A young boy whose dreams transcend reality is sucked into his own fantasy, which is everything he has dreamed of until he unleashes a century old secret that may not only destroy this ...
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Charlie B. Barkin (Burt Reynolds), a rascally German Shepherd with a shady past, breaks out of the New Orleans Dog Pound with the help of his faithful friend Itchy (Dom De Luise), a ... See full summary »
In another dimension, the villainous scientist Duke of Zill, with the help of his mechanical, geometric army, takes over the Land of Oriana, prompting Felix the Cat to save its princess and restore order once again.
A young boy whose dreams transcend reality is sucked into his own fantasy, which is everything he has dreamed of until he unleashes a century old secret that may not only destroy this perfect dream world but reality itself.Written by
Because the film was released in Japan in 1989, and because most of the Nintendo Entertainment System's games were designed in Japan, the NES tie in, Little Nemo: The Dream Master (1990) was available in the US for several years before the film was released. As the American cartridges made no reference to the film, most players were unaware that the game was, in fact, a tie-in to the movie, and not simply inspired by the comic strip. See more »
"Little Nemo" a joy true to the spirit of the original
"Little Nemo: Adventures in Slumberland" is a joy and a wonder, just like the original Winsor McCay cartoons. For those ignorant of the history of American cartoons, McCay's "Little Nemo" series was a classic of naive pop surrealism exploring the adventures of a boy in the dream-world. McCay was sometimes deficient in spelling, but he was never deficient in drawing or imagination. Of course, the movie has to elide or telescope things a bit. After all, the original cartoon was a serial running episodically in newspapers. I find no serious fault with this. I took particular delight in how some scenes here meticulously mirrored the original cartoon. The animation is at various points dreamy, beautiful, dark, menacing and, of course, surreal. I think it is a mistake to view this film purely as a product of the anime industry - the film is instead a meeting of the Japanese culture with American culture. The merger of sensibilities here is quite wonderful. I loved the squirrel's petulant irritation at being called a "rat." And I loved the nightmare monster-heel. And, of course,the trickster figure, Pip. The whole thing has the quality of a twisting dream, sometimes good, sometimes bad, just like real dreams. Don't hesitate to buy and watch this. Greg Cameron, Surrey, B.C., Canada
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