After being set-up and betrayed by the man who hired him to assassinate a Texas Senator, an ex-Federale launches a brutal rampage of revenge against his former boss.
Directors:
Ethan Maniquis,
Robert Rodriguez
Stars:
Danny Trejo,
Michelle Rodriguez,
Robert De Niro
After an experimental bio-weapon is released, turning thousands into zombie-like creatures, it's up to a rag-tag group of survivors to stop the infected and those behind its release.
Director:
Robert Rodriguez
Stars:
Rose McGowan,
Freddy Rodríguez,
Josh Brolin
Quentin Tarantino and Robert Rodriguez's homage to exploitation double features in the 60s and 70s with two back-to-back cult films that include previews of coming attractions between them.
Two separate sets of voluptuous women are stalked at different times by a scarred stuntman who uses his "death proof" cars to execute his murderous plans.
El Mariachi just wants to play his guitar and carry on the family tradition. Unfortunately, the town he tries to find work in has another visitor...a killer who carries his guns in a guitar case. The drug lord and his henchmen mistake El Mariachi for the killer, Azul, and chase him around town trying to kill him and get his guitar case.Written by
Josh Pasnak <chainsaw@intouch.bc.ca>
The guns which were borrowed from the local police station had a drawback, blanks could only be fired one at a time because they jammed the gun. Robert Rodriguez fixed this in editing by "double-cutting" the gun firing then cutting to the bad guys getting squibbed with machine gun sound effects. See more »
Goofs
Domino's room in the bar, where she sleeps, has a transparent, glass door for an entrance. See more »
Quotes
[first lines]
Mauricio:
Good morning, Azul. Know who this is?
See more »
Crazy Credits
In the beginning credits, Robert Rodriguez is listed as the editor. In the ending credits he gets sole credit for additional editing. See more »
Alternate Versions
In addition to the subtitled version, Columbia had an English dubbed version prepared for home video release in the United States. See more »
Jaded, perhaps, by years of toiling in the Public Access field (and having sat through scores of first, foundering efforts by scores of foundering aspiring filmmakers), I was taken completely by surprise by the remarkable Robert Rodriguez's first film. As sure and as "polished" as any feature, EL MARIACHI belies its no-budget roots and stands as a testament to determination- and talent. If you're one of those whose attention span precludes sitting down and actually reading Rodriguez's book REBEL WITHOUT A CREW, I recommend obtaining a DVD featuring his "ten-minute film school." And pay very close attention: There'll be a quiz afterward.
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Jaded, perhaps, by years of toiling in the Public Access field (and having sat through scores of first, foundering efforts by scores of foundering aspiring filmmakers), I was taken completely by surprise by the remarkable Robert Rodriguez's first film. As sure and as "polished" as any feature, EL MARIACHI belies its no-budget roots and stands as a testament to determination- and talent. If you're one of those whose attention span precludes sitting down and actually reading Rodriguez's book REBEL WITHOUT A CREW, I recommend obtaining a DVD featuring his "ten-minute film school." And pay very close attention: There'll be a quiz afterward.