Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named ... See full summary »
Kid brother Chuco (Danny De La Paz) is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals ... See full summary »
Danny De La Paz,
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it.Written by
Gary Dickerson <email@example.com>
Two of the most dangerous street gangs of East L.A., Il Grande Hazard and MC Forceros, called a truce to allow director Edward James Olmos to shoot the movie on their turfs. See more »
When the Mexican inmates are walking up with the mop and bucket to assassinate the African-American inmate, it shows the African-American inmate lying in just a t-shirt on his bed. In the next scene, after he's caught on fire, he's wearing his long sleeve button up. See more »
Can I talk to you a minute?
I heard about what happened. I'm sorry, Santana. Mi carnalito, he messed up.
It wasn't his fault, ese. It was all American beef. When they wanna pop you they're gonna pop you. Want some grill cheese, ese?
You sure, ese? It's good.
People are saying it's Little Puppet's fault.
It wasn't his fault, ese.
You know me, carnal, I'll do anything for La Eme. Anything. But I'm asking you, please, take my brother's name off.
Your brother's name is on a ...
[...] See more »
This almost qualifies as the "Goodfellas" of Mexican Mafia movies, although it lacks the humor and character development that make the violence wrought by Scorsese's goons somewhat palatable.
Not for the weak of heart, this is one of the more daring works of early 90's American cinema. Violent, ugly and (allegedly) based on true events, the film yanks you into a world that lifelong residents of Los Angeles (like me) have never seen. The film starts with the L.A. zoot suit riots of the 1940's as a backdrop (Olmos portrayed "El Pachuco" in the stage and screen versions of "Zoot Suit"), and chronicles the rise and fall of Santana (Olmos) who, along with his boyhood "crime partners" (the always good William Forsythe and Pepe Serna), becomes the overlord of the Mexican prison mafia.
From the get go, the viewer is yanked down to the violent streets of East Los Angeles, then it's on to Folsom State Prison for some of the most brutal prison sequences this side of "Runaway Train."
This film has its critics - some lambaste the acting as second rate, and some view the dialog as corny (the poetic voice over by Olmos worked for me). Personally, I noticed none of this. I regard this as a very important film that deserves to be seen, now more than ever.
Not quite Scorsese, but light years better (and more socially relevant) than the "Penitentiary" movies. Those who can stomach the brutality will be richly rewarded with a film experience not easily forgotten.
5 of 5 people found this review helpful.
Was this review helpful to you?
| Report this