The Gun in Betty Lou's Handbag

I think of myself as fairly critical when it comes to comedy, because if I am not amused or laughing out loud in the appropriate places, I can't fairly call it funny. And I hate improbable and implausible plots. This movie is engaging throughout and is very funny at the key points. Admittedly, you want to bitch-slap the boyfriend for his stupidity, but let's face it, a lot of young guys are stupid when it comes to their girlfriends. And even that distraction works this for this film: It is, most of all, a great comedy role for its female star, Penelope Ann Miller, and this is the movie that made me a big fan of hers. Miller and William Forsythe are fine actors and have done as well for the viewing public in the 20 years since as they did in this film. And I am grateful to them for giving us a movie I like to watch every couple of years because it's that good.

I get a big kick out of this film, partly because I know a librarian named Betty Lou! Needless to say she is nothing like the semi-stereotypical librarian of the movie...

In the film, Betty Lou is a mousy librarian and frustrated wife. Although innocent, she allows herself to be implicated in a crime of passion in order to challenge her husband's (all too accurate) preconceptions. With the aid of a prostitute with a heart of gold and an ambitious freshman lawyer, Betty Lou transforms herself into an assertive and confidant woman. Unfortunately there are some unforeseen consequences that could cost her her life!

Other reviewers have pointed out that this film is very uneven in tone. It isn't really a romantic comedy, more of a light thriller like "Get Shorty." The real problem is that the plot isn't clever enough for a thriller, the humor isn't sufficient for a comedy, and it certainly isn't dark enough for noir. However it has a naive symbolism I find appealing, and the actors appear to be having a good time with their roles. I'd call it stereotypical rather than sexist - I can easily imagine some women I've known going to such extremes for attention!

I wouldn't go out of my way to look this one up. But if it's on the tube and there's nothing else to see give it a try!

I thought this movie was going to be light and funny--and it WAS in some parts. Alfree Woodard and Faye Grant give especially good performances. Faye Grant's character is a scream! And Julianne Moore is great as Betty Lou's sister. But when it got to the suspenseful parts, it went beyond light and funny. It was surprisingly good. I enjoyed every minute of it.

Betty Lou (Penelope Ann Miller) is a librarian who suffers from the doormat syndrome - people walk all over her. At home, it is not much better, as policeman husband Alex works late. When he fails to come home for their anniversary dinner, Betty Lou snaps out of her complacency. Finding a gun connected to a homicide, she devices a scheme to make herself visible....she'll confess to the murder of a mafioso. It works. She is the most talked about person in town, with one problem. The mafia may be chasing her now.

Penelope Ann Miller is one of those actresses you like to look & listen to, no matter what the part. She does a fine job as the long suffering wife and librarian. Eric Thal displays charm as Alex and Julianne Moore as Betty Lou's sister, in a role that obviously came before her leap into stardom, is a welcome addition. The plot is fun at first but things get deadly serious and violent near the ending. Do you like silly romantic plots, even when a little nastiness is thrown in? This movie will satisfy your basic requirements.

A strange film, indeed. It doesn't lack its charms, but the film, as directed by Allan Moyle, goes nowhere because it seems to go in different directions. The film has a few laughs and the best way is to approach it without any preconceptions because it will reward the viewer.

What the director is to be congratulated is because of the good performances from this cast. Penelope Ann Miller, playing the title role is an actress that is not seen often in the movies. She deserves better as she projects a nice sunny quality about everything she does. Alfre Woodard is a gifted performance whose appearances are always welcome.

The curiosity here was Julianne Moore playing Elinor. Ms. Moore is shown at a disadvantage in the movie. Evidently she must have had a cosmetic transformation that worked for her in getting better roles than this silly role she is seen playing here.

Mr. Moyle has a knack for directing. This film has good moments and it's worth a look.