7.2/10
30,869
112 user 69 critic

Bitter Moon (1992)

After hearing stories of her, a passenger on a cruise ship develops an irresistible infatuation with an eccentric paraplegic's wife.

Director:

Roman Polanski

Writers:

Pascal Bruckner (novel), Roman Polanski (screenplay) | 3 more credits »
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On Disc

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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Peter Coyote ... Oscar
Emmanuelle Seigner ... Mimi
Hugh Grant ... Nigel
Kristin Scott Thomas ... Fiona
Victor Banerjee ... Mr. Singh
Sophie Patel Sophie Patel ... Amrita Singh
Patrick Albenque Patrick Albenque ... Steward
Smilja Mihailovitch Smilja Mihailovitch ... Bridge Player
Leo Eckmann Leo Eckmann ... Bridge Player
Luca Vellani Luca Vellani ... Dado
Richard Dieux Richard Dieux ... Partygoer
Danny Wuyts Danny Wuyts ... Bandleader (as Danny Garcy)
Daniel Dhubert Daniel Dhubert ... Bus Inspector
Nathalie Galán Nathalie Galán ... Girl in Boutique (as Nathalie Galan)
Eric Gonzales Eric Gonzales ... Cook
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Storyline

British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's bar. Later he meets her crippled American husband Oscar, who tells him their story. While living in Paris for several years trying to be a writer, he becomes obsessed with a woman he met by chance on a bus. He tracks her down and they start a steamy love affair. Soon Oscar finds himself enslaved body and soul by her love, and continues to tell Nigel the details of this relationship in various stages over a number of visits to Oscar's cabin. Written by Sami Al-Taher <staher2000@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

Haß kann nur gedeihen, wo Liebe ist... [Hatred can only develop when there is love...] See more »


Motion Picture Rating (MPAA)

Rated R for the strong depiction of a perverse sexual relationship | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | UK | USA

Language:

English | French

Release Date:

18 March 1994 (USA) See more »

Also Known As:

Bitter måne See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$37,997, 18 March 1994, Limited Release

Gross USA:

$1,862,805
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Peter Coyote differs to Emmanuelle Seigner, Hugh Grant and Kristin Scott Thomas in terms of nationality. Whereas Seigner, Grant and Scott Thomas are European; French and English respectively, Coyote is American. The odd one out in the quartet of the leads. See more »

Goofs

In the scene when Mimi cuts her hair for the first time and bakes a Turkey for Oscar, he is wearing the same turtle necked blue sweater that was ripped off with a razor blade during a previous sex game. See more »

Quotes

Oscar: I'd been granted a glimpse of heaven, then dumped on the sidewalk of Rue d'Assas.
See more »

Connections

Features Port of Shadows (1938) See more »

Soundtracks

Hello
Written by Lionel Richie
Performed by Danny Wuyts (as Danny Garcy)
Under Licence from Brockman Music
See more »

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User Reviews

 
Deep and subject of analysis
12 August 2003 | by RResendeSee all my reviews

I found this film extremely well done for several reasons I will nominate.

It debates some moral issues, how far is it acceptable for a society still full of consevative people, such as the one performed by Hugh Grant, to acept a relationship such as that of the main characters? It is totally at the border of normality (meaning normality not necessarily what's good but what's common). The film also touches strongly the theme of hipocrisie (probably wrong spelled, this word.) once more in the character of Hugh Grant who, despite showing all the time disgut and repugnace for the story he is being told, is always secretly desiring and wanting something equivalent to happen to him (this hipocratic attitude may be the result of growing up in a world and a society where this kind of sexual liberties and practices are repressed and in here once more we are taken to atrong moral issues which take us to rethink the whole thing...).

Apart from this questions this film makes me also think about the relationships between men and women... Is there an everlasting love? or at least an everlasting relationship?... Suddendly I recalled Schopenhauer who claimed that no man could be happy with only one woman... maybe this film is showing that he was right... the pace of the relationship between Mimi and the writer was so high that they just emptied all there possibilities very soon, but if we put that at the scale of a normal marriage, aren't all the possibilities also tried at the end of 10 20 or 30 years? Can a marriage last happy for both till "death tears them apart" ?...

Besides this few topics of discussion (to which I could add some more if I just remembered them right now) I found this film very well directed with some beautiful scenes... also some strongs scenes that stay with us... Excelent performances for the three leading roles... Kristin Scott Thomas is also good in here but not so as in other films also because her somewhat small part in this one didn't allow her to show more than she did. This film proves once more Roman Polansky as one of the greatest directors of our times, since he shows he is totally in control of every detail of direction (I enjoyed the increase of the speed together with the increase of intensity of the relationship among the couple). Good dialogues but specially excelent speeches of the writer whenever he becomes the narrator which is often... Also an excelent note for the soundtrack by Vangelis and other well known songs which appear along. A must see.


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