Detectives Sean and David Carter are on the case to find a gruesome serial killer terrorizing the city. Joining forces with Detective Christine Egerton, they dig deeper into a spiraling maze of horror that may not be of this world.
Gary J. Tunnicliffe
When high class hooker Nicole is kidnapped from her brothel, Rich businessman Hugo Motherskille hires her ex love Roy Bain to find her. Investigating the disappearance, he eventually finds ... See full summary »
An American TV-journalist is interested in the trail of some strange mystery embedded in a mountainous region of the USA. After much red tape, he is allowed to enter the area. A sullen ... See full summary »
Pinhead is stuck in a block after the Big Confrontation in "Hellbound," The block containing Pinhead and the puzzle cube is bought by a young playboy as sculpture. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle cube so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way.Written by
Ed Sutton <email@example.com>
When J.P. is asking Terri to get close to him, the shadow of the boom mic can be seen on the statue. See more »
[referring to the Pillar of Souls]
You want it?
Is it yours?
No. Not mine. Yours.
How much you want for it?
Whatever you think it's worth.
Exactly the figure I had in mind. Take pleasure in it.
See more »
The US unrated laserdisc release from Paramount is uncut and features brief extra footage of a topless girl dancing in The Boiler Room and two new scenes:
Immediately after Terri moves out from Joey, there is a scene inside the Boiler Room nightclub where a couple are seen buying some drugs from a drug dealer. Terri is in the Boiler Room, where she witnesses a couple in love, which makes her even more lonely. Next, she purchases some coffee, and looks up to see JP who says "Hey baby, glad you could make it." This new scene ends here; next JP is seen telling Terri to "come on in" to his room. When Elliot tells Joey about his past, they are standing around a campfire. The Nightclub Massacre sequence was trimmed for the UK Theatrical version - but was released uncut when they released it on video as the Directors Cut.
There is a new scene immediately before the footage from Hellbound (Elliot playing with box at start), in which Elliot is seen buying the box in an Indian bazaar.
A reporter (Terry Farrell) is looking for the big story and finds it at The Boiler Room, a popular club where a young woman witnessed someone die in a very painful manner. Also, the reporter has dreams of her father, who died in Vietnam. And the origin of Pinhead!
Some people consider this one the best in the series. I am not one of those people. While there are many great aspects of this movie, the primitive special effects seem to subtract from the overall story. And continuing in the Hellraiser tradition, many things simply do not make sense. Who opened the art store? Where did the statue come from? Why does the statue not attack JP at first, but will later on?
As I say, the special effects are primitive. And I do not mind that, because at least they put in a solid offering. But some things just seem like they could have been done better. In Hellraiser parts 1 and 2, there was no problem creating a person without skin that looked creepy. We see another example in this film, but they also get "slurped" into a statue and this is very unconvincing. In 1992! The effects of the original "Nightmare on Elm Street" blow this out of the water. Others have complained about the cenobites looking like Borg rejects, and that is a fair point -- this film goes above and beyond in incorporating terrible ideas into cenobite bodies.
Terry Farrell does a fine job as the lead. She is a strong heroine, and unlike your typical horror woman, she has more brains than body. You might recognize Farrell as a character from the greatest sitcom on television in recent years, "Becker".
The plot is respectable. There really was no more story to tell about the Cotton family at this point. Moving on to show what lengths evil will go to in order to return to Earth was a good change. And brought to us by Peter Atkins (also the writer of part 4) and Anthony Hickox (who directed the incredible "Waxwork" films).
I do not care for the change in direction the films take from here, though, regarding the cenobites. I understand after explaining Pinhead's origin (something I am very thankful for) they opened the door for more cenobites, but this film and the fourth introduce some of the lamest characters with the lamest one-liners. The subplot of the father is okay, but also makes the Hellraiser mythology even more complex than it is... now we have Hell, Earth, the mind, who can and cannot touch the Lament Configuration... oy vey.
Obviously when a horror series gets going, the sequels are not going to be what the original was. You get paler and paler copies of the original (like "Multiplicity"). But "Hellraiser", unlike "Leprechaun", at least kept the quality respectable through part four... and some (though not myself) would say even up to part six. Check this one out to clear up some mysteries, then catch part four to get the whole story.
5 of 7 people found this review helpful.
Was this review helpful to you?
| Report this