Lady Constance Chatterley is married to the handicapped Sir Clifford Chatterley, who was wounded in the First World War. When they move to his family's estate, Constance (Connie) meets ...
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Sir Clifford Chatterley returns to his family estate after having been paralyzed in World War I. Desiring an heir, he urges Connie, his beautiful wife, to take a lover, but she demurs. Connie hires a...
A film adaptation of D.H. Lawrence's novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her ... See full summary »
Cynthia inherits her aunt's large estate and moves in. She reads her aunt's diary and finds out (and graphically imagines) how she was taught in the ways of love by her gardener in 1901 at ... See full summary »
In 1913 Connie Reid marries wealthy Nottingham colliery owner Sir Clifford Chatterley but he returns from the Great War disabled and in a wheelchair. Connie is loyal but begins to feel ... See full summary »
Cynthia, new lady of Chatterly, feels neglected by her husband. During his absences she tries to amuse herself with gardener Thomas, but always gets interrupted by new visitors. While she's... See full summary »
An Italian film adaptation of D.H. Lawrence's classic erotic novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her ... See full summary »
Portugal 1813. A band of deserters, including Sharpe's old enemy, Obadiah Hakeswill, have captured two women, one the wife of a high-ranking English officer, and are holding them hostage ... See full summary »
Lady Constance Chatterley is married to the handicapped Sir Clifford Chatterley, who was wounded in the First World War. When they move to his family's estate, Constance (Connie) meets their tough-yet-quiet groundskeeper, Oliver Mellors. Soon, she discovers that the source of her unhappiness is from not being fulfilled in love, and in turning to the arms of Mellors, she has a sexual awakening that will change her thoughts forever.Written by
Sean Bean (Oliver Mellors) was called back at the beginning of filming to shoot extra shots on his previous film, Patriot Games (1992) - and during a fight scene, Harrison Ford hit him with a boat hook, which left him with stitches, and later a scar, on his forehead. See more »
An excellent work of art in a long and expertly made movie. Being almost totally visual, I must admit I'm carried away by visually beautiful movies, and this one is tops. The English countryside, so green, the gardens of these upper class people, practically loaded with incredible flowers (whole paths protected by walls of flowers, a superb and exquisite view) the house, something out of this world, its furniture and very valuable paintings, Connie's period costumes (Constance Chaterly, the actress Joely Richardson), I think on one scene she is wearing an authentic white pleated silk Fortuny gown; the open top cars, impeccable antiques used in several scenes..., briefly, a feast for the eyes.
Joely Richardson is a very pretty actress with a fantastic body and next to Sean Bean (another very sexy beauty) they make a perfect couple for the protagonists antics, which are several and most passionate (explosive?) showing us quite clearly the very difficult circumstances a socially mismatched couple could find in those 1920s, when this story is taking place, in the heart of England, a country populated by a lower class exploited to death by a handful of aristocrats (aristocrats according to the genealogical tree they fabricated for themselves, conveniently forgetting the dark and dubious origins they all came from just a few previous generations).
It's almost painful to watch those scenes where these super rich talk openly about their inferiors (servants present) making any possible hurtful remark as if they weren't standing next to them, silently waiting to satisfy any requirement. I hope that the English people ended once and for all that kind of abysmal social differences because nowadays that seems barbarian and so terribly unjust.
The visual contrast between those excessively manicured green gardens and the blackish, depressing mining town without any trace of greenery anyplace, is shown breathtakingly when Connie goes to the completely black environment of the mine, fully dressed in impeccably radiant white clothes.
The music accompanying most scenes is quite annoying, very loud and repetitive, invading many times, quite disruptively, what is going on. Could it be that Ken Russell, the director, was very gifted with the visuals of a movie but didn't have a sound musical education?
It must be remarked that Russell was very unique, very personal with the look and the choreography of his actors in his films, since in many scenes one realizes that only him could have made it that way, very much what we feel when watching an Almodovar film. And of course, this excessively odd personalities backfire sometimes, but when they hit the mark... the results are glorious.
The story is fascinating although very dated, nowadays we have seen so many examples of royalty marrying their chauffeurs, gardeners, street sweepers, delivery boys, etc, that all that fuss seems completely out of date. But placing ourselves in those dark 1920s (at least dark for the poor), we are perfectly able to follow our protagonists and feel the pain and anguish they went through.
The book by D. H. Lawrence is out of this world, a ravishing lecture, even after all these many years since he wrote it.
A very-very enjoyable film.
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