The demonic forces in the haunted Long Island house escape through a mystical lamp which finds its way to a remote California mansion where the evil manipulates a little girl by manifesting itself in the form of her dead father.
A reporter moves into the ominous Long Island house to debunk the recent supernatural events, and finds himself besieged by the evil manifestations which are connected to a hell-spawn demon lurking in the basement.
This movie is a 'found-footage' film about the Benson family who move in to the infamous house where the DeFeo family were murdered in the 1970s over 30 years earlier. Things start ... See full summary »
A desperate single mother moves with her three children into the notorious, supposedly haunted, real-life Amityville house to try and use its dark powers to cure her comatose son. Things go horribly wrong.
Jennifer Jason Leigh,
When an old clock arrives at home as a gift, strange things begin to happen. The family that proudly assigned a privileged place to the clock in the living room, is unaware that this thing is a link to an old and evil house...Written by
Luis Carvacho <email@example.com>
YOUNG AND THE RESTLESS
Performed by Bang Gang
Written by John Scott Taft, Kjartan Ove Kristofferson and Scott Thomas Earl
Courtesy of Sinclair Records
(c) 1991 Bang Gang Music/BMG Songs Inc. (ASCAP) See more »
'It's About Time' rehashes a concept last seen in 'Amityville IV: The Evil Escapes', in that an artifact from the infamous Long Island house is relocated into the home of another family, where it soon begins to take over their lives with its demonic intentions. Hardly surprising, given that John G. Jones was the scribe for both installments.
This, I have to say, is the better attempt, and it goes a long way towards rebuilding the damage done by the painful and indeed execrable 5th film, 'The Amityville Curse'. This time around, the artifact is a clock, and its hellish influence not only possesses both the house and its occupants (naturally), but plays around with time itself, breathing at long last some new ideas into the franchise. The tension is reasonably well-paced, allowing for a gradual build until all hell breaks loose.
At the same time however, 'Amityville 1992' still suffers from a fairly silly and uneven storyline, aggravated by sloppy editing choices that prevent the overall effort from meshing together seamlessly. Add to this some rather hammy acting from veteran performers Steven Macht and Nita Talbot, along with some just plain bloody awful acting from Jonathan Penner, and it becomes difficult to take the film seriously. Thankfully the principal lead is Shawn Weatherly, who avoids the obvious temptation the script offers to go over-the-top and gives a creditable performance under the circumstances, as does Damon Martin, in what looks to be his final film.
Nonetheless, 'It's About Time' makes a far better effort to remember its roots than its two predecessors. With minimal rewrites, IV and V could very easily just be standalone horror flicks, but the plot of VI rests upon the apparently again-destroyed Amityville house's past history. On the one hand, it has no conscious ties to the DeFeo murders, but in the universe of the film franchise, these were supposed to be influenced by the house's long-present demonic incumbents, and it is here where 'It's About Time' builds its story. In the process, it grafts yet another unnecessary centuries-old European explanation for its dark history which I didn't really buy into, but I can let it slide since new ground is being explored. After all, I also have to put aside the obvious fact that if this clock has been in the house all along, why does it only manifest its powers now? Yet this is the most interesting aspect of the film, and if anything, Jones should have really let fly with the time distortion element and tried harder to pull it together into what could have been an even better and possibly mind-bending tale.
At any rate, 'It's About Time' pulls the franchise out of the mire that the previous installment dumped it into. It's still fairly silly, but a great improvement nonetheless.
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