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Van Gogh (1991)

The final sixty-seven days of Van Gogh's life are examined.

Director:

Maurice Pialat

Writer:

Maurice Pialat
Reviews
3 wins & 12 nominations. See more awards »

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Van Gogh (2020)
Biography

An intoxicating biopic about the art world's "mad genius" Vincent Van Gogh.

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Cast

Cast overview, first billed only:
Jacques Dutronc ... Vincent Van Gogh
Alexandra London Alexandra London ... Marguerite (Gachet)
Bernard Le Coq Bernard Le Coq ... Théo Van Gogh
Gérard Séty Gérard Séty ... Gachet
Corinne Bourdon Corinne Bourdon ... Jo
Elsa Zylberstein ... Cathy
Leslie Azzoulai Leslie Azzoulai ... Adeline Ravoux (as Leslie Azoulai)
Jacques Vidal Jacques Vidal ... Ravoux
Chantal Barbarit Chantal Barbarit ... Madame Chevalier
Claudine Ducret Claudine Ducret ... Professeur de Piano
Frédéric Bonpart Frédéric Bonpart ... La Mouche
Maurice Coussonneau Maurice Coussonneau ... Chaponval
Didier Barbier Didier Barbier ... L'Idiot
Gilbert Pignol Gilbert Pignol
André Bernot André Bernot ... La Butte Rouge
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Storyline

In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet's daughter Marguerite (who's half Vincent's age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for sexuality and nudity | See all certifications »
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Details

Country:

France

Language:

French

Release Date:

30 October 1992 (USA) See more »

Also Known As:

Ван Гог See more »

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Box Office

Gross USA:

$193,205

Cumulative Worldwide Gross:

$193,205
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Daniel Auteuil was originally considered for the part of Van Gogh, but he declined. The role was then proposed to Jean-Hugues Anglade, before Jacques Dutronc was finally cast. See more »

Connections

Referenced in Cine Terapia: Cine Terapia - Diego Araujo (2017) See more »

Soundtracks

Dexuième Symphonie, Pour Cordes
Arthur Honegger
Symphonieorchester des Bayerischen Rundfunks
Direction: Charles Dutoit
Editions Salabert, Enregistrement : Erato Disques 45247
See more »

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User Reviews

 
The People In Van Gogh's Life
12 May 2013 | by LechuguillaSee all my reviews

The film focuses entirely on the final three months of the artist's life, as he lived in Auvers, near Paris. What we get is a cinematic study, not so much of Vincent himself, but of his relationship with those around him in those final weeks: the doctor and his family, the brother and his wife, the people at the hotel, his various love interests. For a film about a painter, the plot has him painting very little. The film is almost a soap opera of back-and-forth talk, mostly serious but with some lighter moments mixed in. Too much dialogue is my main complaint.

Vincent (Jacques Dutronc) comes across as introverted, shy, temperamental, intellectual, and unpredictable. He gets a lot of criticism of his painting from those around him. It's hardly a supportive environment, especially given how prosaic, trite, and banal these people are. Tensions arise over mundane issues like comparisons with contemporary painters, money, Vincent's recurring mental problems, romance, and so on.

The visuals look really good. Cinematography is competent and unobtrusive. Costumes and prod design seem authentic for the period and suggest strong tendencies toward a Victorian, prim, pretentious culture. Casting is acceptable. Acting is very good because it is so understated. Pace trends slow. There's very little music in this film, and no score; which conveys a sense of realism as people come and go amid the perfunctory activities of everyday life.

It's been said that legends don't look like legends when they are being made. I think that applies to Van Gogh, here. He's just another painter worrying about his art, suffering from mental and/or physical ailments, and surrounded by banal people. That would not be Hollywood's approach to this famous artist. But it's an approach that's far more realistic and believable. The legend stuff would come later.


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