In the Eighteenth Century, the "Traveling Company of Scenic Arts" composed of Tyrant, Lady Leonarde, Serafina, Isabella, Leandre, Zerbina, Matamore and Pulcinella gets lost while traveling ...
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In the Eighteenth Century, the "Traveling Company of Scenic Arts" composed of Tyrant, Lady Leonarde, Serafina, Isabella, Leandre, Zerbina, Matamore and Pulcinella gets lost while traveling to Paris in bad weather. They see a castle and ask the servant Pietro if they can spend the night. They soon learn that the destroyed castle belongs to the ruined nobleman Jean Luc Henry Camille, the Baron of Sigognac. Pietro asks the company to take Sigognac with them to Paris as King Luis XIII's father was saved by the baron's father, Henrique de Navarra, and Luis XIII would certainly reward Sigognac in gratitude. He also secretly gives one hundred gold coins to Pulcinella to serve Sigognac.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This movie is one of the best films the great Italian director, Ettore Scola has ever made. It also has a fantastic cast, all doing a great job, but, is seems the late Massimo Troisi does outshine them all, with a stunning performance as Pulcinella, a Sancho Panza sort of clown. This fantasy, dream-like tale, is based on the famous book by the same name by Théophile Gautier, the French author. This is actually the 5th movie adaptation of this novel, which must tell you something about its force to attract generations of film makers.
Vincent Pérez plays Baron of Sigognac, a young royal, whose quest for material wealth brings him true love and revelations on the nature of this world. The plot themes are somewhat related to Stoppard's excellent Rosencrantz and Guildenstern Are Dead - both uses the traveling players to explore the nature of the human condition. One might also recall Bergman's Seventh Seal, but Fracassa is more akin of Stoppard's light hearted, witty, approach to those grave subjects.
A truly exceptional, beautiful and entertaining film, a long standing achievement for all involved, surely better than Il Postino, though, sadly, much less known. Surely overdue for re-release?
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