A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
A police Lieutenant goes about his daily tasks of investigating homicides, but is more interested in pursuing his vices. He has accumulated a massive debt betting on baseball, and he keeps doubling to try to recover. His bookies are beginning to get agitated. The Lieutenant does copious amounts of drugs, cavorts with prostitutes, and uses his status to take advantage of teenage girls. While investigating a nun's rape, he begins to reflect on his lifestyle.Written by
Ed Sutton <email@example.com>
Is the only film to feature Harvey Keitel playing a cop who has no name. See more »
At one point during game 4 of the baseball series the radio announcer says, "the next two games are at Shea." In no seven game series format are games 5 and 6 played at the same stadium. See more »
[after giving the Lieutenant drugs]
Shit's gonna kill you, man!
What the fuck are you? A drug counsellor... or a drug dealer? If you don't deal your own product, what kind of businessman are you?
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The theatrical version featured a rap song (Schoolly D's 'Signifying Rapper') based on a riff from Led Zeppelin's "Kashmir" without permission. Subsequent video releases omit the song from the soundtrack. See more »
While I found this film entirely irresistible, I have to say that I found it's strength more on the superficial level, rather than the metaphorical. I was completely uninterested in the obvious story of "the redemption of a damned soul", but I found the journey mesmerizing. Keitel is dead on here and I found myself wondering how deeply immersed in the character he actually was during the drug use scenes.(A la Estevez's drunken tirade in "Apocalypse Now") The use of real locations with no extras and the quasi-impromptu dialogue are probably the two biggest assets here(reminiscent of "Trash" but with better production value). All in all, it's quite a trip through a life of depravity and desperation that gives a great vicarious thrill to the viewer. Don't miss this film.
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