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IMDbPro

Bad Lieutenant

  • 19921992
  • NC-17NC-17
  • 1h 36m
IMDb RATING
7.0/10
43K
YOUR RATING
Harvey Keitel in Bad Lieutenant (1992)
Home Video Trailer from Aquarius
Play trailer2:08
1 Video
95 Photos
  • Crime
  • Drama
  • Thriller
While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness and redemption.While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness and redemption.While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness and redemption.
IMDb RATING
7.0/10
43K
YOUR RATING
  • Director
    • Abel Ferrara
  • Writers
    • Zoë Lund
    • Abel Ferrara
  • Stars
    • Harvey Keitel
    • Brian McElroy
    • Frank Acciarito
Top credits
  • Director
    • Abel Ferrara
  • Writers
    • Zoë Lund
    • Abel Ferrara
  • Stars
    • Harvey Keitel
    • Brian McElroy
    • Frank Acciarito
  • See production, box office & company info
    • 206User reviews
    • 79Critic reviews
    • 70Metascore
  • See more at IMDbPro
    • Awards
      • 2 wins & 5 nominations

    Videos1

    Bad Lieutenant
    Trailer 2:08
    Bad Lieutenant

    Photos95

    Harvey Keitel in Bad Lieutenant (1992)
    Harvey Keitel in Bad Lieutenant (1992)
    Harvey Keitel and Frankie Thorn in Bad Lieutenant (1992)
    Bad Lieutenant (1992)
    Harvey Keitel in Bad Lieutenant (1992)
    A1 movie poster -  59 x 84 cm or 23 x 33 inches
    Harvey Keitel in Bad Lieutenant (1992)
    Harvey Keitel in Bad Lieutenant (1992)
    Harvey Keitel and Frankie Thorn in Bad Lieutenant (1992)
    Harvey Keitel in Bad Lieutenant (1992)
    Harvey Keitel in Bad Lieutenant (1992)
    Harvey Keitel in Bad Lieutenant (1992)

    Top cast

    Edit
    Harvey Keitel
    Harvey Keitel
    • LTas LT
    Brian McElroy
    • LT's Son (#1)as LT's Son (#1)
    Frank Acciarito
    • LT's Son (#2)as LT's Son (#2)
    • (as Frankie Acciarito)
    Peggy Gormley
    Peggy Gormley
    • LT's Wifeas LT's Wife
    Stella Keitel
    Stella Keitel
    • LT's Daughteras LT's Daughter
    Dana Dee
    • LT's Baby Girlas LT's Baby Girl
    Victor Argo
    Victor Argo
    • Bet Copas Bet Cop
    Paul Calderon
    Paul Calderon
    • Cop #1as Cop #1
    • (as Paul Calderone)
    Leonard L. Thomas
    Leonard L. Thomas
    • Cop #2as Cop #2
    • (as Leonard Thomas)
    Anthony Ruggiero
    • Liteas Lite
    Vincent Laresca
    Vincent Laresca
    • JCas JC
    Robin Burrows
    • Arianeas Ariane
    Victoria Bastel
    Victoria Bastel
    • Bowtayas Bowtay
    G. Elvis Phillips
    • Young Copas Young Cop
    Stephen Chen
    • Korean Store Owneras Korean Store Owner
    Shawn McClean
    • Korean Store Hood #1as Korean Store Hood #1
    John Steven Jones
    John Steven Jones
    • Korean store hood #2as Korean store hood #2
    Fernando Véléz
    • Julioas Julio
    • Director
      • Abel Ferrara
    • Writers
      • Zoë Lund
      • Abel Ferrara
    • All cast & crew
    • See more cast details at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Like many indie-minded directors of low-budget films, Abel Ferrara didn't bother with permits most of the time. "We weren't permitted on any of this stuff", editor Anthony Redman admitted. "We just walked on and started shooting." For the scene in which a strung-out Lieutenant walks through a nightclub, they sent Harvey Keitel through an actual club.
    • Goofs
      At the end, when the Lieutenant enters the bus terminal, he leaves his car behind the street sign, but when he returns, the car has moved forward.
    • Quotes

      Zoe: Vampires are lucky, they can feed on others. We gotta eat away at ourselves. We gotta eat our legs to get the energy to walk. We gotta come, so we can go. We gotta suck ourselves off. We gotta eat away at ourselves til there's nothing left but appetite. We give, and give and give crazy. Cause a gift that makes sense ain't worth it. Jesus said seventy times seven. No one will ever understand why, why you did it. They'll just forget about you tomorrow, but you gotta do it.

    • Crazy credits
      The "Jersey Girls" character credits are reversed. The actress who plays the driver, Bianca Hunter, is listed as the passenger, and Eddie Daniels, who appears as the passenger, is listed as the driver.
    • Alternate versions
      The original US NC-17 VHS version that was available for rent is completely uncut. As it was produced before the Led Zeppelin legal action, it included all usage of the Schoolly D track "Signifying Rapper".
    • Connections
      Featured in At the Movies: Sister Act/Encino Man/Alien³/Far and Away (1992)
    • Soundtracks
      PLEDGING MY LOVE
      Written by Don D. Robey (as Robey) / Fats Washington (as Washington)

      (P) 1954 Music Corporation of America, Inc.

      Performed by Johnny Ace

      Used by permission of MCA Records, Inc.

    User reviews206

    Review
    Top review
    9/10
    Rough content, but beautifully bleak and harrowing
    People are probably right enough when they comment that this entire film essentially hinges on Harvey Kietel's impassioned performance as the corrupt and deeply troubled lieutenant of the title. Which shouldn't necessarily be taken as a shortcoming - an engrossing lead is the one key thing that any one-man character study like this needs in order to flourish, after all. Whether sobbing, howling or clenching his jaws in anguish, or else hanging his head and sipping liquor in silence, his acting here is always raw, convincing and utterly compelling; the kind of portrayal you'd be hard-pressed to take your eyes off. The exact identity of his character is never revealed, but the title informs us he's a 'bad lieutenant', a label seemingly confirmed by his tendency to indulge in substance abuse, work up heavy gambling debts and even, on occasion, pull over a couple of young female drivers and use them as motivation for his own self-pleasure. Very lurid, and yet the way that Kietel plays him also makes feel completely human. He conveys such pain and desperation behind his each and every immoral action that they never come across as nearly as shocking or vulgar to watch as they are harrowing. It's this alone that enables 'Bad Lieutenant' as a whole to reach the true extent of its potential - what could easily be read off as a plethora of fury, drug-taking, masturbation and full-frontal nudity in practice translates very aptly into a sad and striking depiction of a despondent man who's lost his ability to see goodness in anything in life, and who's sinking ever deeper beneath the weight of all those answers being continuously sought in the wrong places. As you've probably worked out by now, this isn't exactly the balmiest movie you could spending your time with (might be wrong, but I don't think there's a single light-hearted moment to be found in the entire screenplay), but if you can bring yourself to look past the sourness on the surface and instead feel sympathy for this bad lieutenant, as Kietel's involving performance invites us to do, then you'll find some considerable power lurking in its bleakness.

    So, while it's Harvey Kietel who really (and rightly) brings things together in 'Bad Lieutenant' and makes it the affecting near-masterpiece that it is, it would be unfair of me to completely overlook Ferrara's role in this equation. He's provided the context against which our centrepiece man must function - a world so run-down, sombre and nihilistic that trying to find redemption round here seems not only impossible, but practically pointless. The mood is well-set by the ever-overcast skies; killing, rape and robbery are rampant, and the Lt isn't exactly given a great deal to aspire to in his day-to-day life. Kietel and his character are admittedly the only things here that come off as particularly outstanding - the vast majority of supporting characters are really all just part of this one big daunting backdrop, with dialogue, screen time and development kept to a strict minimum in each case - though personally I look at this as being more of an additional strength than as a weakness. That everyone else around him always seems so distant only increases the overall feelings of detachment and isolation that draw us deeper into the Lt's outlook.

    Christian faith and symbolism are pretty integral to the overall themes of this movie, but even being non-religious myself I find I can still get a good deal of emotional investment in it. It delivers its underlying issues - of non-judgement and the potential for goodness in even the most repellent of sinners - with acute precision, as reflected in the investigation concerning the raping of a young nun which the plot loosely revolves around. While this heinous crime only serves to strengthen the Lt's belief in the general depravity of the world around him, the nun herself has found solace in her refusal to condemn those who wronged her, viewing them instead as victims as their own confusion and despair. There are of course some fairly sharp parallels between this scenario and the Lt's own personal predicament, which any viewer who's really come to feel for him will recognise - as displeasing as some of the things he himself gets up to may be (and the way he incorporates further crime into his efforts to uphold the law), there's that challenge lying at the centre of every scene as to whether or not we're really in any position to pass judgement upon him. All things considered, is it truly a bad lieutenant that he is at heart or just, well, a sad one?

    I don't imagine that everyone will quite take to the conclusion this eventually leads to (and which I'm not going to give away here), but considering just how weighty a lot of the issues it addresses really are, you never get the impression that Ferrara ever intended to come up with a cut-and-dried solution of any sorts. Instead, he and Kietel have put together a polished and powerful piece of film-making that, though it deals with some pretty disagreeable and, at the time at least, controversial subject matter, is so rich in great acting (well, one great performance, but it's easily worth the input of an entire cast) and slick atmospherics that it becomes entirely captivating. In the end, it's the surprising amount of depth and emotional muscle that it carries, and not the notorious reputation that it garnered, that 'Bad Lieutenant' really deserves to be remembered for - and remembered I hope it always will be. Another great in early 90s cinema.

    Grade: A
    helpful•107
    26
    • soymilk
    • Apr 26, 2005

    FAQ1

    • What are the differences between the R-rated version and the NC-17 version?

    Details

    Edit
    • Release date
      • December 17, 1992 (Argentina)
    • Country of origin
      • United States
    • Languages
      • English
      • Spanish
    • Also known as
      • Un maldito policia
    • Filming locations
      • 1911 Hone Avenue, Bronx, New York City, New York, USA
    • Production company
      • Bad Lt. Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,000,000 (estimated)
    • Gross US & Canada
      • $2,000,022
    • Opening weekend US & Canada
      • $47,454
      • Nov 22, 1992
    • Gross worldwide
      • $2,038,916
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 36 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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