This Oscar nominated film is the story of two men who are opposites, one gay, the other straight, one a fierce communist, the other a fierce individualist, one suspicious, the other accepting, and how they come to love each other.
Tomás Gutiérrez Alea,
Juan Carlos Tabío
Based on the Nobel Prize Winner's novel, the Egyptian Naguib Mahfouz. The story, translated from El Cairo to Mexico City's downtown, narrates the life of the members of the neighbourhood ... See full summary »
Ernesto Gómez Cruz,
This comedic drama features two young couples, and another couple of old friends who reenter the two couples lives. The story takes place mostly in two apartments across the street from ... See full summary »
The Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by ... See full summary »
Fernando de Fuentes
Antonio R. Frausto,
A kid runs away from boarding school to watch the cave where a bunch of bandits hide. The bandits discover and chase him but the kid escapes. He returns to the school but it's been ... See full summary »
Ambar is a trip that goes beyond the certainties of reality to reveal an astounding world governed only by imagination. When a famous hunter and his young apprentice go on an expedition ... See full summary »
The story follows the lives of four women singers working at a nightclub during the turbulent Hong Kong of the late 1960's and in particular the one singer who made it big, but had to sacrifice the love of her life.
The boyfriend (Cantinflas) of the servant of a rich industrial man, gets into the house in order to kill a mad dog. Suddenly this man appears so the servant tells him that Cantinflas is his... See full summary »
In a forgotten Mexico village Tita and Pedro fall in love, but their marriage is forbidden as to traditions. Mother Elena sees Tita's role as her caretaker for life - no youngest daughter has ever married and her daughter will not be the first to break tradition. Tita's heart breaks when her mother offers Pedro her sister instead of her, and he accepted it just to live near Tita- he says. Now they live in the same house, and mother Elena cannot forbid their love as she did their marriage.Written by
An aspiring filmmaker from Texas, who was not involved with the project, spent time on set, because he was in town shooting a small budget ($5,000) full-length feature film for the Spanish home video market. That young filmmaker was Robert Rodriguez, and the film was El Mariachi, which became a hit at Sundance and launched his career. See more »
When Dr. Brown holds up a piece of white phosphorus, nothing happens. White phosphorus ignites in air at room temperature, however, so it should have been shown burning. See more »
There was a theatrical Mexican cut, in which sex & nudity scenes were missing, and instead of, there were other scenes less graphical and additional voice-over narrations from the great-granddaughter (Arcelia Ramirez) that weren't included in the international version. The Mexican cut was not color-corrected, and it's noteworthy because of the very dark contrast in image. The scene in where Mamá Elena dies and Tita takes care of the funeral has a different music score in the Mexican cut. The English spoken language scenes have hard-coded Spanish subtitles, but no voices were re-dubbed. See more »
Years ago, in California, I walked into a gas station convenience store to buy some consumable or other. The man who took my money was a Mexican emigre, and he saw that I was carrying a copy of the book Like Water for Chocolate by Laura Esquivel. He asked how I liked it, and I told him I was loving it. He told me not to miss the movie.
"Oh," I answered, "but I always worry that the movie will never be as good as the book."
"It doesn't matter," he told me. "This is a very great film. And it is the first real Mexican film I have ever seen shown in this country. You know, to everybody, not just the Mexican community."
I smiled and told him I would check it out, but honestly, I had no idea what he was talking about. After all, I knew who Dolores Del Rio and Cantinflas were, and the movies with them that I had seen were shown in L.A., to everybody.
But now, at last, I have seen this movie, and now, at last, I know what this guy was talking about. Like, wow! This really is a real Mexican film! Art! Cinema! More than just a bit of popular fluff!
Tender, compassionate and very witty, like the book on which it is based, this movie celebrates Mexican culture -- not just on the food, the preparation of which forms the premise of the story, but as kind of a rollicking take on the history of the young country at the turn of the century. It celebrates the music, the style of life on a ranch, the strength of the extended family, the beauty of the land, and the ethnic mixing pot that is every Mexican.
There is so much reckless joy and passionate love in this film, even when it portrays pain. It openly depicts female eroticism. (Plus, for a big change from US cinema, we get to see beautiful men and women of many shapes, sizes and colors all on the same screen.) The acting is flawless, and the star, Lumi Cavazos, is absolutely charming, full of life and credibility.
The only flaws I found in this film were minor and had to do with timing. For example, the final ascent to the climax seems to have been shortchanged a little bit. I would have liked to reach through this scene a little more slowly.
To judge Mexican cinema by the type of films I had seen before this one would be like judging U.S. cinema on the basis of Jerry Lewis or some cheesy melodramas from the '40s and '50s, but not taking into account any of our real film art. I'd love to know what else I've missed. Can't wait to find out.
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