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The Player (1992)

R | | Comedy, Crime, Drama | 8 May 1992 (USA)
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A Hollywood studio executive is being sent death threats by a writer whose script he rejected, but which one?

Director:

Writers:

(screenplay), (novel)
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4,556 ( 14)
Nominated for 3 Oscars. Another 24 wins & 29 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dick Mellen
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Detective DeLongpre
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Angela Hall ...
Jan
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Sandy
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Storyline

Events in the life of a Hollywood studio executive, unfold with the same unrealistic positive coincidences, ultimately culminating to a "happy ending", much like the movie scripts, with which he works day in and out, after he accidentally murders someone. Written by Abhay Bhatt

Plot Summary | Plot Synopsis

Taglines:

Making movies can be murder. See more »


Motion Picture Rating (MPAA)

Rated R for language, and for some sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

8 May 1992 (USA)  »

Also Known As:

Igrač  »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$302,216, 10 April 1992, Limited Release

Gross USA:

$21,706,100

Cumulative Worldwide Gross:

$28,876,701
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The handwriting on the ominous death threat letters and postcards received by Griffin Mill belonged to Director Robert Altman, who took great pleasure in writing the notes. See more »

Goofs

Crew member reflected in the windows of Griffin Mill's vehicle as Griffin pulls over and kills the snake. See more »

Quotes

[first lines]
Man 1: [voiceover] Quiet on the set.
Woman: [voiceover] OK, everybody, quiet on the set.
Man 2: [voiceover] Scene 1, take 10. Marker.
Man 1: [voiceover] And - action!
See more »

Crazy Credits

This film recorded digitally in a THX Sound System Theatre See more »

Connections

Referenced in Animaniacs: Video Review/When Mice Ruled the Earth (1993) See more »

Soundtracks

DRUMS OF KYOTO
Written & Performed by Kurt Neumann
Copyright Lla-Mann Music
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Frequently Asked Questions

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User Reviews

 
The best anti-Hollywood film ever made by Hollywood
23 July 2003 | by See all my reviews

Griffin Mill is a young hotshot producer who everyone bows and scrapes to because he has the powers to get a movie made. However he starts getting bugged by a dissatisfied writer which leads to all kinds of deadly intrigue.

Just when I thought Altman had gone totally off-the-boil he suddenly jumps back with his most perfectly realised film. While hardly unapplauded on its release (and in short retrospect) this is a movie that will be regarded by future generations as a classic. It is so smart, sassy, funny and has a beginning, a middle and an end. The kind of tragicomedy that gets the best of both worlds.

Robbins is perfect as the lead. He doesn't do much or emote much. As Robert De Niro once said "most people don't show their emotions, they hide them." Occasionally we get behind the shield of human indifference, but only occasionally. We don't like him much - nor should we - but he is not so bad that we can't bare him. Indeed he is merely someone whose selfish world gets out of control. Whoopie Goldberg makes the most of her unlikely casting too.

The appearance of stars in guest parts adds a bit of icing, but that is all. I loved Altman's directions to the stars who had to play walk-ons (who else could have got that?) "remember, you are responsible for who you are on screen. You are playing yourselves!"

The sexy Scacchi plays the love interest with great skill. While just a muse she is a far better actress than most and this shows in her short screen time. Shame she hasn't more involvement in the main plot.

Like breaking a car down in to its competent parts, taking The Player apart only leaves an ugly mess of oil and metal. Together it drives a tight little film that has insight, drama and comedy. I would hesitate to call this a masterpiece, but it is a mini-masterpiece that however farfetched never reaches the point of being totally unbelievable.

The pay off at the end is one of the best belly-laughs any film buff could ever get. I doubt I will see a better film about modern day Hollywood in my lifetime. Like Pulp Fiction, a film that is as enjoyable the second time of viewing as the first.


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