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Ucieczka z kina 'Wolnosc' (1990)

During the screening of the film "Daybreak" at the Liberty Cinema, movie characters suddenly come alive and begin to talk to the viewers. The situation surprises communist authorities who send a censor to the theatre.
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Cast

Cast overview, first billed only:
Janusz Gajos ... Censor Rabkiewicz
Zbigniew Zamachowski ... Assistant to the Censor
Teresa Marczewska ... Malgorzata
Piotr Fronczewski ... Communist Party Secretary
Wladyslaw Kowalski ... Actor Tadeusz Playing Professor
Michal Bajor ... Film Critic
Jan Peszek ... Raskolnikov
Jerzy Binczycki ... Cinema Manager Karwanski
Artur Barcis ... Projectionist Krzysio
Maciej Kozlowski ... American Actor
Henryk Bista ... Janik
Ewa Wencel ... Censor's Secretary
Krzysztof Wakulinski ... Jerzy
Zofia Graziewicz Zofia Graziewicz ... Ticket Control at the Cinema (as Zofia Tomaszewska-Graziewicz)
Aleksander Bednarz ... Edward
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Storyline

The film is set just before Poland's communist regime came to an end. The central character is a provincial censor, a tired, sloppy, lonely man, whose wife left him a long time ago. For him, censorship is both an art and a game, but he does not enjoy it. During the screening of a sentimental Polish melodrama called "Daybreak" at the Liberty cinema, just across the street from the censor's office, the actors start to rebel and refuse to speak their lines. This is anarchy, and when the censor is unable to control the situation, senior party officials are called in. Eventually a film critic notices that the situation reminds him of "The Purple Rose of Cairo" by Woody Allen, and brings a reel of the film to demonstrate it. The officials watch the film with amusement until another mix-up occurs: the second projector is turned on accidentally and superimposes "Daybreak" over "The Purple Rose". Written by Polish Cinema Database <http://info.fuw.edu.pl/Filmy/>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Fantasy

Certificate:

PG | See all certifications »
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Details

Country:

Poland

Language:

Polish

Release Date:

15 October 1990 (Poland) See more »

Also Known As:

Escape from the 'Liberty' Cinema See more »

Company Credits

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Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Connections

References Citizen Kane (1941) See more »

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User Reviews

 
An absolutely difficult albeit thoroughly accessible film by one of Polish cinema's most intellectual directors Mr. Wojciech Marczewski.
8 January 2016 | by FilmCriticLalitRaoSee all my reviews

Polish film 'Ucieczka z Kina 'Wolnosc' is better known to a handful of erudite cinema viewers as 'Escape from liberty cinema'. It remains a veiled assault against the ills of censorship. Made in 1990, a time when most communist regimes collapsed in Eastern Europe, by Polish director Wojciech Marczewski, this film describes the damages which censorship can do in order to destroy a film as well as people associated with it and how these damages can be countered ? There is no biased stance in the film as even the hidden human side of a much hated censor official is depicted. However, it turns out to be ineffective as it comes at a wrong time when a lot of damage had already been done. 'Escape from liberty cinema' is a brave effort by acclaimed Polish director Wojciech Marczewski which needs to be applauded at all costs as during its actual shooting, there was always a hidden possibility to receiving plausible threats from Communist party as well as censors. In many ways, it reflects the dilemma in which many national cinemas of East Europe had put themselves after the collapse of communist regimes. Part comedy, part tragedy and part drama this film is a work of a genius as no easy answers are given in the film. The viewer is required to delve deeper into a character to find out more about the overall meaning of the film. Lastly cinema is a universal language is highlighted as it pays homage to American cinema especially to Woody Allen. It is nice to learn that even during communist times, some award winning American films were accessible to Polish people. Lastly, actors walking out of screens have become regular attractions in cinema. It was for the first time in the history of cinema that an actor walked on to the screen to solve artistic problems.


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