It's late 17th century. The viola da gamba player Monsieur de Sainte Colombe comes home to find that his wife died while he was away. In his grief he builds a small house in his garden into...
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Enrico Lo Verso,
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It's late 17th century. The viola da gamba player Monsieur de Sainte Colombe comes home to find that his wife died while he was away. In his grief he builds a small house in his garden into which he moves to dedicate his life to music and his two young daughters Madeleine and Toinette, avoiding the outside world. Rumor about him and his music is widespread, and even reaches to the court of Louis XIV, who wants him at his court in Lully's orchestra, but Monsieur de Sainte Colombe refuses. One day a young man, Marin Marais, comes to see him with a request, he wants to be taught how to play the viola.Written by
Daniel Bjoerkman <Daniel.Bjoerkman@p16.lurivax.ct.se>
Throughout the film the music-making is very poorly mimed. See more »
[in French, using English subtitles]
Open your mouth so we can hear you. I can't follow you. You're not listening. You're going too fast. Let's start over with the first notes of the song. Stop! The Master has signalled. The Master would speak. Speak, Master.
Each note should end dying.
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It's as futile to lump 'Amadeus', 'My Brother Vincent', 'Immortal Beloved', and 'Tous les matins du monde' together as it is to indiscriminately group all films about crime or all sci-fi flicks. So with pretentious generalizations on "art films" out of the way, I'd like to point out that 'Tous les matins' masters the art of pacing in a film. The story unravels in a process like the blooming of a flower -- consistent, organic, and fascinating, albeit a shade slow.
Secondly, any renaissance/baroque music fans should see this film merely for its delightful scoring. Though early European music may be an acquired taste, "Tous les matins" presents the viola de gamba in all its expressive glory, foreshadowing works like Bach's well-known cello suites. If the quasi-deep attempts to address the definition of music bother you (as they occasionally bothered me), the complementation of the music and the film's pacing will captivate you nonetheless.
And offhand, fans of Julian Sands (especially in 'Impromptu')will get a kick out of comparing him to Guillaume Depardieu as the young Marin Marais...;)
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