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Man Bites Dog (1992)

C'est arrivé près de chez vous (original title)
NC-17 | | Comedy, Crime, Drama | 15 January 1993 (USA)
A film crew follows a ruthless thief and heartless killer as he goes about his daily routine. But complications set in when the film crew lose their objectivity and begin lending a hand.

Writers:

Rémy Belvaux (story), Rémy Belvaux (screenplay) | 3 more credits »
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ON DISC
6 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Benoît Poelvoorde ... Ben
Jacqueline Poelvoorde-Pappaert Jacqueline Poelvoorde-Pappaert ... Ben's Mother (as Jacqueline Poelvoorde Pappaert)
Nelly Pappaert Nelly Pappaert ... Ben's Grandmother
Hector Pappaert Hector Pappaert ... Ben's Grandfather
Jenny Drye Jenny Drye ... Jenny
Malou Madou Malou Madou ... Malou
Willy Vandenbroeck Willy Vandenbroeck ... Boby
Rachel Deman Rachel Deman ... Mamie Tromblon
André Laime André Laime ... Bed-ridden Old Man
Édith Le Merdy Édith Le Merdy ... Nurse (as Edith Lemerdy)
Sylviane Godé Sylviane Godé ... Rape Victim (Martine)
Zoltan Tobolik Zoltan Tobolik ... Rape Victim's Husband
Valérie Parent Valérie Parent ... Valerie
Alexandra Fandango Alexandra Fandango ... Kalifa
Olivier Cotica Olivier Cotica ... Benichou
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Storyline

A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

A Killer Comedy

Genres:

Comedy | Crime | Drama | Horror

Motion Picture Rating (MPAA)

Rated NC-17 for strong graphic violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Belgium

Language:

French

Release Date:

15 January 1993 (USA) See more »

Also Known As:

Man Bites Dog See more »

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Box Office

Budget:

BEF 1,000,000 (estimated)

Gross USA:

$205,569
See more on IMDbPro »

Company Credits

Production Co:

Les Artistes Anonymes See more »
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Technical Specs

Runtime:

| (edited)

Sound Mix:

Mono

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

At the very beginning of the film when Ben strangles the woman, she closes her eyes to show she has died, but then she opens them and then continues to blink until the scene fades. See more »

Quotes

Ben: If you kill a whale, you get Greenpeace and Jacques Cousteau on your back, but wipe out sardines and you get a canning subsidy!
See more »

Alternate Versions

The uncut European version shows the child of the upper-class couple being killed. See more »

Connections

Referenced in One Minutes (2009) See more »

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User Reviews

my viewing experience was a little different than I heard it would be.
6 April 2013 | by marcoklaueSee all my reviews

I consider it a brilliant film, but also very very disturbing. I'd sooner warn people about it than recommend it, even though it's an amazing achievement. So, for what it's worth, here's my viewing experience:

I heard about this film and was immediately hooked on the absurd idea of a serial killer, on the loose, as a willing documentary subject. I also heard that it was pitch-black comedy, and a commentary on violence, society, media, etc. -- blurring the lines between observing and becoming an accomplice and whatnot.

Well, in the first two acts it certainly delivers on the absurdity and the black comedy. Both Ben and the filmmakers are as matter-of-fact about his prolific killing as if it were a documentary about urban architecture, and even in the middle of his murderous acts he remains an engaging conversationalist with all sorts of attributes our culture values: extroversion, confidence, charm, a sense of humor, and fairly informed views on diverse subjects. The juxtapositions are disturbingly hilarious. He laments that African immigrants like the one he just shot don't have equal opportunities in this racist society, or that the color and layout of a certain housing project encourages violence and other social evils. He kills an entire family in their home, then reflects on the waste of human life and how there "should be a law" against that sort of thing. He explains a lot of aspects of his trade (like how to dispose of bodies and which victims are most likely to carry money), but leaves other elements in the dark. He first seems like a murderous variety of the common robber, but then plenty of killings seem to have no material motive at all, while others are clashes with rival killers (the absurdity reaches meta-levels at some points).

I was shocked by the violence and I was also laughing, and I was feeling uneasy about that.

Many reviews talk about how the documentary crew moves from "observers" to "accomplices", but any court of law would already consider them "accomplices" within one minute of the film starting, so that development didn't register so much to me. Sure they started taking a more active part in the carnage, but this wasn't something I considered an unexpected development.

What did register to me was the shift somewhere in the third act. Suddenly I was no longer watching a dark comedy. The violence escalates to a nasty scene that I couldn't even watch, and that left me disturbed and depressed for days. It's like the movie finally decided to show me what I was looking at and say, "well, are you still laughing? Are you?" And I realized: what was there about Ben that was engaging? Even his charming ways among his friends and family were just socially acceptable methods of getting his way and remaining the center of attention, just like killing people and starring in documentaries.

So among the unexpected things I found in this film was a chillingly believable portrait of a textbook sociopath. (The scary thing is that I know someone in my neighborhood who fits that profile as well.)

The film is brilliant and disturbing. Proceed at your own risk.


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