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Man Bites Dog (1992)

C'est arrivé près de chez vous (original title)
NC-17 | | Comedy, Crime, Drama | 15 January 1993 (USA)
A film crew follows a ruthless thief and heartless killer as he goes about his daily routine. But complications set in when the film crew lose their objectivity and begin lending a hand.

Writers:

Rémy Belvaux (story), Rémy Belvaux (screenplay) | 3 more credits »
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6 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Benoît Poelvoorde ... Ben
Jacqueline Poelvoorde-Pappaert Jacqueline Poelvoorde-Pappaert ... Ben's Mother (as Jacqueline Poelvoorde Pappaert)
Nelly Pappaert Nelly Pappaert ... Ben's Grandmother
Hector Pappaert Hector Pappaert ... Ben's Grandfather
Jenny Drye Jenny Drye ... Jenny
Malou Madou Malou Madou ... Malou
Willy Vandenbroeck Willy Vandenbroeck ... Boby
Rachel Deman Rachel Deman ... Mamie Tromblon
André Laime André Laime ... Bed-ridden Old Man
Édith Le Merdy ... Nurse (as Edith Lemerdy)
Sylviane Godé Sylviane Godé ... Rape Victim (Martine)
Zoltan Tobolik Zoltan Tobolik ... Rape Victim's Husband
Valérie Parent Valérie Parent ... Valerie
Alexandra Fandango Alexandra Fandango ... Kalifa
Olivier Cotica Olivier Cotica ... Benichou
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Storyline

A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

A Killer Comedy

Genres:

Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated NC-17 for strong graphic violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Belgium

Language:

French

Release Date:

15 January 1993 (USA) See more »

Also Known As:

Man Bites Dog See more »

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Box Office

Budget:

BEF 1,000,000 (estimated)

Gross USA:

$205,569
See more on IMDbPro »

Company Credits

Production Co:

Les Artistes Anonymes See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Mono

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

This film is part of the Criterion Collection, spine #165. See more »

Goofs

When Ben has suffocated the little kid by putting a pillow on his face, the body stops stumbling and is supposedly dead, but the chest still makes breathing movements. See more »

Quotes

Ben: [after killing a black man] Here's our golden opportunity to see if that legend about their size is true. Rémy, pull his pants down. We'll know in a jiffy. Good Lord! He's really well hung. You can wrap it up now. It's disgusting. The kid's barely 18 and already hung like a polar bear.
See more »

Alternate Versions

ENDING SPOILERS - In some versions, the final shot, where everyone dies, lasts until the film runs out of the camera, which leaves a blank white screen after the film slips out of the camera's gate. In other versions, there is a dissolve between the the final shot and the blank screen at a much sooner point--and the viewer does not see the film slip out of the gate. The Criterion Collection edition released in 2002 has the latter version of the final shot. See more »

Connections

Featured in Zomergasten: Episode #12.2 (1999) See more »

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User Reviews

 
edgy premise
1 April 2016 | by SnoopyStyleSee all my reviews

A camera crew follows serial killer Ben as he kills and steals. He pontificates on life and the world. He likes to steal from old people. As the filming continues, the crew gets pulled further and further into Ben's world of crime.

The premise of a film crew following a serial killer is really edgy. The violence is brutal. The only drawback is the film crew. I don't find them realistic. The movie opens with Ben killing. The film crew should be going to cops unless they're also psychopathic killers. I need to get a sense of the camera crew from the start. Their devolution needs to be better mapped out. The whole crew needs to be as important as Ben in terms of character expositions. Although I can understand the attraction of concentrating on the serial killer. When the crew switches side, I don't feel it like it needs to be. Nevertheless, this is an interesting film that should be seen.


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