
A Few Good Men (1992)
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- R
- 2h 18min
- Drama, Thriller
- 11 Dec 1992 (USA)
- Movie
- Nominated for 4 Oscars. Another 10 wins & 26 nominations.
- See more »
Photos and Videos
Cast verified as complete
Tom Cruise | ... |
Lt. Daniel Kaffee
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Jack Nicholson | ... |
Col. Nathan R. Jessep
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Demi Moore | ... |
Lt. Cdr. JoAnne Galloway
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Kevin Bacon | ... |
Capt. Jack Ross
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Kiefer Sutherland | ... |
2nd. Lt. Jonathan Kendrick
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Kevin Pollak | ... |
Lt. Sam Weinberg
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James Marshall | ... |
Pfc. Louden Downey
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J.T. Walsh | ... |
Lt. Col. Matthew Andrew Markinson
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Christopher Guest | ... |
Dr. Stone
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J.A. Preston | ... |
Judge Julius Alexander Randolph
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Matt Craven | ... |
Lt. Dave Spradling
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Wolfgang Bodison | ... |
Lance Cpl. Harold W. Dawson
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Xander Berkeley | ... |
Capt. Whitaker
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John M. Jackson | ... |
Capt. West
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Noah Wyle | ... |
Cpl. Jeffrey Barnes
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Cuba Gooding Jr. | ... |
Cpl. Carl Hammaker
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Lawrence Lowe | ... |
Bailiff
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Joshua Malina | ... |
Tom
(as Josh Malina)
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Oscar Jordan | ... |
Steward
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John M. Mathews | ... |
Guard #1
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Aaron Sorkin | ... |
Man in Bar
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Alex Wexo | ... |
Guard #2
(as Al Wexo)
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Frank Cavestani | ... |
Agent #1
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Jan Munroe | ... |
Jury Foreman
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Ron Ostrow | ... |
M.P.
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Matthew Saks | ... |
David
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Harry Caesar | ... |
Luther
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Michael DeLorenzo | ... |
Pfc. William T. Santiago
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Geoffrey Nauffts | ... |
Lt. Sherby
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Arthur Senzy | ... |
Robert C. McGuire
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Cameron Thor | ... |
Cdr. Lawrence
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David Bowe | ... |
Cdr. Gibbs
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Gene Whittington | ... |
Mr. Dawson
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Maud Winchester | ... |
Aunt Ginny Miller
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Rest of cast listed alphabetically: | |||
Christopher Coffel | ... |
Marine Recruit (uncredited)
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Richard Lasting | ... |
Cadet (uncredited)
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Bernard Madrid | ... |
Interrogator (uncredited)
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Jack Serino | ... |
Navy Officer (uncredited)
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Directed by
Rob Reiner |
Written by
Aaron Sorkin | ... | (play) |
Aaron Sorkin | ... | (screenplay) |
Produced by
David Brown | ... | producer |
William S. Gilmore | ... | executive producer (as William Gilmore) |
Steve Nicolaides | ... | co-producer |
Rachel Pfeffer | ... | executive producer |
Rob Reiner | ... | producer |
Andrew Scheinman | ... | producer |
Jeffrey Stott | ... | co-producer |
Music by
Marc Shaiman |
Cinematography by
Robert Richardson | ... | director of photography |
Editing by
Robert Leighton | ||
Steven Nevius | ... | (as Steve Nevius) |
Editorial Department
Donah Bassett | ... | negative cutter |
Alan Edward Bell | ... | first assistant editor |
Phil Downey | ... | color timer |
Nina Lucia | ... | assistant editor |
Mary Morrisey | ... | assistant editor |
Casting By
Janet Hirshenson | ||
Jane Jenkins |
Production Design by
J. Michael Riva |
Art Direction by
David F. Klassen | ... | (as David Klassen) |
Set Decoration by
Michael Taylor |
Costume Design by
Gloria Gresham |
Makeup Department
Stephen Abrums | ... | makeup department head (as Steve Abrums) |
Enzo Angileri | ... | hair stylist |
Richard Dean | ... | makeup artist |
Edouard F. Henriques | ... | makeup artist (as Edouard F. Henriques III) |
Lyndell Quiyou | ... | hair stylist |
Larry Waggoner | ... | head hair stylist |
Sherri Bramlett | ... | key hair stylist: Washington, D.C. (uncredited) |
Production Management
Christy Dimmig | ... | post-production supervisor |
Steve Nicolaides | ... | production manager |
Second Unit Director or Assistant Director
Frank Capra III | ... | first assistant director |
Algric Leo Chaplin | ... | second second assistant director (as Algric L. Chaplin) |
Matthew H. Rowland | ... | second assistant director (as Matthew Rowland) |
Alisa Statman | ... | second second assistant director |
Art Department
Donald R. Abblett | ... | stand-by painter (as Don Abblett) |
James Bittl | ... | greensman |
Richard Boris | ... | greensman |
Suzanne De Grandis | ... | construction clerk (as Suzanne DeGrandis) |
Renee Faia | ... | art department coordinator |
Ildefonso Goris | ... | greensman (as Idlefonso Goris) |
Thomas W. Lay Jr. | ... | illustrator (as Tom Lay) |
Jerry Moss | ... | property master |
Thomas J. O'Brien | ... | painter supervisor (as Tom O'Brien) |
Lee Orlikoff | ... | leadman |
John E. Ovington | ... | scenic artist |
Ken Peterson | ... | assistant property master |
Craig Raiche | ... | assistant property master |
Virginia L. Randolph | ... | set designer (as Virginia Randolph) |
Darin Raney | ... | art department assistant |
Doug Rosenberger | ... | construction foreman |
Terry Scott | ... | construction coordinator |
Robb W. Ward | ... | propmaker |
Robert Woodruff | ... | set designer (as Rob Woodruff) |
Randy L. Childs | ... | propmaker gangboss (uncredited) |
Michael Denering | ... | scenic artist (uncredited) |
Paul Ford | ... | set dresser (uncredited) |
Angela O'Neill | ... | prop production assistant (uncredited) |
Joseph Perugini | ... | plasterer foreman (uncredited) |
Parker Swanson | ... | additional set dresser (uncredited) |
Ron Yates | ... | set designer (uncredited) |
Sound Department
George Baetz | ... | boom operator |
Carmen Baker | ... | assistant sound editor |
Kevin Bartnof | ... | foley artist |
Charles L. Campbell | ... | supervising sound editor |
Desmond Cannon | ... | assistant adr editor (as Desmond R. Cannon) |
Tim Chau | ... | sound editor |
Dean Drabin | ... | adr mixer |
Robert Eber | ... | sound mixer (as Bob Eber) |
Louis L. Edemann | ... | supervising sound editor |
Leigh French | ... | adr voiceover coordinator |
Sandy Garcia | ... | foley recordist (as Sandra Garcia) |
Leonard T. Geschke | ... | sound editor (as Lenny Geschke) |
Jeremy J. Gordon | ... | sound editor (as Jeremy Gordon) |
Marilyn Graf | ... | foley mixer |
Ann Hadsell | ... | adr recordist |
Robin Harlan | ... | foley artist |
Bob Hile | ... | machine operator: Skywalker Sound |
Andrea Horta | ... | supervising adr editor |
Rick Kline | ... | re-recording mixer: Skywalker Sound |
Elliott Koretz | ... | sound editor (as Elliot Koretz) |
Joe Morrisey | ... | sound editor |
Colin C. Mouat | ... | sound editor (as Colin Mouat) |
Chuck Neely | ... | sound editor |
Mel Neiman | ... | processed sound effects |
Kevin O'Connell | ... | re-recording mixer: Skywalker Sound |
Matt Patterson | ... | recordist: Skywalker Sound |
Jim Quinn | ... | machine operator: Skywalker Sound |
Rob Scott | ... | boom operator |
Gary L.G. Simpson | ... | stage engineer: Skywalker Sound (as Gary Simpson) |
Larry Singer | ... | supervising adr editor |
Roger V. Stevenson | ... | cable person (as Roger Stevenson) |
Mark A. Tracy | ... | assistant sound editor (as Mark Tracy) |
Larry Hopkins | ... | layback sound mixer (uncredited) |
Tim Song Jones | ... | sound transferer (uncredited) |
Special Effects by
Eugene Crum | ... | special effects coordinator |
Visual Effects by
Mark Sawicki | ... | matte shots (as Mark A. Sawicki) |
Robert Stromberg | ... | matte shots |
John E. Sullivan | ... | matte shots (as John Sullivan) |
Stunts
Tim A. Davison | ... | stunt coordinator (as Tim Davison) |
Camera and Electrical Department
Audie Aragon | ... | dolly grip |
Sidney Ray Baldwin | ... | still photographer (as Sidney Baldwin) |
Chris Centrella | ... | key grip |
Matt Craven | ... | rigging grip: Washington |
Brian Devin | ... | grip |
Vincent Galindez | ... | additional first assistant camera: Washington (as Vinnie Galindez) |
Anthony Gaudioz | ... | camera operator |
Scott Gillis | ... | rigging grip best boy |
R.L. Gittens Jr. | ... | lamp operator (as Roy L. Gittens Jr.) |
Khan Griffith | ... | lamp operator |
Mark Hadland | ... | assistant lighting technician |
Gary B. Kibbe | ... | director of photography: second unit (as Gary Kibbe) |
Ian Kincaid | ... | chief lighting technician |
Dean M. King | ... | grip (as Dean King) |
Jeff Kluttz | ... | rigging grip |
Gábor Kövér | ... | additional camera operator: Washington (as Gabor Kover) |
Hugh McCallum | ... | best boy grip |
Craig Molsberry | ... | lamp operator |
J. Michael Muro | ... | steadicam operator (as James Muro) |
Dayton Nietert | ... | rigging gaffer |
Ken Nishino | ... | first assistant camera (as Kenny Nishino) |
Bill O'Leary | ... | rigging gaffer: Washington |
Darrin C. Porter | ... | lamp operator (as Darrin Porter) |
Paul Postelnicu | ... | additional second assistant camera: Washington |
Brad Rea | ... | dolly grip |
Andrew D. Schwartz | ... | still photographer: Washington D.C. (as Andy Schwartz) |
Dennis Seawright | ... | second assistant camera |
Nick Shuster | ... | camera loader |
Keith L. Smith | ... | camera production assistant (as Keith Smith) |
Victor Svimonoff | ... | assistant rigging gaffer |
Robert Ulland | ... | steadicam operator: Washington (as Bob Ulland) |
Steve Venetis | ... | lamp operator |
Josh Bleibtreu | ... | first assistant camera (uncredited) |
Rusty Gardner | ... | electrician: Washington D.C. (uncredited) |
Rex Anson Rhorer | ... | rigging grip (uncredited) |
Rick Strodel | ... | grip (uncredited) |
Casting Department
Susanna Griffith | ... | casting associate |
Michael Hirshenson | ... | casting associate |
Victor Davis | ... | extras casting (uncredited) |
F. Pierre Gatling | ... | extras casting assistant (uncredited) |
Costume and Wardrobe Department
Darryl M. Athons | ... | costumer (as Darryl Athons) |
Margo Baxley | ... | costumer: women |
Lucinda Campbell | ... | costumer |
Nancy Cone | ... | costumer |
David Page | ... | costumer to tom cruise |
James W. Tyson | ... | costumer: men (as James Tyson) |
Leslie Weir | ... | costumer |
Linda M. Boyland | ... | costumer (uncredited) |
Location Management
Richard Davis Jr. | ... | location manager |
Jody Hummer | ... | assistant location manager |
Michael Wallace | ... | location consultant: Washington (as Mike Wallace) |
John Crowder | ... | assistant location manager: Washington D.C. (uncredited) |
Billy A. Fox | ... | location scout (uncredited) |
Music Department
Sandy De Crescent | ... | music contractor (as Sandy DeCrescent) |
Ralph Grierson | ... | music programmer |
Artie Kane | ... | conductor |
Jo Ann Kane | ... | music preparation |
Hummie Mann | ... | additional orchestrator / music producer |
Mark McKenzie | ... | orchestrator |
Joel Moss | ... | music mixer / music recordist |
Curtis Roush | ... | music editor |
Marc Shaiman | ... | music producer |
Nick Vidar | ... | music programmer |
Tom Boyd | ... | musician: oboe soloist (uncredited) |
Tom Brown | ... | music preparation (uncredited) |
Daniel Gold | ... | music prep (uncredited) |
Jim Hoffman | ... | music preparation (uncredited) |
Malcolm McNab | ... | musician: trumpet (uncredited) / trumpet soloist (uncredited) |
James Thatcher | ... | musician: French horn (uncredited) |
Sebastian Toettcher | ... | musician: cello (uncredited) |
Louise Di Tullio | ... | musician: flute (uncredited) |
Script and Continuity Department
Kerry Lyn McKissick | ... | script supervisor |
Transportation Department
Dave Amberik | ... | production driver |
John Armstrong | ... | production driver |
Chet Badalato | ... | production driver |
James R. Brown | ... | transportation coordinator (as James Brown) |
Russ Buckens | ... | production driver |
Kenneth Cervi | ... | production driver |
Linda Cipperley | ... | production driver |
Jerry Cipperly | ... | production driver (as Jerry Cipperley) |
Kelly Joe Dugan | ... | production driver |
Stephen J. Eads | ... | production driver (as Steve Eads) |
David Garris | ... | production driver |
Randy Gaston | ... | production driver (as Randall Lee Gaston) |
Benson Jones | ... | production driver |
Gregory A. Landes | ... | production driver (as Greg Landes) |
John Kris Larsen | ... | production driver (as John Larsen) |
Stephen A. Latina | ... | production driver (as Steve Latina) |
Clair E. Leucart | ... | production driver (as Clair Leucart) |
Bob Limon | ... | production driver |
Leo Loa | ... | production driver |
Ken Lubin | ... | production driver |
Dennis McLaughlin | ... | production driver |
Patrick A. McLaughlin | ... | production driver (as Patrick McLaughlin) |
Bill Murphy | ... | production driver |
Edward A. Powell | ... | production driver (as Ed Powell) |
Manny Quinones | ... | transportation captain: Washington |
Becky Raiche | ... | production driver |
Ted Reed | ... | production driver |
Tim Roslan | ... | transportation captain |
Danny Rowe | ... | production driver |
Ken Strong Jr. | ... | production driver (as Ken Strong II) |
Additional Crew
Pamela Allain | ... | production secretary |
Joseph Aspromonti | ... | production assistant (as Joe Aspromonti) |
Lisa Aubel | ... | production assistant |
David M. Brahms | ... | technical consultant (as Brigadier General David M. Brahms USMC [Ret.]) |
Alison Cannon | ... | assistant production accountant (as Alison Belanger) |
Daneen Lagrone Conroy | ... | assistant: Ms. Moore (as Daneen Conroy) |
Leslie Cornyn | ... | post-production accountant |
Michael Doven | ... | assistant: Tom Cruise |
Elizabeth Ervin | ... | production coordinator |
Linda Folsom | ... | production coordinator (as Linda Allan-Folsom) |
Mickey Garrigan | ... | production assistant |
William Goldman | ... | consultant |
Alison Harstedt | ... | assistant production accountant |
Jeri Held | ... | publicist: Washington |
Jeff Jones | ... | assistant: Mr. Reiner |
Pam Jones | ... | assistant: Mr. Reiner |
K. Lenna Katich | ... | production accountant (as K. Lenna Kunkel) |
Robert Lamkin | ... | caterer (as Robert Lampkin) |
Steve Levine | ... | talent coordinator |
Keith Madden | ... | projectionist: Washington |
Steve Newman | ... | unit publicist |
Annika Nord | ... | production assistant |
Bettina Tendler O'Mara | ... | production promotions coordinator (as Bettina Tendler-O'Mara) |
Catherine Rae Purves | ... | assistant to producers (as Catherine Purves-Statham) |
Darin Rivetti | ... | production assistant |
Alison C. Rosa | ... | production secretary: Washington |
Alison Sherman | ... | production coordinator: Washington |
Demetra Stamus | ... | production assistant |
Brady Thomas | ... | production assistant |
Angela C. Tortu | ... | production assistant (as Angela Tortu) |
Dion B. Vines | ... | production assistant (as Dion Vines) |
Russ Vollmers | ... | production assistant |
Mike Wallace | ... | location consultant: Washington D.C. unit |
Roberta Wells | ... | first aid |
Jeff Winn | ... | craft service |
Harry Winters | ... | payroll assistant |
Frank D. Woodward | ... | caterer (as Frank Woodward) |
Gilbert Young | ... | teamster shop steward: Washington |
Annie Marshall | ... | assistant: Mr. Nicholson (uncredited) |
Nancy Seltzer | ... | publicist (uncredited) |
Peter Shaner | ... | on set technical advisor (uncredited) |
Chris Winn | ... | craft service (uncredited) |
Thanks
Walter Hill | ... | producers wish to thank (as Walter L. Hill II) |
John Horton | ... | special thanks |
Michael McClosky | ... | special thanks (as Major Michael McClosky) |
Ray Smith | ... | special thanks |
Robert A. Washington | ... | producers wish to thank (as Commissioner Robert A. Washington Ph.D.) |
Haskell Wexler | ... | producers wish to thank |
Production Companies
- Columbia Pictures (presents)
- Castle Rock Entertainment (presents) (A Rob Reiner Film)
- David Brown Productions (A David Brown Production)
Distributors
- Columbia Pictures (1992) (United States) (theatrical)
- Columbia TriStar Film (1992) (Germany) (theatrical)
- Columbia TriStar Film (1992) (Italy) (theatrical)
- Columbia TriStar Films (1992) (France) (theatrical)
- Columbia TriStar Films de España (1992) (Spain) (theatrical)
- Columbia Films of India (1993) (India) (theatrical)
- SF Studio (1992) (Norway) (theatrical)
- Columbia TriStar Home Entertainment (1993) (Germany) (VHS)
- Columbia TriStar Home Video (1993) (United States) (VHS)
- Columbia TriStar Home Video (1993) (United States) (video) (LaserDisc)
- LK-TEL (1993) (Argentina) (VHS)
- Columbia TriStar Film (1993) (Japan) (theatrical)
- Columbia TriStar Films AB (1993) (Sweden) (theatrical)
- Columbia TriStar Films (1993) (United Kingdom) (theatrical)
- Columbia TriStar Films (1993) (Netherlands) (theatrical) (as Columbia TriStar Film Distributors)
- Columbia TriStar Films de Argentina (1993) (Argentina) (theatrical)
- Finnkino (1993) (Finland) (theatrical) (VHS)
- Columbia TriStar Home Video (Netherlands) (VHS)
- Columbia TriStar Home Video (United Kingdom) (VHS)
- FilmNet (1994) (Netherlands) (tv) (limited)
- National Broadcasting Company (NBC) (1996) (United States) (tv)
- Yleisradio (YLE) (1996) (Finland) (tv)
- Columbia TriStar Home Video (1997) (United States) (DVD)
- Egmont Entertainment (1998) (Finland) (DVD)
- Nelonen (1998) (Finland) (tv)
- Network Ten (1998) (Australia) (tv)
- Nordisk Film (1998) (Sweden) (DVD)
- Mainostelevisio (MTV3) (2000) (Finland) (tv)
- Columbia TriStar Home Entertainment (2001) (Germany) (DVD)
- Columbia TriStar Home Entertainment (2001) (United States) (DVD)
- Nordisk Film (2001) (Sweden) (DVD)
- LK-TEL (2002) (Argentina) (DVD)
- LK-TEL (2002) (Argentina) (VHS)
- Universal Pictures (2004) (Sweden) (DVD)
- Sony Pictures Home Entertainment (2007) (Finland) (Blu-ray)
- Sony Pictures Home Entertainment (2007) (Germany) (Blu-ray) (DVD)
- Sony Pictures Home Entertainment (2007) (Netherlands) (Blu-ray) (DVD)
- Sony Pictures Home Entertainment (2007) (Sweden) (Blu-ray) (DVD)
- Sony Pictures Home Entertainment (2007) (United States) (Blu-ray) (DVD)
- TV5 (2011) (Finland) (tv)
- Turner Classic Movies (TCM) (2015) (United States) (tv)
- LA7 (2016) (Italy) (tv)
- RTL Entertainment (2016) (Netherlands) (tv) (RTL8)
- Made in Liverpool (2017) (United Kingdom) (tv)
- Sony Movie Channel (2017) (United Kingdom) (tv)
- 9Gem (2020) (Australia) (tv)
- HBO Max (2020) (United States) (video) (VOD)
- Nine Network Australia (2020) (Australia) (tv)
- 7Mate (2023) (Australia) (tv)
- Seven Network (2023) (Australia) (tv)
- Columbia TriStar Home Entertainment (2002) (United States) (DVD) (superbit)
- Columbia TriStar Home Video (Brazil) (DVD)
- I Grandi Film Di Panorama (Italy) (VHS)
- LK-TEL Vídeo (Brazil) (VHS)
Special Effects
- Illusion Arts (matte shots)
Other Companies
- California Department of Parks and Recreation (producers wish to thank)
- California Film Commission (producers wish to thank)
- Castle Rock Entertainment (copyright)
- Columbia Pictures Industries (copyright)
- Columbia Records (soundtrack album available on)
- Commanding Officer and Crew of United States Support Center (producers wish to thank)
- Direct Travel of California (travel services)
- For Stars Catering (catering)
- JoAnn Kane Music Service (music preparation)
- Lucasfilm THX / TAP Theater Alignment Program (Quality assurance services were provided by)
- MTI Film (restoration services)
- Movie Movers (cast trailers)
- Movie Movers (star trailers)
- Nancy Seltzer & Associates (publicity)
- National Baseball Hall of Fame Library (photos courtesy of)
- Pacific Studios II (chromatrans background)
- Pacific Title (titles and opticals)
- Panavision (camera equipment provided by)
- Panavision (photographic equipment)
- Re-Sets (producers wish to thank)
- Skywalker Sound (Re-Recording Facilities)
- Sony Pictures Studios (music scored at)
- St. Elizabeths Hospital (producers wish to thank)
- TAJ Soundworks (foley recording)
- THX Ltd. (acknowledgement: This Film Recorded in a THX Sound System Theatre)
- THX Sound System Theatre (This Film Recorded in a)
- Technicolor (color and prints by)
- The Culver Studios (filmed at)
- The State of California (producers wish to thank)
- Unique Movie Cars (picture cars)
- Victor Davis Casting (extras casting)
Storyline
Plot Summary |
In this dramatic courtroom thriller, Lieutenant Junior Grade Daniel Kaffee, a Navy lawyer who has never seen the inside of the courtroom, defends two stubborn Marines who have been accused of murdering a colleague. Kaffee is known as being lazy and had arranged for a plea bargain. Downey's Aunt Ginny appoints Lieutenant Commander Galloway to represent him. Also on the legal staff is LTJG Sam Weinberg. The team rounds up many facts and Kaffee is discovering that he is really cut out for trial work. The defense is originally based upon the fact that PFC Santiago, the victim, was given a "CODE RED". Santiago was basically a screw-up. At Gitmo, screw-ups aren't tolerated. Especially by Col. Nathan Jessup. In Cuba, Jessup and two senior officers try to give all the help they can, but Kaffee knows something's fishy. In the conclusion of the film, the fireworks are set off by a confrontation between Jessup and Kaffee.
Written by Matt Curtolo |
Plot Keywords | |
Taglines | In the heart of the nation's capital, in a courthouse of the U.S. government, one man will stop at nothing to keep his honor, and one will stop at nothing to find the truth. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Filming Locations |
Box Office
Budget | $40,000,000 (estimated) |
Cumulative Worldwide Gross | $243,240,178 |
Did You Know?
Trivia | The original play was inspired by an actual Code Red at Guantanamo Bay. Lance Corporal David Cox and nine other enlisted men tied up a fellow Marine and severely beat him for snitching to the Naval Criminal Investigative Service. Cox was acquitted and later honorably discharged. In 1994, David Cox mysteriously vanished, and his bullet-riddled body was found three months later. His murder remains unsolved. See more » |
Goofs | A Judge Advocate has the same qualified immunity as any other attorney arguing a defense. The premise that he could be subject to Court Martial for Professional Misconduct if he accuses Jessop and Kendrick of a crime is preposterous. He could be prosecuted however for failing to do so if it was necessary in the defense of the accused and if he, in good faith, believes that they may be guilty of said crime. See more » |
Movie Connections | Edited into The Arrivals (2008). See more » |
Soundtracks | Hound Dog See more » |
Quotes |
Judge Randolph:
[to Kaffee from the judge's bench]
Consider yourself in contempt! Kaffee: Colonel Jessup, did you order the Code Red? Judge Randolph: You don't have to answer that question! Col. Jessup: I'll answer the question! [to Kaffee] Col. Jessup: You want answers? Kaffee: I think I'm entitled to. Col. Jessep: You want answers? Kaffee: I WANT THE TRUTH! Col. Jessup: YOU CAN'T HANDLE THE TRUTH! [pauses] Col. Jessup: Son, we live in a world that has walls, and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lt. Weinberg? I have a greater responsibility than you could possibly fathom. You weep for Santiago and you curse the Marines. You have that luxury. You have the luxury of not knowing what I know; that Santiago's death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, *saves lives*. You don't want the truth because deep down in places you don't talk about at parties, you want me on that wall. You need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide, and then questions the manner in which I provide it! I would rather you just said "thank you" and went on your way, Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a *damn* what you think you are entitled to! Kaffee: Did you order the code red? Col. Jessup: I did the job I... Kaffee: [interrupts him] *Did you order the Code Red?* Col. Jessup: *You're God damn right I did!* See more » |