Cast overview, first billed only: | |||
Sal Lopez | ... | Pedro Santana | |
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Vira Montes | ... | Esperanza Santana |
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Roberto Martín Márquez | ... | Acha (as Robert Martin Marquez) |
Dyana Ortelli | ... | Yolanda | |
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Joe Aubel | ... | Tattoo Artist |
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Rob Garrett | ... | Zoot Riot Bystander |
Lance August | ... | Young Sailor | |
Cody Glenn | ... | Older Sailor | |
Don Pugsley | ... | Police Officer | |
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Panchito Gómez | ... | Young Montoya Santana (as Panchito Gomez) |
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Albert Joe Medina Jr. | ... | Street Mechanic |
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Alex Solís | ... | Street Mechanic (as Alex Solis) |
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Raymond Amezquita | ... | Abuelito |
Steve Wilcox | ... | Young JD | |
Richard Coca | ... | Young Mundo |
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it. Written by Gary Dickerson <slug@mail.utexas.edu>
I seen this film when it first came out, back in 92 on VHS. The film stuck in my mind since-there have not been many films like it to date.
Edward James Olmos is magnificent as actor and director. You may not have seen him in many films but he does have a quality about him that casts him perfectly in the principal role of gang leader / drug cartel.
If you like prison films this is one of the best. It hasn't got too many clichés and avoids being overtly pretentious.
William Forsythe is great as Edward James Olmos's buddy and as he-Forsythe-usually does when acting (doesn't try to overact or steal any scenes) he just does the business and blends in as his character engrossing you into the film giving it a more realistic depiction of the setting.
Many prison films usually fit the same formula, showing you the in's and out's, morals and stereotypes usually associated with prison films. American ME just gets right into it and takes you along without preaching those usual morals and overdone cliché characters. This film is on a par with BLOOD IN BLOOD OUT. Check it out!