Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
Joe Pesci is a small man looking for a big break. Owner of a bowling alley and nightclub in Jersey, Ruby Dennis (Pesci) sets his sites on making it big in Vegas. But Ruby finds more than he... See full summary »
The incorruptible judge Annibale Salvemini, starts investigating over a classic Italian business/politics/corruption affair. He start to operate, as usual, very strongly. He orders ... See full summary »
Dalila Di Lazzaro
Traces the legendary author's life, from the images and memories of his early boyhood, to his tragic suicide at the age of sixty-two. We first meet Hemingway as a young boy dominated by the... See full summary »
José María Sánchez
Leon Bernstein is New York's best news photographer in 1942, equally at home with cops or crooks. The pictures are often of death and pain, but they are the ones the others wish they had got. Then glamorous Kay Levitz turns to him when the Mob seem to be muscling in on the club she owns due to some arrangement with her late husband. Bernstein, none too successful with women, agrees to help, saying there may be some good photos in it for him. In fact, he is falling in love with Kay.Written by
Jeremy Perkins <firstname.lastname@example.org>
When Kay leafs through Bernstein' photo album, there is picture of a New York City taxi with a rectangular roof light which displays not only the word "Taxi" but also whether the taxi is off duty and its medallion number. Those signs did not come into service until the 1960s. In the 1940s, when the movie is set, New York City taxis used a variety of curved roof lights used in most other cities. See more »
'The Public Eye' has been one of my favorites since I first saw it ... my personal interest in Black & White photography initially attracted me to it, but, after watching it several times, I have really come to admire the great 'feel' of the film ... the sets are authentic-appearing, lots of attention to detail, they even got the camera and props right ... any fan of film-noir, and period pieces, should love this one ... excellent acting all-around ... Pesci's character comes across as 'real', to me, a very believable portrayal, definitely one of his top performances ... there should have been some Academy Award nominations for this one, in my opinion ... it's a shame 'The Public Eye' hasn't made it to DVD, and been promoted more ... I've always been curious as to Pesci's opinion of this film ... ?
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