Regina King is headed back to the Emmys for her role in "Seven Seconds" and reveals what she was really thinking when she won her first Emmy for "American Crime."
Related lists from IMDb editors
Related lists from IMDb users
Title: Chaplin (1992)
Want to share IMDb's rating on your own site? Use the HTML below.
| Cast overview, first billed only: | |||
| Robert Downey Jr. | ... | Charles Spencer Chaplin | |
| Geraldine Chaplin | ... | Hannah Chaplin | |
| Paul Rhys | ... | Sydney Chaplin | |
| John Thaw | ... | Fred Karno | |
| Moira Kelly | ... | Hetty Kelly / Oona O'Neill Chaplin | |
| Anthony Hopkins | ... | George Hayden | |
| Dan Aykroyd | ... | Mack Sennett | |
| Marisa Tomei | ... | Mabel Normand | |
| Penelope Ann Miller | ... | Edna Purviance | |
| Kevin Kline | ... | Douglas Fairbanks | |
| Maria Pitillo | ... | Mary Pickford | |
| Milla Jovovich | ... | Mildred Harris | |
| Kevin Dunn | ... | J. Edgar Hoover | |
| Deborah Moore | ... | Lita Grey (as Deborah Maria Moore) | |
| Diane Lane | ... | Paulette Goddard | |
The biography of Charles Chaplin, filmmaker extraordinaire. From his formative years in England to his highest successes in America, Chaplin's life, work, and loves are followed. While his screen characters were extremely hilarious, the man behind 'The Little Tramp' was constantly haunted by a sense of loss. Written by Murray Chapman <muzzle@cs.uq.oz.au>
Explore popular horror and thriller movies available to stream with Prime Video.
An attempt to make a film that is both honest and at the same time shamelessly self-serving about its (auto)biographical subject -- the legendary comedian/director Chaplin -- is pulled off with style. It's fun to see some modern talents inhabit the roles of screen's bygone icons (though in some cases a little less charicature would have been appreciated, especially in the case of Mabel Normand). Kline, surprisingly enough, makes a convincing Fairbanks. The rest of the cast is also well-picked -- X-Files fans should watch closely to catch quite a few glimpses of lower-billed David Duchovny as Chaplin's personal editor.
The direction is very good; I particularly liked how some of the straight scenes were filmed in a comic, surrealist style (Chaplin's escape from the police w/ his cans of "the Kid" reels is staged like a Keystone Komedy), while some of what might have been more comic elements are played straight (Chaplin's attempt to convince his brother that "The Tramp" cannot talk in a movie is both funny and serious, for example). Some of the (perhaps true to life) melodramatic elements are a bit overplayed (the bit with his mom was handled too heavily for my tastes, especially her shouting his name as she's dragged away by the asylum guards), but generally the film avoids genre cliches and "easy" scenes.
Great photography.
Downey Jr. fits the roll well, even rising to many of the physical challenges of the Chaplin mystique.
A superior film of its type, laced with self-conscious humor and self-reflection on the artistic temperament.