It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
The real story behind the world of sales. This is a realistic portrayal of what it is to try making a life in high pressure sales with all its highs and lows; promises of fortunes and deliveries of dross. Red-leads and dead-leads are to blame for life's outcomes. Living with "Objection, Rebuttal, Close".Written by
James Foley initially turned down the opportunity to direct the film, saying he didn't see how it could be anything but filmed theatre. See more »
When Roma is presenting the Glengarry Highlands brochure to Lingk at the restaurant, there is an instance when ice is heard clinking in a glass, as if one of the two is drinking or moving their glass. The next shot doesn't reveal somebody having moved or drank from a glass. See more »
[handing Roma lead cards]
I'm giving you three leads...
Three? No, I count two.
There's three leads there.
"Patel"? Fuck you. Fucking Shiva handed this guy a million dollars, told him "Sign the deal!" he wouldn't sign. And the god Vishnu too, into the bargain. Fuck you, John! You know your business, I know mine. Your business is being an asshole. I find out whose fucking cousin you are, I'm going to go to him and figure out a way to have your ass - fuck you!
[throws the cards at Williamson]
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For those who are fans of action, explosions and flashy special f/x--this is not your movie. For those who are fans of extraordinary acting, strong characters, a great plot and priceless dialogue--it just doesn't get any better than this! When I say you're in for a treat, I mean it with the utmost certainty. Al Pacino and Kevin Spacey are on my list of favorite actors. The rest of the cast isn't quite on there, but they're all actors that I highly admire and some of which come close to being on my favorites list. First of all, it's hard to not be at least somewhat interested by a film written by David Mamet. He is simply the master when it comes to pacing and sharp dialogue. He truly has a style like no other. There's a million lines in this movie that I love to quote, many of which are in Alec Baldwin's opening speech. "F**k you, that's my name. You came here in a Hyundai, I drive a 80,000-dollar Oldsmobile--that's my name." And Kevin Spacey's "Go to lunch" speech is great as well. Every time I watch that scene I think back to when he read those same lines with a student on "Inside the Actor's Studio." Mamet's dialogue is delivered a lightning-fast pace, which I find fascinating. It makes you feel like you're watching an old movie, only in color and with an abundance of cuss words. This film brought tears to my eyes, not because it's incredibly sad, but because it's so intense. Watching actors like Al Pacino and Jack Lemmon share a scene is like a dream for any true film buff. Lemmon gave one of the best performances of his entire film career in this movie, and that's saying a whole lot! Needless to say, we suffered a tragic loss when he died. It's a surprise that he didn't receive an Oscar for his work in "Glengarry." Pacino also gives one of his best performances, in my opinion. In his recent films like "The Recruit" and "Simone," he hasn't gotten the chance to show off his acting chops to the fullest extent. His performance in this movie is an example of Pacino in full gear. Spacey is perfectly slimy in his role, and I despised him every minute he was on screen. Everyone who's ever had a job is familiar with some secretary or assistant manager, who's uptight and constantly plays by-the-book, just so he can maintain the respect of the boss whose butt he kisses every minute of the day. We've all encountered scumb*gs like him, and that's why it made it so easy for me to hate his guts. Every character is multi-dimensional, and I was able to feel either a deep sympathy or a deep hatred towards each of them. Some have criticized this film for being visually unimpressive, since it takes place mainly on one location. That didn't bother me one bit. When you have actors this engaging, setting is definitely not the issue. People always feel that when a play is adapted onto screen, it has to take place in many different locations, to "take advantage" of it being a motion picture. I always feel that good writing and good acting are the key elements of a good movie. If you want to see great visuals, go rent the whole "Lord of the Rings" trilogy. But for those begging for something of substance should love this movie. I'm constantly on the edge-of-my-seat when I watch this movie. All aspiring actors should be required to watch "Glengarry Glen Ross" as a prerequisite, because all you need to know about great acting is in this movie. A DON'T MISS!! (10 out of 10)
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