Max Baron (James Spader) is a 27-year-old high-flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon), a 43-year-old waitress with a fixation on Marilyn Monroe. The couple gradually fall in love, though age and social differences mean that the path of true love is strewn with problems.Written by
Actress Rachel Chagall, billed as Rachel Levin, portrayed a character called Rachel, and so had the same first name as her own. See more »
In the beginning of the movie, when Max drives Nora home from the bar where they met, he makes a 180 turn from the place on the street where he had parked but this is before Nora tells him how to get to where she lives. How could Max have known that he had to turn around from the parking spot to head toward Nora's house? Of course, it could be possible that the road he was parked on led to nowhere and he had to do a 180 to get back onto the main road. See more »
Wait a minute, we get naked with each other and touch each other and you get inside of me and you can't tell me how much rent you pay. Your landlord knows, you're not even fucking him.
See more »
White palace has a great sexual dynamic, clearly Susan Sarandon's character (Nora Baker) is a sexually charged self confident woman who is at least 10 years or so older than James Spader's character (Max Baron). This movie shows how deep attraction and passion can change people's lives (perhaps for the better) and overcome class/personality and age differences.
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
56 of 59 people found this review helpful.
Was this review helpful to you?
| Report this