when the police show up right at the time and the site of the robbery, panic spreads amongst the group members, and two of them are killed in the subsequent shootout, along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

Four perfect killers. One perfect crime. Now all they have to fear is each other. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

2 September 1992 (France) See more »

Also Known As:

Reservoir Dogs See more »

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Box Office

Budget:

$1,200,000 (estimated)

Opening Weekend USA:

$147,839, 25 October 1992, Limited Release

Gross USA:

$2,832,029
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color (Eastmancolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The theatrical release of the film contains no female speaking parts. There are some in the 10th Anniversary DVD, including Nina Siemaszko as McKlusky. See more »

Goofs

(at around 1h 14 mins) When Mr. Orange is in his apartment and is on the phone to Nice Guy Eddie, he walks over to his window and says he'll be right down. At that moment you can see the top of the outside set piece. See more »

Quotes

[first lines]
Mr. Brown: Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.
Mr. Blonde: No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...
Mr. Brown: Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.
Joe: Toby... Who the fuck is Toby? Toby...
Mr. Brown: 'Like a Virgin' is not about this sensitive girl who meets a nice ...
[...]
See more »

Crazy Credits

The opening credits leave out Writing and Directing credits. They are then shown first during the end credits. See more »

Alternate Versions

The following deleted scenes are included on the 2002 special edition DVD:
  • Two alternate angles of the ear-slicing scene, one of which is more graphic.
  • Lengthy sequence concerning a background check on Mr. White (whose full name is revealed to be Lawrence Dimick). This sequence also features a female speaking part (there are none in the theatrical release) played by .
  • There is a car scene featuring Mr. White, Mr. Pink, and Nice Guy Eddie after they leave Mr. Blonde with the cop and Mr. Orange.
  • A scene in which Freddie (Mr. Orange) and his partner discuss in more detail the semantics of the undercover operation.
See more »

Connections

Featured in Face (1997) See more »

Soundtracks

Fool for Love
Written and Performed by Sandy Rogers
Published by Rattlesnake Writers
See more »

Frequently Asked Questions

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User Reviews

Simply brilliant; short, tight and taut
28 January 2004 | by bob the mooSee all my reviews

Crime boss Joe Cabot brings together a group of criminals to perform a big one-off job. To protect each other, they all use colour coded names. However on the day of the job, the police ambush the gang and each makes their own getaway. As the gang comes together at their warehouse meeting point they realise that someone within the gang must have tipped the police or be an undercover. The accusations and suspicions escalate into violence in the confines of the warehouse.

When this film came out in the UK it caused an absolute firestorm of controversy over it's violence, even to the point that it was banned in the UK for a while. I still find this absurd and am very glad we have moved to a more tolerant society where generally the BBFC protect vulnerable groups but let adults decide for themselves. Looking at the media's adoring welcome for the ultra violent Kill Bill one can't help but marvel at how things have changed. Looking at Reservoir Dogs now (or even then!) it simply isn't THAT violent. However what it is is very sudden and all the more powerful for it.

Tarantino directs the film and writes the film in such a way that it was impossible to ignore him even if the film was only a cult hit. The dialogue is both witty at points but, more importantly, very tough and loaded with testosterone. It is the writing that makes us like these coffee shop jokers at the start before shocking us by suddenly throwing us into a backseat bloodbath. The entire job happens off camera, and only occasionally do we actually see the immediate effect of violence - usually we get the aftermath. It is incredibly tight and very tense throughout, I was about 16 when my father took me to see this film - it has stayed with me since and I still considered it to be one of the best `job gone wrong' films of my generation. It may not be original (there's a thin line between a homage and a rip off) but it is certainly effectively done.

The cast are excellent and turn the hardboiled dialogue into convincing scenes. Keitel is wonderful. His character is a father figure of sorts and he is wildly out of control at times and balanced at others. Likewise Buscemi is wide-eyed and freaking out for much of the film, but he does it well. Roth is more balanced but is still good for it; it is his job to carry the emotional weight of the film and he does it well, despite a wandering American accent at times. Madsen is great, maybe not the best character but wildly out of control. Tierney was a great piece of casting, as was Bunker. Penn is good but not the best of the cast.

Tarantino mercifully has little acting to do, but it is his film as writer and director. The flashbacks during the film was a brave way to do it but it really works well - mixing stories with flashbacks and so on. No matter what the time of the scene, it all keeps moving tensely towards the climax. It may be a homage and not as original as some films but so what - it is tight and tense, macho, violent, funny and very enjoyable.


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