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Ich bin meine eigene Frau (1992)

The life story of Charlotte von Mahlsdorf, born Lothar Berflede. Miss Charlotte survived the Nazi reign and the repression of the Communists as a transvestite and helped start the German ... See full summary »

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Cast

Cast overview, first billed only:
Charlotte von Mahlsdorf ...
Herself
Jens Taschner ...
Young Charlotte von Mahlsdorf 15-17 years
Ichgola Androgyn ...
Young Charlotte von Mahlsdorf 20-40 years
Robert Dietl ...
Zitzenau
Beate Jung ...
Charlotte's staff member
Sylvia Seelow ...
Charlotte's staff member
Evelyn Cron ...
Aunt Luise
Utz Krause ...
Charlotte's father
Rainer Luhn ...
Jochen
Heiner Carow ...
Himself
Tima die Göttliche
Lina Androwna
Ovo Maltine
Bert Pesalla
Andreas Schroeck
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Storyline

The life story of Charlotte von Mahlsdorf, born Lothar Berflede. Miss Charlotte survived the Nazi reign and the repression of the Communists as a transvestite and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years. Written by Ivan Weisz <weisz@math.ohio-state.edu>

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12 November 1992 (Germany)  »

Also Known As:

Yo soy mi propia mujer  »

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(Eastmancolor)

Aspect Ratio:

1.37 : 1
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one of a kind film biography by the pioneering von Praunheim
16 July 2000 | by See all my reviews

I AM MY OWN WOMAN is one of Rosa von Praunheim's best films. A biography about famed Berlin transvestite/transgendered Charlotte von Mahlsdorf, the film blends the shock-value elements of Praunheim's early underground career, his mid career "mockumentary" phase (NEUROSIA), and his present more mainstream career (EINSTEIN OF SEX, also a biography, but not as a documentary). The film uses Tima die Gottliche (Tima, the God-like) a famed Berlin-scene entertainer, as the young von Mahlsdorf. If you like Tima by the way, who pretty much lives up to his/her name when performing, see NEUROSIA, and EINSTEIN...There are many similarities shared here by the director, lead actor, and the subject of the film. All three are Berlin-spawned male artists, using female names, and two of them take their surnames from the mediocre suburbs they come from (Mahlsdorf and Praunheim). Charlotte, from the sleepy East Berlin suburb of Mahlsdorf, was like von Praunheim a pioneering figure, but in Communist East Germany, arguably a more formidable feat. She succeeded, during the DDR (East German) period, in saving one of East Berlin's most beautiful surviving palaces from being razed having fallen in total decay after the war, and also preserved the entire contents of East Berlin's first (and only for many years) gay bar, after the DDR government closed the bar, and moved to demolish the building. Its contents are now in a museum in Mahlsdorf. Charlotte, however, had to leave Mahlsdorf, Berlin, and indeed Germany, to flee from the unwanted notoriety this film gave her. She now lives in a town of Sweden, but even there has been reportedly harassed by persevering tourists. See this film to see why Charlotte became such a a living legend, definitely her own woman. The movie is also vintage von Praunheim, and a good peek at Tima's talents. But Charlotte's star shines through, as it should.


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