A story told quietly of Vincent a welder at a large and seemingly toxic plant along the Rhône, living in a village with his sons, wife, and mother, saying little to each other. Vincent ... See full summary »
The film depicts daily life in an Senegalian village. The people sleep, eat, make love, pray for rain, et cetera, while civilization, by way of timber trucks and tree fellers, is slowly ... See full summary »
Awarded the Special Jury Prize at the 41st Venice International Film Festival, this absurdist comedy, with its sprawling cast of crooks, thieves, anarchists, prostitutes, chief inspectors, ... See full summary »
Alix de Montaigu,
A deadpan, picaresque buddy comedy about two old friends through a series of urban adventures, loosely connected by the skull of an executed French aristocrat. Winter Song is a typically ... See full summary »
Gia is a carefree young percussionist who works at a theater in Tbilisi, capital of Georgia. He lives in a small apartment with his mother. Gia spends his days flitting from friend to ... See full summary »
Nicolas is an artist, a filmmaker who merely wants to express himself and whom everyone wishes to reduce to silence. When he first starts out in Georgia, the "ideologists" hope to gag him, ... See full summary »
Nicholas is the eldest son of a wealthy suburban family, whose businesswoman mother makes deals from a helicopter and has an affair with her business partner. His cheerful, alcoholic father... See full summary »
The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the ... See full summary »
This one of the few movies I've seen that improves with each viewing (4, in my case). It is enigmatic and subtle, but manages to be entertaining and, at times, laugh out loud funny. The acting is superb (particularly the "busy old lady" as the previous poster calls her) and the cinematography first-rate. Iosseliani manages to lampoon both European capitalism and his own Russian culture but he does so in a gentle, almost loving manner. I hate to see this film slide into obscurity; it is an important work with a timeless and relevant message. A feast for the eyes and the soul. I want to advertise it on a blinking billboard, but Iosseliani would probably wag his finger at me... Should be watched with a glass of fine wine.
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