The shepherd Gombo lives with his wife, three children and grandmother in a tent on the Mongolian steppe. They are pleased with their rustic conditions, until a Russian truck driver, ...
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In the Soviet Union in 1936, shadow of Stalin's repressions lie on a famous revolution hero. An accusations of being him a foreign spy are nonsense, and all known that, but a slow process of his life's downfall is already running.
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the ... See full summary »
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' ... See full summary »
Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ... See full summary »
Tamara and Sasha were separated during the war. Now (1957) Sasha is visiting Moscow for five days and by chance recognizes the house where Tamara used to live. She is still living there with her nephew Slava.
The shepherd Gombo lives with his wife, three children and grandmother in a tent on the Mongolian steppe. They are pleased with their rustic conditions, until a Russian truck driver, Serguei, gets stuck with his truck nearby. The cultural gap between Gombo and Serguie seems invincible. But maybe they can learn a few things from each other?Written by
one of the few films that makes me believe in humanity
One of the best films I know: beautiful, pensive, playful, realistic, poetic, humane, up-lifting. In the barrage of trash, one of the few films that makes me believe in humanity. I love this film so much that I arranged home projections for my friends several times. With all the up beat that I am mentioning, it is very open and truthful. Where in an American movie could you see an on-screen slaughter of a real lamb? And it was not ugly or gory at all! On the contrary, it was very decent and sensitive, teaching us respect for Nature.
And another little point. Has anybody noticed the inconspicuous little voice-over at the end which essentially makes "Urga" science fiction?!
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