Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
'Journey of Hanuman' preserves moments still existing in India that have not been disturbed by globalization and are connected with the antique spiritual knowledge of India. I wanted to ... See full summary »
A spiritual love-story set in the majestic landscape of Ladakh, Himalayas. Samsara is a quest; one man's struggle to find spiritual Enlightenment by renouncing the world. And one woman's ... See full summary »
Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's ... See full summary »
Without words, cameras show us the world, with an emphasis not on "where," but on "what's there." It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.Written by
Director Ron Fricke invented a special time lapse camera just to make this film as he found the IMAX cameras too cumbersome. See more »
In the closing credits where filming locations are listed by country, Vatican City is listed as a location in Italy when technically it is a country in its own right. Although Vatican City is physically totally contained within Italy, it is an independent nation. See more »
To do describe this work of art simply as a "movie" would be inaccurate and unjustified. More akin to a tone poem Baraka is.
Is this what the world would look like to a god, a being who experiences time differently than we do?
While Koyaanisqatsi effectively drilled its message, "Humans are destroying the planet!", into our hypnotized minds, Baraka lets you ponder and meditate its multiple meanings. Are humans just another part of the ecosystem, behaving as any other organism would with our capabilities? Or are we different, even alien, to this world?
10 out of 10.
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