When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former secretary.
Cuba Gooding Jr.,
As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.
A young man leaves Ireland with his landlord's daughter after some trouble with her father and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new land, they find jobs and begin saving money. The man becomes a local bare-hands boxer and rides in glory until he is beaten, then his employers steal all the couple's money and they must fight off starvation in the winter and try to keep their dream of owning land alive. Meanwhile, the woman's parents find out where she has gone and have come to the U.S. to find her and take her back.Written by
Ed Sutton <firstname.lastname@example.org>
Director Ron Howard wasn't happy with Nicole Kidman's facial reaction during the shooting of the scene where her character lifts the bowl covering Joseph's (her husband Tom Cruise's) crotch. Without telling Kidman, he asked Cruise to remove his underwear. Howard got the reaction he wanted, and it appears in the film. See more »
When Joseph brings Shannon to her family after she gets shot, she is seen lying on the couch facing left. The next time we see her, she is facing right. See more »
[while trying to persuade Joseph to come with her]
When I saw that, I realized you could be very useful to me... you could be my serving boy!
See more »
Near the end of the credits, special thanks are given to, among others, Fungi the Dingle Dolphin. See more »
Also in the network version: after they are thrown out in the street, it's raining; Joseph, looking for a job, jumps into a ditch and begins digging, a few seconds later, Shannon joins him stating they need the money. See more »
Back in Gone With the Wind Gerald O'Hara tried to tell Katie Scarlett the importance of the land, a lesson she took the entire film to learn. For Tom Cruise and Nicole Kidman it's the land, their own bit of land to work as they please and answer to no one.
The story of Far and Away takes place in a very specific time period in the history of both Ireland and America. In Ireland the home rule movement had been dealt a stunning blow with the fall of Charles Stuart Parnell in scandal. Independence had been set back and the landlords were riding high, though not without opposition.
Opposition in this case comes in the form of Tom Cruise and his family who are Irish tenant farmers about to be tossed off their land because they can't pay the exorbitant rents. Turns out the landlord's got a most fetching daughter in Nicole Kidman who's got her eye on the peasant lad.
Far and Away is first and foremost a romance, the rich girl and the poor boy, two beautiful young people we all wish we were. Of course the real affair of Tom and Nicole and their eventual marriage is fairy tale storybook stuff on its own. It sure didn't hurt the film.
They've got a rough road ahead though. In Boston they get exploited by their own people as badly as the English are doing in the old country. Of course their eventual salvation is the Oklahoma land rush where Tom can get his own land to work.
Frederick Jackson Turner was a famous American historian who put forth the thesis that the reason America escaped the class struggles and revolutions of Europe was our frontier. It didn't work out so well for those Indians already there, but the proletarian masses instead of becoming a mob that agitators could stir to revolution just went west and made opportunities. Turner's thesis is still a widely respected paradigm in the study of American history and I think if he could have seen Far and Away, he'd say Ron Howard proved his point.
Speaking of Ron Howard, it's pretty obvious he was influenced by both versions of the Oklahoma land rush previously made in the two films of Edna Ferber's classic Cimarron. He doesn't do badly in recreating Boston of the Gay Nineties and Ireland of the same period.
And Tom and Nicole certainly look beautiful even when she's working in a factory and Tom's getting clobbered in a bare knuckle prize fight. Look for nice performances by Robert Prosky as Nicole's father, Thomas Gibson as Tom's rival for Nicole and Colm Meaney as the Irish political boss in Boston.
Maybe the world needs a frontier to solve its problems.
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