Cast overview, first billed only: | |||
Samuel Fröler | ... | Henrik Bergman | |
Pernilla August | ... | Anna Bergman | |
Max von Sydow | ... | Johan Åkerblom | |
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Ghita Nørby | ... | Karin Åkerblom |
Lennart Hjulström | ... | Disponent Nordenson | |
Mona Malm | ... | Alma Bergman | |
Lena Endre | ... | Frida Strandberg | |
Keve Hjelm | ... | Fredrik Bergman | |
Björn Kjellman | ... | Ernst Åkerblom | |
Börje Ahlstedt | ... | Carl Åkerblom | |
Hans Alfredson | ... | Kyrkoherde Gransjö | |
Lena T. Hansson | ... | Magda Säll | |
Anita Björk | ... | Drottning Victoria | |
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Elias Ringquist | ... | Petrus Farg |
Ernst Günther | ... | Freddy Paulin |
The story of Ingmar Bergman's parents. In 1909, poor, idealistic theology student Henrik Bergman falls in love with Anna Åkerbloom, the intelligent, educated daughter of a rich family in Uppsala. After their wedding Henrik becomes a priest in the north of Sweden. After a few years Anna can't stand living in the rural county with the uncouth people. She returns to Uppsala, Henrik stays in the north. Written by Robert Stroetgen <stroetgen@rrz.uni-hamburg.de>
The winner of the Palme d'Or in 1992, The Best Intentions gave Danish director Bille August his second win of the highest award of the most prestigious film festival in the world, for a film Ingmar Bergman had written. Bergman himself never won the award and didn't direct The Best Intentions, even though he was still directing two decades after his fictional retirement with Fanny and Alexander (1982). If most people in English-speaking countries have never heard of The Best Intentions, there may be a reason- the vast majority would find a three-hour, subtitled unhappy marriage drama unappealing and boring. To some, however, there is a lot to recommend here.
The film touches on issues of faith, the role of church in a changing society, a deteriorating marriage- many topics of which appear throughout Bergman's filmography. A priest struggles on the outskirts of the world in a small community, believing he might do some good, but his wife is deeply unhappy. There are some conflicts with locals who do not like him, including for renting out the church for socialist meetings. Henrik himself is no saint, not particularly deep, sometimes violent against his wife- aspects we see of him as the fictionalized Edvard in Fanny and Alexander. But here we see him suffer a lot more, and it inspires sympathy. Edvard also suffers and I felt sympathy for him too, but Fanny and Alexander is not his film. In a way, The Best Intentions feels like both Ingmar's criticism and reconciliation with his deeply flawed parents.
The Petrus subplot also inspires sympathy and shock- the running to the stream scene is by far the most intense part of the film. It's definitely worth a mention, even if it makes a small part of the running time.