A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
A police Lieutenant goes about his daily tasks of investigating homicides, but is more interested in pursuing his vices. He has accumulated a massive debt betting on baseball, and he keeps doubling to try to recover. His bookies are beginning to get agitated. The Lieutenant does copious amounts of drugs, cavorts with prostitutes, and uses his status to take advantage of teenage girls. While investigating a nun's rape, he begins to reflect on his lifestyle.Written by
Ed Sutton <email@example.com>
Such was Abel Ferrara's fury of when Werner Herzog directed Bad Lieutenant: Port of Call New Orleans (2009), he said, "As far as remakes go, I wish these people die in Hell. I hope they're all in the same streetcar, and it blows up." Herzog's film was neither a remake nor a sequel to this movie. See more »
In the club, when LT is snorting drugs with the tall guy, the Lords of Acid song "Let's Get High" begins to play (at the middle of the song) right before the scene is cut. Then, in the next scene, LT is in a different part of the club and we hear the same song start playing again, but this time it starts from the very beginning. See more »
Aha just on time .I've got some very very fine brown shit for you.The same you loved the last time you were here.
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The original theatrical version was released with an NC-17 rating. However, there is an R-rated video version which omits a great deal of critical plot structure. See more »
Abel Ferrara's Bad Lieutenant is one of the darkest films I have ever seen. I don't mean dark in the way that it was shot, but in the subject matter of the film. The movie is about a cop who is probably the lowest scumball in the history of modern cinema and how he tries to find redemption in solving the case of a nun who is raped inside a Catholic church. The film is very graphic and terribly depressing but that doesn't make it a bad film. It is well written, well edited by Anthony Redman, well shot by Ken Kelsch and very well directed by Abel Ferrara. The cast is pretty insignificant when you consider the whole film is about Harvey Keitel's character. Keitel is the complete center of this movie and he holds it together. His performance is one of the best in recent movie history and this film is worth watching just to see how far Keitel will go for his art.
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