222 user 86 critic

Death Becomes Her (1992)

PG-13 | | Comedy, Fantasy, Horror | 31 July 1992 (USA)
2:10 | Trailer
When a woman learns of an immortality treatment, she sees it as a way to outdo her long-time rival.


Robert Zemeckis
2,082 ( 284)
Won 1 Oscar. Another 4 wins & 16 nominations. See more awards »





Cast overview, first billed only:
Meryl Streep ... Madeline Ashton Menville
Bruce Willis ... Dr. Ernest Menville
Goldie Hawn ... Helen Sharp
Isabella Rossellini ... Lisle Von Rhuman
Ian Ogilvy ... Chagall
Adam Storke ... Dakota
Nancy Fish ... Rose
Alaina Reed-Hall ... Psychologist (as Alaina Reed Hall)
Michelle Johnson ... Anna
Mary Ellen Trainor ... Vivian Adams
William Frankfather ... Mr. Franklin
John Ingle ... Eulogist
Clement von Franckenstein ... Opening Man
Petrea Burchard ... Opening Woman
Jim Jansen ... Second Man


In 1978, in Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancé Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


From the Director of Who Framed Roger Rabbit and Back to the Future See more »


Comedy | Fantasy | Horror

Motion Picture Rating (MPAA)

Rated PG-13 for some nudity and off-color humor | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


Even though her character, Madeline Ashton, is portrayed as a 50 or over year old woman throughout most of the film, Meryl Streep was in fact 43 years old when she shot this film. See more »


The pool is illuminated from below, yet no light shines up through the large dark hole in Helen's abdomen. See more »


[first lines]
Opening Man: [leaving the theatre in the rain] Can you believe that? A musical version of "Sweet Bird of Youth."Who are they kidding?
Opening Woman: Thank God you wanted to leave...
Second Woman: Can you believe Madeline Ashton? Talk about waking the dead.
Second Man: I gotta get a drink...
[zoom in on discarded playbill featuring Madeline Ashton]
See more »


Referenced in Looking Back at 'The Shadow' (2014) See more »


Give a Little Bit
Written by Roger Hodgson & Rick Davies (as Richard Davies)
Performed by Supertramp
Courtesy of A&M Records under license from Universal Music Enterprises
See more »

User Reviews

A brilliant black comedy
5 February 2000 | by SidFuddSee all my reviews

Robert Zemeckis is not my favorite director, "Contact" notwithstanding. There's nothing wrong with his movies; they're just fluffy. "Back to the Future" had an exhilarating two-billion-thread plot, but a disappointing moral climax-Marty's reengineered past creates an alternate present where his family is wealthy and the thing he covets most, a 4x4, is in the garage. (Such was our national mood--blame Reagan.) And "Forrest Gump", a decent and poignant melodrama, tried to be a satire too but instead of knowing commentary it delivered cliches (John Lennon on the Dick Cavett show answers questions using only lyrics from "Imagine"; an anti-war protester at a Washington rally makes his case before the crowd with the argument "Viet F...in' Nam!").

On the other hand, Zemeckis directed this, one of the great black comedies of the '90s. "Death Becomes Her" is a delicious, well-observed satire about makeup, makeup and more makeup. In Hollywood, if you're old you're run out of town on a rail and Meryl Streep's character is horrified that her body is going south. Streep has great comic timing (this role and her role in "Postcards from the Edge" are too-infrequent examples of it) and she makes a believable ogre of Madeline Ashton, a Streisand-esque demon. As the film begins in 1978 Madeline is onstage in a Broadway musical version of "Sweet Bird of Youth", hilariously retooled as an unironic paean to her girlish looks (she sings the unforgettable "I See Me" to her own reflection). Helen Sharp (Goldie Hawn) and her fiancee Ernest Menville (Bruce Willis) are in the audience, and after the show Madeline greets old friend Helen backstage, and promptly steals Ernest away from her for marriage. Flash forward seven years; Helen is overweight, living alone with dozens of cats and endlessly rewatching movie star Madeline being murdered in a scene from one of her films. She is evicted and arrested but in jail she hits on an elegant solution for eliminating Madeline from her mind: eliminating her.

Flash forward to 1992 Los Angeles; has-been Madeline is caking on makeup and scheduling multiple face-lifts to fend off the inevitable. Ernest, formerly a plastic surgeon with a promising career, is now a mortician who dresses and retouches the best-looking corpses in the business. (His secret: spraypaint.) No sooner has Madeline rediscovered a drop-dead gorgeous Helen--looking impossibly young and voluptuous at her own 50th birthday party--then she panics and becomes desperate for a quick fix for her fading looks. She ends up in a mysterious Hollywood mansion with a sorceress (Isabella Rossellini) who gives her a magic potion granting eternal youth. Meanwhile Helen seduces Ernest and enlists his help in murdering Madeline. But comes a twist (literally) and suddenly Madeline gets a looks at immortality, and her own rear end, following a nasty fall down a staircase.

All the actors shine here. Goldie Hawn is hilarious. Bruce Willis, an underrated comic actor, is goofier than he's been since "Moonlighting". Sydney Pollack does a virtuoso one-take cameo as a doctor who loses it after examining a dead-but-still-breathing Madeline. There are a lot of twists and surprises, not the least of which is that the FX get some of the biggest laughs. With technology these days being so good FX often slip invisibly into the background, this movie flaunts its CG-manipulated human bodies as something to goggle at.

Zemeckis' usual trademarks are here, including elaborate tracking shots in expositional scenes and the use of mirrors to combine on- and off-screen space (in this movie about vanity there is a surplus of mirrors, one in practically every scene). The movie was written by Martin Donovan and David Koepp (they cowrote "Apartment Zero"; Koepp wrote "Jurassic Park" and its sequel). The mordant, sour-as-kumquats score is by Alan Silvestri ("Back to the Future", "Who Framed Roger Rabbit"). The special effects were produced by Industrial Light and Magic.

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Release Date:

31 July 1992 (USA) See more »

Also Known As:

Death Becomes Her See more »


Box Office


$55,000,000 (estimated)

Opening Weekend USA:

$12,110,355, 2 August 1992

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
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Technical Specs


Sound Mix:

Dolby SR



Aspect Ratio:

1.85 : 1
See full technical specs »

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