Years following the events of "The Shining," a now-adult Dan Torrance must protect a young girl with similar powers from a cult known as The True Knot, who prey on children with powers to remain immortal.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family.
Helen Lyle is a student who decides to write a thesis about local legends and myths. She visits a part of the town, where she learns about the legend of the Candyman, a one-armed man who appears when you say his name five times, in front of a mirror. Of course, Helen doesn't believe all this stuff, but the people of the area are really afraid. When she ignores their warnings and begins her investigation in the places that he is rumored to appear, a series of horrible murders begins. Could the legend be true?Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
Kasi Lemmons said it was notorious and edgy filming in Cabrini Green, but felt that it was important to see it and she felt grateful she did see Cabrini Green and that it was really interesting, as she felt she was someplace "really", as it was a real location and helped to get the vibe of the whole thing. See more »
Despite the fact that Helen has been in the mental hospital over a month, her hair is no longer than it was when she was admitted. See more »
[Candyman narrating over the swarm of bees]
They will say that I have shed innocent blood. What's blood for if not for shedding? With my hook for a hand, I'll split you from your groin to your gullet. I came for you.
See more »
Unrated workprints (bootlegs) of Candyman also contain a more graphic beating of Virginia Madsen's character 'Helen' in the toilets by the black youths who enter into the toilet and who kick her several times on the floor while she bleeds profusely from the head wound inflicted from the blow by the hook of the main youth. This is cut in all regular prints See more »
Deeply disturbing, intelligently made and without a screaming teen in sight, 'Candyman' is one of the stand-out horror movies of the decade.
To just list all the elements that make this one of the classiest genre efforts of recent years would probably take up most of the thousand words I am allowed here. Suffice to say, it has a genuinely uncomfortable premise, uncompromising execution and a bone jarringly lonely score by Philip Glass. Tony Todd is exceptional as the hollow-voiced titular creature; a lost soul brought to life by the whispers of myth. At once heartbreaking and terrifying this could be the definitive latter day horror movie monster- if it wasn't just that little bit too close to Hellraiser's Pinhead. But, when you have a winning combination of elegance and disgust in a verbose, cultured villain, why alter it too much?
Virginia Madsen convinces totally as Helen; and you can almost see all the cast acting their little socks off so as not to let the side down. So good, in fact, that I'm struggling to find one bad thing to say about it.
I read here, that in the eyes of one viewer, it "dwells on the nastier things in life" and wasn't a "nice film". I can think of no greater compliment for a truly adult horror movie. No dear, you won't find happy teens in pastel t-shirts having slumber parties and discussing trendy scary movies, while some rap star tries to sell records on the soundtrack. This is a grown up film for grown up people. There is a reason horror films are for adults, and that reason is 'Candyman'.
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