7.1/10
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156 user 34 critic

Like Water for Chocolate (1992)

Como agua para chocolate (original title)
R | | Drama, Romance | 28 May 1993 (USA)
Trailer
1:23 | Trailer
When tradition prevents her from marrying the man she loves, a young woman discovers she has a unique talent for cooking.

Director:

Alfonso Arau

Writers:

Laura Esquivel (novel), Laura Esquivel (screenplay)
Nominated for 1 Golden Globe. Another 26 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marco Leonardi ... Pedro Muzquiz
Lumi Cavazos ... Tita
Regina Torné ... Mamá Elena
Mario Iván Martínez ... Doctor John Brown
Ada Carrasco ... Nacha
Yareli Arizmendi ... Rosaura
Claudette Maillé ... Gertrudis
Pilar Aranda Pilar Aranda ... Chencha
Farnesio de Bernal ... Cura
Joaquín Garrido ... Sargento Treviño
Rodolfo Arias Rodolfo Arias ... Juan Alejándrez
Margarita Isabel Margarita Isabel ... Paquita Lobo
Sandra Arau Sandra Arau ... Esperanza Muzquiz
Andrés García Jr. Andrés García Jr. ... Alex Brown
Regino Herrera Regino Herrera ... Nicolás
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Storyline

In a forgotten Mexico village Tita and Pedro fall in love, but their marriage is forbidden as to traditions. Mother Elena sees Tita's role as her caretaker for life - no youngest daughter has ever married and her daughter will not be the first to break tradition. Tita's heart breaks when her mother offers Pedro her sister instead of her, and he accepted it just to live near Tita- he says. Now they live in the same house, and mother Elena cannot forbid their love as she did their marriage. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

A feast for the senses!

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

Mexico

Language:

Spanish | English

Release Date:

28 May 1993 (USA) See more »

Also Known As:

Acı Çikolata See more »

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Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend USA:

$23,600, 21 February 1993

Gross USA:

$21,665,468

Cumulative Worldwide Gross:

$21,744,201
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (R Rated NTSC Version)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

An aspiring filmmaker from Texas, who was not involved with the project, spent time on set, because he was in town shooting a small budget ($5,000) full-length feature film for the Spanish home video market. That young filmmaker was Robert Rodriguez, and the film was El Mariachi, which became a hit at Sundance and launched his career. See more »

Goofs

When Dr. Brown holds up a piece of white phosphorus, nothing happens. White phosphorus ignites in air at room temperature, however, so it should have been shown burning. See more »

Quotes

Gertrudis: Sergeant, can you cook cream fritters?
Sargento Treviño: To be honest ... no. But if you want, I will try.
Gertrudis: You have never let me down before. I hope this will not be the first time.
Sargento Treviño: Yes, my general.
See more »

Alternate Versions

There was a theatrical Mexican cut, in which sex & nudity scenes were missing, and instead of, there were other scenes less graphical and additional voice-over narrations from the great-granddaughter (Arcelia Ramirez) that weren't included in the international version. The Mexican cut was not color-corrected, and it's noteworthy because of the very dark contrast in image. The scene in where Mamá Elena dies and Tita takes care of the funeral has a different music score in the Mexican cut. The English spoken language scenes have hard-coded Spanish subtitles, but no voices were re-dubbed. See more »

Connections

Referenced in Jersey Girl (2004) See more »

Soundtracks

Estrellita Marninera
Written by Alfonso Esparza Oteo
Performed by Los Morales
See more »

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User Reviews

 
Rich and satisfying
28 May 2000 | by saraartsSee all my reviews

Years ago, in California, I walked into a gas station convenience store to buy some consumable or other. The man who took my money was a Mexican emigre, and he saw that I was carrying a copy of the book Like Water for Chocolate by Laura Esquivel. He asked how I liked it, and I told him I was loving it. He told me not to miss the movie.

"Oh," I answered, "but I always worry that the movie will never be as good as the book."

"It doesn't matter," he told me. "This is a very great film. And it is the first real Mexican film I have ever seen shown in this country. You know, to everybody, not just the Mexican community."

I smiled and told him I would check it out, but honestly, I had no idea what he was talking about. After all, I knew who Dolores Del Rio and Cantinflas were, and the movies with them that I had seen were shown in L.A., to everybody.

But now, at last, I have seen this movie, and now, at last, I know what this guy was talking about. Like, wow! This really is a real Mexican film! Art! Cinema! More than just a bit of popular fluff!

Tender, compassionate and very witty, like the book on which it is based, this movie celebrates Mexican culture -- not just on the food, the preparation of which forms the premise of the story, but as kind of a rollicking take on the history of the young country at the turn of the century. It celebrates the music, the style of life on a ranch, the strength of the extended family, the beauty of the land, and the ethnic mixing pot that is every Mexican.

There is so much reckless joy and passionate love in this film, even when it portrays pain. It openly depicts female eroticism. (Plus, for a big change from US cinema, we get to see beautiful men and women of many shapes, sizes and colors all on the same screen.) The acting is flawless, and the star, Lumi Cavazos, is absolutely charming, full of life and credibility.

The only flaws I found in this film were minor and had to do with timing. For example, the final ascent to the climax seems to have been shortchanged a little bit. I would have liked to reach through this scene a little more slowly.

To judge Mexican cinema by the type of films I had seen before this one would be like judging U.S. cinema on the basis of Jerry Lewis or some cheesy melodramas from the '40s and '50s, but not taking into account any of our real film art. I'd love to know what else I've missed. Can't wait to find out.


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