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Après l'amour (1992)

Lola is an independent woman, a professional writer with 2 men on a string. Both men are married with children. When the men, and Lola, face having to make choices, Lola's comfortable life ... See full summary »

Director:

Diane Kurys
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Cast

Cast overview, first billed only:
Isabelle Huppert ... Lola
Bernard Giraudeau ... David
Hippolyte Girardot ... Tom
Lio ... Marianne
Yvan Attal ... Romain
Judith Reval Judith Reval ... Rachel
Ingrid Held Ingrid Held ... Anne
Laure Killing Laure Killing ... Elisabeth
Pierre Amzallag Pierre Amzallag ... Babysitter
Mehdi Joossen Mehdi Joossen ... Simon
Florian Billion Florian Billion ... Olivier
Eva Killing Eva Killing ... Caroline
Ana Girardot ... Juliette
Renée Amzallag Renée Amzallag ... Rebecca
Philippe Chany Philippe Chany ... Manager
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Storyline

Lola is an independent woman, a professional writer with 2 men on a string. Both men are married with children. When the men, and Lola, face having to make choices, Lola's comfortable life becomes less appealing. Written by Reid Gagle

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

Country:

France

Language:

French

Release Date:

15 April 1992 (France) See more »

Also Known As:

Depois do Amor See more »

Filming Locations:

Paris, France

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Box Office

Gross USA:

$75,473
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Soundtracks

Blue Suede Shoes
Written by Carl Perkins
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User Reviews

aka Love after Love
5 November 2001 | by petershelleyauSee all my reviews

In this film Isabelle Huppert visits the ruins of Pompeii where it is said "after love is punishment". This is apt since Isabelle's character, Lola, has terrible luck with men. Her husband has had an affair and her lover is married. Both of these men have children from their non-Lola relationships and both are tied to clinging hysterical females. In comparison, Lola is calm personified, but clearly lacking the manipulative skills to keep a man. Director Diane Kurys' 1983 Entre Nous, also with Huppert, was praised for it's feminist treatment of the story of women with boorish husbands. This time around it appears she has taken the opposite view. Lola's husband is given an Eve Harrington-type secretary, and we are repeatedly told how "stupid" a co-worker's girlfriend is. And yes, you guessed it - she's another hysteric. I can't recall a film directed by a woman, with so many negative portrayals of women. In an attempt to break her writer's block, novelist Lola keeps a diary from which she reads and creates scenarios, but these play as pure soap opera, and filmed in sepia, no less. The script which Kurys co-wrote also reads like a soap opera though occasionally she comes up with something. When Lola's lover discovers his wife is having a revenge affair, he stalks her a la Taxi Driver. When Lola and he embrace, her tears are for the end of their affair, but his are for his cuckold. And there is an argument that becomes funny because of Lola's refusal to participate. Kurys never gives Huppert the opportunities Claude Chabrol does and she is even stingy with closeups, which is a pity since her bob here is very pretty. Kurys tries to flatten Huppert into her mysogynistic universe, ogling her flesh in 2 sex scenes, and even emphasising her shortness. The one lasting positive image is of a blissfully happy Lola, hugging her lover and caressing him Garbo-like with her chin. It recalls the way Marguerite Gautier nestles the chaise longue in Camille, though Huppert adds a kitty-cat smirk of satisfaction.


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